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Martin Audio

MARTIN AUDIO RELEASES DISPLAY 3 BETA 5 FEATURING NEW SUB ARRAY TOOL

Martin Audio has announced the latest major update to its 3D prediction software featuring a new sub array tool that user trials have declared as “astonishingly powerful”, as well as a host of additional features and workflow improvements.

DISPLAY 3 is a powerful tool for both live and installation projects, working seamlessly with SketchUp for sophisticated venue modelling, thus allowing for simpler venue and shape creation. Incorporating many of Martin Audio’s line array, constant curvature, point source and subwoofer solutions, DISPLAY 3 is ideal for cohesive system design and prediction in a 3D environment.

This latest beta version incorporates, for the first time, a new sub array tool enabling rapid design of ground deployed linear arrays of subwoofers. Traditional techniques have been employed to determine the EQ required to approximate and steer far-field beams. Emphasis has been placed on the speed of design using a handful of parameters, rather than requiring manipulation of individual loudspeakers and associated EQ elements.

“THIS IS A SIGNIFICANT UPDATE TO DISPLAY 3 THAT I’M CONFIDENT OUR USERS AROUND THE WORLD WILL RELISH.”

Ambrose Thompson, Research Director.

In this version, two sub array types are supported with ‘Broadside Stack’ and ‘Castellated’ configurations. For Broadside Stacksany sub loudspeaker can be selected, while for Castellated scenarios only subs which have cardioid settings available can be utilised—but more will be added over time.

Castellated arrays have three styles defined as Presets, with ‘Bookend’ where the end parts of the array are two boxes high; ‘Buttress’ where the array is one box high at the ends; and ‘Uniform’ consisting of an array of L shaped elements. Beam width can be set from 1 degree to 180 degrees, where setting to 1 degree will generate the narrowest beam possible from the array and by incrementing the width users can get closer to the coverage required.

Ambrose Thompson, Research Director, commented, “While it is the first iteration of this sub array tool, I believe it already sets a new benchmark in prediction software, and I’m delighted that user trials have also re-confirmed this.”

The Beta 5 release also includes other notable updates including the following: an early version of a tool to display the frequency response at any position on a surface; flown deployments of Martin Audio’s latest product, TORUS 8; a new control in the Loudspeaker Property Inspector to optionally constrain aiming angles to those available for the pin locations in the lift bar; default speaker insertion heights, and the inclusion of BlacklineX point source and subwoofer solutions.

Summing up, Thompson said, “This is a significant update to DISPLAY 3 that I’m confident our users around the world will relish. As with all things software, there are always new developments required and we are already hard at work on the next set of updates.”

For more: https://martin-audio.com/support/software

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Martin Audio

MARTIN AUDIO, BELAIR AND THE BUG CLUB TEAM UP FOR ECO-FRIENDLY ‘UNPLUGGED BUG’

Martin Audio has teamed up with Belair Technology and The Bug Club to deliver the ultimate eco-friendly VW Pop-Up DJ Booth.

Since 2013, The Bug Club has delivered hundreds of events from private parties, festivals, brand activations to product launches, carnivals, exhibitions and street parties but their latest creation, the Unplugged Bug, is a unique intersection of sonic experience and environmental responsibility.

The fibreglass-built vehicle itself is 30% larger than a standard VW Camper and is designed to be a ‘festival friendly’ DJ booth. The custom-built Martin Audio sound system runs entirely on renewables thanks to Belair’s rack mounted Power Tower. The Power Tower is a clean and modern rechargeable battery-powered replacement for noisy and polluting generators and with its easy-to-use operation combined with silent running and zero emissions delivers the perfect ‘off-grid’ solution.

Belair Technology was founded in 2019 with the goal of electrifying events previously powered by diesel generators. Its founder John Baillie grew up with a love of music and a passion for science, having for a time worked at CERN, the world’s largest particle accelerator:

“As an avid festival-goer, I noted how off-grid events are desperate for sustainable solutions, yet often have little option but to use polluting diesel generators. Working with Martin Audio and the Bug Club to deliver the Unplugged Bug is a great step forward and I’m excited about what we can learn from its operation over the summer.”

John Baillie, Belair Founder.

The custom-built sound system, capable of entertaining crowds of up to 500 people, comprises two 15” 3-way high performance loudspeakers, each pole-mounted to a double 15in direct radiating subwoofer, and controlled by a DX4.0.

Martin Audio Managing Director, Dom Harter, commented, “My personal love for both VW camper vans and DJ culture led inevitably to the door of the great people at The Bug Club. At the same time I had been introduced to John and his work on renewables, and it just all fitted into place. At Martin Audio, environmental sustainability is an important initiative, and this latest development will help explore new possibilities for us in the future.”

To complete the sustainability equation The Unplugged Bug is designed as a trailer (no engines!) and as a policy all their carbon footprint is offset by planting trees. The Unplugged Bug can also be supplied with top quality DJs and equipment, pro lighting, disco balls, sound technicians and branding options. The Bug Club fleet can even offer bar services, with experienced mixologists.

With the summer season fast approaching this is seen as the ultimate in mobile discos, ideal for exhibitions, sporting events and all manner of summer parties prioritising environmental responsibility. It has already been booked for numerous events and will also be on show at Martin Audio’s upcoming Open Days taking place April 18-19that their headquarters in High Wycombe.

Summing up, Justin Rushmore, Managing Director of The Bug Club, said, “We were delighted to team up with Martin Audio and Belair on this initiative. It was clear from the outset there was a meeting of minds on the sustainability aspect of live events, and we believe we can gather key data and insight that can help to not only further improve these types of events but also scale up to bigger initiatives.”

For bookings: https://thebug.club/

Photo credit: Rick Sleiman

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Martin Audio

TORUS INTRODUCED AT TSUKUBA CAPIO HALL

Ibaraki Prefecture, known as the Science Future City, (located near Tsukuba Station on the Tsukuba Express, Tsukuba Capio in Tsukuba City), is a place for citizens to interact through cultural and sports activities.

Among these facilities, Capio Hall is the city’s event hall suitable for dance and theater. Opened in July 1996, it has created a full-fledged theater space with a unique arrangement of 384 seats that creates a sense of unity between the performers and the audience, and high-quality stage equipment.

In 2022, Capio Hall underwent a major renovation of the speaker system, and was introduced to Martin Audio’s latest model TORUS.
Mr. Endo of Sigma Communications Co., Ltd., which is in charge of technical management of the hall, talked about the renovation issues as follows.
“Originally, the center proscenium was of the exposed type, and clusters were assembled using multiple point source speakers on a lifting grid. When updating the equipment, we naturally considered line arrays, but there were issues. The Capio Hall is not very deep, but the horseshoe-shaped balcony seats extend up to the third floor, and the vertical coverage angle is very large.
” It was clear that if we were to introduce a line array with such a large number, we would have to use a large number of lines just to ensure the vertical directivity angle. Therefore, the constant coverture array was considered.

Martin Audio’s new model TORUS is a perfect match for theaters with high ceilings, even though the target distance is short throw. For venues with a depth of 15m to 30m, full-fledged line arrays may not meet your needs in terms of practicality and price. However, point sources may not provide sufficient coverage or SPL. TORUS is a constant curvature array designed to fill that gap perfectly by combining optimized coverage, SPL realization and cost efficiency.

The lifting grid of the proscenium was retrofitted with a new 4-bar vertical array consisting of 2 x T1215 and 2 x T1230. With these four, we were able to secure a vertical directivity angle of 90 degrees, which was enough to cover from the top 3rd floor to the front row of the 1st floor. In addition, the XD12 is installed in the side column along with the subwoofer SX118, which are independently driven by the iK42 DSP power amplifier. A total of six Blackline X8s were also installed for infill and balcony seating assistance, powered by Powersoft’s Quattrocanali series.

Mr. Ota of Audio Brains, who did the sound adjustment, talks about it. “Initially, the concept was to aim narrowly at a distance and widen at a close distance, but when we made adjustments while actually producing sound, we found that a 90-degree horizontal directivity angle would provide a better coverage area. As a result, 80% of the venue can be covered by the proscenium. The auxiliary X8 adjusts the delay and volume to match the proscenium, and only follows a small area. With TORUS’s wave, the angle of the guide can be changed even with the grill attached, so it’s good that we can flexibly respond to cut-and-try on site.”

Mr. Endo concludes: “The Capio Hall needs to be able to accommodate a variety of events for the public. Recently, dance recitals by students have become popular, and more and more sound pressure is required from the speakers installed in the facility. , the TORUS and subwoofers have plenty of headroom to handle this, and we are very happy with the new setup.”

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Martin Audio

VME INCREASES MLA INVENTORY TO OVER 100 ENCLOSURES FOR ARENA BOXING EVENTS

For nearly a decade, Martin Audio partner, Manchester-based VME, has been providing PA for major boxing events in the nation’s arenas, on an accelerating basis.

Starting out with an inventory of 48 MLA multicellular loudspeaker array enclosures, such has been the demand from this sector that the rental fleet has now more than doubled, and this month the rental company announced that it has increased its inventory of MLA family products to over 100. This makes VME one of the largest MLA rental stagers in the UK.

Explaining the underlying reason, operations manager Aaron Harvey-Holt says that this is in recognition of the fact that his company is now servicing over 40 events a year for TV transmission through Sky Sports, BT Sports and DAZN—all in major UK venues such as Wembley Stadium, Wembley OVO Arena, The O2 Arena, Cardiff International Arena and Manchester AO Arena.

“MLA IS GREAT FOR THE TIGHT TIME SCALE WE OFTEN HAVE TO DELIVER IN AS SOMETIMES WE DON’T HAVE RIG DAYS”

Aaron Harvey-Holt, Operations Manager, VME

Events include the IBF World Heavyweight Championships—and bouts ranging from David Haye to Tyson Fury—to the more recent high-profile Misfits ‘crossover’ series which saw YouTube star KSI going head-to-head with FaZe Temper at OVOArena,Wembley.

Rigging a system in the round is quite unlike reinforcing a conventional pros arch rock concert. For example, the PA fly position is normally set within a 7 sq.m grid immediately above the ring and configuration can vary from hangs facing out on all four axes to distributed hangs and delays to ensure crowds of up to 20,000 have full intelligibility of all action—from the walk-in music to the National Anthem, DJ interval music and MC announcements.

The Misfits event, with all the razzmatazz associated with it, was no exception.

Aaron Harvey-Holt is clear as to why MLA has become their go-to system. “It’s for the ease of rigging,” he says. “MLA is great for the tight time scale we often have to deliver in as sometimes we don’t have rig days.” Further to this, the flexibility it affords is vital when they are having to work around TV company constraints. Having venue parameters in their library is no guarantee that they won’t have to take new measurements each time and create a different profile.

“This is precisely why we recently purchased another 24 MLA Compact and 20 MLA,” explains the VME ops manager. For the KSI fight alone they fielded 70 MLA boxes and 24 MLA Compact. “We rigged nine hangs of MLA / MLA Compact in total … 25 boxes a side at the stage end for mains, subs and sidefills—with five MLX a side in cardioid flown, behind the two main hangs—and three hangs further down the arena for delays at the left, centre and right positions.”

The flexibility of the system has also proved a hit with VME’s project manager Mikey Greenwood and system designer Gareth Thomas—the latter working alongside Ben Marsh who is alsode factosystem tech. He ensures that MLA’s advanced optimisation will enable sound to be steered precisely where it’s needed — designing the horizontal projection in CAD, mapping to where the TV interviews take place, and implementing the ’Hard Avoid’ setting on any reflective VIP boxes. This also takes into account the sensitivity of the broadcast mics when it becomes essential to deaden the sound around the ring.

“With complex events such as this, having that level of control with MLA is vital,” summarises Aaron Harvey-Holt.” It provides massive benefits all round.” Plus, of course, when not on duty at their own events, there will be plenty of scope for cross-hiring MLA, such is the demand during the busy summer season.

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Martin Audio

DISCOVER CHURCH UPGRADES WITH MARTIN AUDIO WAVEFRONT PRECISION

A Wavefront Precision line array forms the centrepiece of a new AV upgrade at the Discover Church in Milwaukee, specified and installed by Martin Audio partner Avenue Systems.

The expanding ministry has undergone several campus extensions since 1969, culminating in a major renovation in 2022, which included the sanctuary. Avenue Systems were part of that renovation process. “This is the project that allowed for the installation of the new Martin Audio rig,” confirms founder and CEO, David Price. “We helped coordinate the design and integration for the newly renovated space.”

Avenue Systems were tasked with undertaking a full AV makeover of the main worship area and video control room, installing new audio, lighting, video, control and acoustical systems for every aspect of the main auditorium’s AV.

Explaining the requirement in more detail, Price confirmed that the PA would need sufficient versatility to reinforce typical modern worship, with full band, plus occasional choir and orchestra for special occasions in a room seating a little over 1800 congregants. “The church also conducts several special musical events throughout the year and hosts a smattering of professional Christian music artists and large conferences,” he added.

Martin Audio’s market leading Wavefront Precision line array was deemed best fit for purpose. “Although [the client] did not have prior experience we were able to arrange a demo for them before the renovation which helped facilitate a worship conference they were hosting in the space.

“THE MARTIN AUDIO SYSTEM HAS PROVEN TO BE A WORTHWHILE INVESTMENT FOR OUR CHURCH”

Danelle Yacco, Technical Director, Discover Church

“The demo is clearly what won the project. They were blown away by the clarity and performance of the system. It provided the necessary output for the special event, but using it over the weekend also displayed for them how well it performed even at lower levels for their regular weekend experience.”

Avenue Systems have been recommending Martin Audio solutions for several years. Their first project was a small CDD system for a client in Clearwater, FL. back in 2017. “We were immediately compelled by the performance and price point of the system so that Martin quickly became a staple for us in projects across the country.”

This grew in size and potency to the large system now deployed at the Discover Church.

Designed and optimised by the Avenue Systems technical team it comprises: 16 flown WPS (eight per side) as a stereo main array; 16 flown WPM (eight per side) as outfill arrays for the raked seating; a pair of flown SXH218 cardioid subwoofer arrays (each with three SXH218 elements) and eight of the popular DD6 front fill speakers, stationed on the lip of the stage. Finally, a pair of Martin Audio LE200 wedges provide the pastor with reference monitor sound.

All arrays are powered by Martin Audio’s iKON multi-channel process amplifiers in the optimum 1-box resolution—iK81s assigned to the arrays/fills and iK42s to the subwoofer arrays.

Visualisation and optimisation were carried out by a combination of Martin Audio’s DISPLAY2 and 3 proprietary software, along with EASE. “The system performed incredibly well … virtually straight out of the box,” said Price. “We did adjust the optimisation slightly to ‘hard avoid’ the balcony face, which added some additional clarity and minimized some odd reflections.”

Explaining his philosophy regarding room acoustics, he said, “The RT of the space was initially not bad—at roughly 1.75 seconds. The church did want to add some treatment to lower it to 1.5 or slightly less, but didn’t want to lose the character of the space they had come to know. They are a ‘spirit-filled’ congregation and value the congregational participation. It was a factor knowing that they didn’t want to ‘over treat’ the room. I knew the optimisation would be a great way to compensate for acoustical treatment by instead optimising the coverage. Although this was an unusual-shaped room, the rig handled it beautifully.”

The Church’s technical director Danelle Yacco agreed. “The Martin Audio system has proven to be a worthwhile investment for our church. We have noticed a dramatic improvement in sound quality, allowing for a truly immersive worship experience. The sound is clear and consistent, providing even coverage throughout the building—from the front row to the back, and up to the gallery.”

In summary, David Price praised the support of Martin Audio’s Joe Lima and Martha Callaghan. “They did an amazing job in helping to provide the demo system. The tech support from Martin Audio is always top notch.”

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Martin Audio

MARTIN AUDIO REVISITS SUCCESSFUL FORMULA WITH STREAMED AND OPEN DAY PRODUCT LAUNCHES

In an evolving post-pandemic world, Martin Audio has continued to keep ahead of the curve in its method of introducing new products to a global customer base.

It has revisited the successful formula first introduced at the recent ISE 2023 show in Barcelona—whereby non-attendees could share the same product launch experience as those who made the trip to Barcelona … except in the virtual world. As a result, the company has laid out its stall for a similar online experience in advance of its now firmly established biannual open days. These will take place at their High Wycombe HQ, the difference this time being that the visitor experience will take place within the company’s newly refurbished facility.

“The international launch of our new TORUS 8 in Barcelona was very much an experiment in the way we presented new products to both the market and the media,” said Director of Marketing, James King. “Fortunately both the real-world attendance at our booth and our demo room, alongside the number of logins and catch-up replays to the two streamed events fully vindicated our decision and far exceeded expectations.

“It therefore makes perfect sense to repeat the successful formula to combine our celebrated UK Open Days with a curtain raiser online Special Launch Event, a week before.”

The online event is scheduled for April 12, when, as previously, separate sessions are scheduled for 8am and 4pm (GMT). The Open Days then take place on April 18-19 where visitors can experience the entire suite of new products previewed a week earlier at the online event.

It promises to be a packed showcase, running constantly from 9.30am through to 5.00pm on both days. In addition to the highly acclaimed TORUS 8, which picked up the coveted ‘Best In Show’ award at ISE—along with its matched flown cardioid SXCF115 subwoofer—products from Focusrite Group partners, Linea Research, Focusrite Pro and Optimal Audio will be on view. The presentation will conclude with a crescendo of Martin Audio’s latest systems.

Visitors can register for a day pass leaving flexibility for when they wish to arrive and leave.

Summarising, James King said, “We now see this style of presentation as the future for us going forward, as momentum within the company reaches an unprecedented high. Customer flexibility is paramount in our minds, and this provides the opportunity for the Martin Audio community globally to attend a mini-exhibition … whether virtually or in person.”

UK Open Days Location: Martin Audio HQ. Century Point, Halifax Road, Cressex Business Park, High Wycombe, Buckinghamshire, HP12 3SL. UK.

Registration:

Online Launch Event https://martin-audio.com/events/april2023

UK Open Days https://martin-audio.com/events/april2023opendays

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Martin Audio

NARVIK BATTLE REALISM CAPTURED AT MOVIE WORLD PREMIERE THROUGH WPC 5.1 SYSTEM

The story of Hitler’s first defeat in the Second World War is depicted in the stunning new Netflix film,Narvik. This is named after the small town in Northern Norway where the Norwegian army and the Allies fought and won the first battle against Germany.

The world premiere was naturally held in Narvik itself with a big outdoor cinema especially created in the town square, which was free for everyone. The realism of the battle, and the associated sound effects, were authentically captured by a Martin Audio Wavefront Precision line array deployment in 5.1 surround, in a completely unique and unprecedented production.

Stein Hjertholm from the event production company All-In, originally contacted Thomas Nordvik Olsen from Audiolight in Harstad and he, in turn, asked if Øystein Wierli, Head of Sound at Atendi, Martin Audio’s Norwegian distributor, could act as consultant. This was because such an undertaking had never been attempted before, let alone for a movie world premiere in a town centre.

“We had no hesitation in jumping straight in,” exclaimed Wierli. “But when we actually started thinking about it, we had two main challenges. Aside from the fact that this was a first for an outdoor cinema in this format, it was also planned for mid-December.”

He was well aware that temperatures in the Arctic Circle at this time of year are generally down to below -20°C. “If you are lucky, you only get a metre of snow in a day! So not only was the production ambitious in the first place, but the weather was certainly a wild factor as well.”

On the day itself the temperatures were somewhat kinder and the weather clear. “It was only -10°C … obviously still cold for an outdoor cinema, but those who were dressed for the occasion had the opportunity to witness a historical event—and right on the exact same ground where history had taken place over 80 years earlier.

However, there had also been further hiccups. The premiere had been originally set to take place in December 2021, until the pandemic rendered this impossible. An attempt was made to reschedule to March 2022 but the war in Ukraine then posed ethical questions on whether it was appropriate to show war scenes in such a format. “So the production moved on once more,” continued Wierli, “and finally on December 11 last year it went ahead.”

Øystein Wierli was on site supervising and tuning the Wavefront Precision to perfection. “They needed to make sure the PA system would do justice to the film’s massive soundscape. The soundtrack was created to match the actual scenes and sounds from 1940. It was both frightening, and at the same time authentic.”

To achieve this a total of 36 WPC elements and 18 SXH218 subwoofers were deployed, in 5.1 configuration, powered by 16 iKON iK42 multi-channel DSP amplifiers. Audiolight provided the PA and crew to rig the WPC / SXH218 system.

“The biggest problem beside temperature and snow was to create a phantom centre channel, as a centre hang of speakers was impossible,” Øystein Wierli admits.

Summarising the success of the event, he concludes, “We don’t think anyone around the centre of Narvik would have missed the explosions and other hard hitting sound effects.” But for those that wanted something softer, as a bonus there was also a family-friendly film and kids’ afternoon on the same day.

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Martin Audio

GLOBAL PRODUCTION SERVICES FIRST INDIAN RENTAL COMPANY TO INVEST IN WPC LINE ARRAY

One of India’s fastest growing live event service providers, Global Production Services (GPS), has added a Martin Audio WPC line array to its inventory. In so doing it has become the first company in India to invest in the company’s market-leading Wavefront Precision Compact line array, with its scalable resolution.

The system was supplied, and will be supported by Vardhaman Megatech Pvt Ltd (VMT), Martin Audio’s Indian distributor.

GPS has built a formidable reputation for providing superlative sound reinforcement solutions for live events across the state of Maharashtra over many years, with the company’s portfolio spanning prominent Bollywood music events, award ceremonies, political rallies, corporate functions and more as well as conventional live gigs.

“We have always placed great pride in the quality of technical equipment and expertise that we provide for our shows,” states GPS director Saurabh Ayare. “We’d been wanting to expand our inventory for some time and after experiencing WPC we knew right away that this system would be the perfect addition to our inventory. We were extremely impressed with the quality of sound and SPL that the system is capable of delivering, despite its compact form factor—and this helped us double-down on our decision to go ahead with the purchase.”

AFTER EXPERIENCING WPC WE KNEW RIGHT AWAY THAT THIS SYSTEM WOULD BE THE PERFECT ADDITION TO OUR INVENTORY.

Saurabh Ayarel, Director, Global Production Services (GPS)

As the first phase of procurement, GPS has acquired eight WPC line array modules, along with four SX218 matching subwoofers and three advanced iK42 four-channel DSP power amplifiers. The rental company wasted no time in deploying its new system at the prestigious 37th Foundation Day Celebrations of Kotak Mahindra Bank, one of India’s leading corporate banking and finance institutions, that took place in Mumbai.

“It was great training Saurabh’s team at the VMT office in Mumbai,” stated Tony Sawyer, Applications Manager of Generation AV, who represent Martin Audio across Asia Pacific. “WPC is supremely compact and lightweight, making it an absolute dream to work with from a logistical point of view. The GPS team is now ready to tackle any challenges put in front of them from a system deployment perspective.”

Added Generation AV India director, Prashant Govindan, “GPS is a premier sound rental company, with one of the best teams of technicians and engineers in India. Now, with the inclusion of WPC they have the capacity to really flaunt their technical prowess. There is an evident buzz in the market about WPC and we hope to do more to introduce the Indian touring market to small form factor line arrays such as this, by building awareness and education.”

“Saurabh and the team at GPS will join a growing network of WPC users,” affirms Generation AV managing director, David McKinney. “Martin Audio has become one of the fastest growing brands globally, and along with our rental partners and VMT we are certain to create a strong touring network in India.”

VMT are equally positive. Kekul Sheth, head of sales, VMT Distribution, notes that “the team at GPS had the expertise to set-up and deploy the system quickly and correctly on-field [at the launch event]. Therefore it becomes clear that the synergy created by GPS and WPC is head and shoulders above the rest in its class.”

And the final word comes from VMT’s national sales manager, Jeff Mandot who confirms that following the successful induction of WPC, GPS is now poised to acquire a similar configuration system by early in the year. “This means that by April 2023, they will have a total of 16 WPC line array modules and eight SX218 subwoofers. This will enable GPS to deploy their expanded WPC system for mid-scale music concerts and similar premium live events.”

Photo one personnel: Swapnil Mendon (L) and Saurabh Ayare (R) from GPS

Photo two: Training day at Vardhaman’s premises in Mumbai

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Martin Audio

LEGENDARY LIVE VENUE ANTIKNOCK INTRODUCES MARTIN AUDIO TORUS SYSTEM

Since opening in 1985, Antiknock has become a hall of fame for punk and hardcore bands, and many of today’s major artists originally set down their roots there. Now the venue, situated in the burgeoning Shinjuku district of Tokyo, has become the first in Japan to install Martin Audio’s new TORUS constant curvature array.

Speaking of the installation, Mr. Sekikawa, CEO of Hardaway Corporation, which manages the venue, said the renewal of the sound system was a gift to the many artists and patrons who volunteered to sell T-shirts and make donations to keep the venue alive during the COVID pandemic. “This was my first thought when trying to thank them all for their cooperation during those difficult times,” he said.

The system previously installed had been huge and featured old long-throw cabinets. Their disproportionate size not only made the stage looked small, but the clarity of the low end during live performances left much to be desired.

When seeking a replacement system, there were several key criteria that needed to be met: these included being suitable for multi-genres, with a reasonable size footprint, and offering good stability.

Mr. Hashimoto, of Enter Sandman, who designed the new system, explained the rationale. “Having had a relationship with Antiknock for 10 years, I was able to determine several important factors. One was the theme of the venue, bearing in mind the type of bands who perform there. Another was the physical shape of the venue and the construction of the building, as well as the size of the loudspeakers. And finally, of course, there was the capability of the loudspeaker itself.

“THE SOUND SYSTEM IS A GOOD ADDITIONAL SOLUTION AND WE BELIEVE TORUS CAN ADAPT TO THE MANY DEMANDS PLACED ON IT.”

Mr. Yanagisawa, Venue Manager, Antiknock

“A speaker with medium-throw capability would fulfil the demands of this venue and match the concept perfectly—and the new TORUS was the obvious solution.”

As a result, he specified a pair of T1215 onto two SXCF118 subwoofers per side, in a simple ground stacked configuration. Mr. Hashimoto confirmed that the height of the system had been carefully pre-arranged so that the size issue was resolved while achieving the optimum quality of sound.

As TORUS has three compression drivers which have 35mm voice coils, he knew it would be sufficiently powerful for loud bands performing at Antiknock, while rasping lead vocals could be reproduced in the mix with vastly improved intelligibility.

One challenge was the siting of the PA itself. Since sight lines on the audience floor are obscured by columns and joists, and the floor level increases at the rear, the loudspeakers needed to be set inside the stage area.

But TORUS is nothing but versatile, and can be flown from the T12GRID inverted, to allow stereo arrays to be mirrored with the high frequency horn either to the left or the right. This would maintain both the intelligibility, and the wide Left/Right separation.

During the initial simulations, Martin Audio’s DISPLAY3—its proprietary 3D prediction software—was used to great extent by Mr. Hashimoto, with optimum results.

He goes on to explain, “TORUS has a unique feature in that we could easily change the waveguide’s dispersion between 30-45 degree. We could also change the dispersion, setting the horn asymmetrically to avoid unnecessary reflections from the wall.”

Due to Antiknock’s unique shape this solution worked well, as DISPLAY3 can simulate different settings of the horn graphically,” said Takahisa Ota, from Martin Audio Japan.

The multi-genre mode could be achieved by using the Lake controller to tune the system, by engaging the relevant saved presets to easily change the tuning.

“Antiknock is the venue where loud rock bands choose to perform, and this is reflected in the high SPL,” adds Mr. Kunii, the venue’s operator. “However, the sound from the new system is always clear and transparent, and I have never felt tired. The audience also tell me that despite the volume, they feel comfortable and excited.” ‘Excitement’ and ‘clarity’ are two features that don’t usually co-exist comfortably, he emphasises.

The final word came from venue manager, Mr. Yanagisawa. “A live venue such as this cannot survive on reputation or culture alone. The sound system is a good additional solution and we believe TORUS can adapt to the many demands placed on it. Consequently, we believe it will help us rebuild the live scene.”

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Martin Audio

MARTIN AUDIO ANNOUNCES LATEST ADDITION TO SUCCESSFUL TORUS SERIES

Back in 2021, in the midst of the pandemic, Martin Audio unveiled their first constant curvature loudspeaker array, TORUS, featuring two variants T1215 and T1230. The products went on to be a stellar success, outstripping the company’s initial projections by 400%. It is perhaps no surprise, therefore, that via an online special event and at ISE 2023 in Barcelona, Martin Audio unveiled a smaller addition to the series, TORUS 8 (or T820 as the individual model is known).

T820 is a passive, two-way loudspeaker engineered for small to medium-scale applications which do not call for the longer throw capabilities of a line array. With exceptional ease-of-use, scalability and deployment flexibility, it is primarily used as an array element in vertical constant curvature arrays as well as being used singly as a point-source loudspeaker. In venues with short throws, yet high ceilings —as is the case in some theatres—a horizontal centre cluster may also be a practical solution.

T820 combines impressive output capability, superb sonic performance and a defined 100° by 20° coverage pattern, all from a very compact enclosure that weighs just 14kg. Its small size and portability extend its range of applications from live sound and permanent installations to corporate events, gigging musicians and DJ’s.

2023 IS GOING TO BE ONE OF OUR MOST PROLIFIC YEARS FOR NEW LAUNCHES

Dom Harter, Managing Director, Martin Audio

A phase plug is mounted in front of an 8” neodymium driver to increase mid-band sensitivity while two 1” exit, 1.4” voice coil high temperature polymer dome neodymium compression drivers ensure sonic performance is not compromised, even when driven at higher SPL. That higher SPL can be as much as 130dB.

TORUS 8 comes in a plywood cabinet, finished in hardwearing PU paint, and incorporates two pocket handles for easy installation and deployment, as well as fixings for pole-mounting. Rigging hardware and accessories are suitable for installation and touring applications and supports up to six cabinets in vertical or horizontal array configurations. It can also be teamed with the newly announced cardioid subwoofer partner, SXCF115, that features a forward facing 15” driver and a 12” rear facing driver capable of 137dB peak.

TORUS 8 feature two NL4 connectors with passive configuration using pins 1+ 1- or 2+ 2-, selected via a rear-mounted switch, and the systems are powered by Martin Audio iKON amplifiers, which support VU-NET control software and Dante® integration. TORUS 8 also feature a LED indicator that can be illuminated via VU-NET software to identify its location on the network. Finally, systems can be modelled in 3D with optimising filters to deliver consistent and defined coverage, using DISPLAY 3 software.

Commenting on the announcement, Managing Director, Dom Harter said, “2023 is going to be one of our most prolific years ever for new launches and so we are delighted to announce the first of our new products in TORUS 8 and its cardioid subwoofer partner, SXCF115. The overwhelming success of the existing TORUS 12 and subwoofer partner, SXCF118, gives us great confidence that these latest releases will be snapped up by system integrators and rental partners alike.”

The new products can be seen at ISE in Hall 7, stand H200, and heard in Martin Audio’s dedicated demo room, F1 in Hall 8, with all details of the products on their website.

https://generationav.net/products/martin-audio-series/torus/