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Martin Audio

SWG EVENTS FIND PERFECT RECIPE AT THE BIG FEASTIVAL WITH MARTIN AUDIO WAVEFRONT PRECISION

UK – The Big Feastival, the family-friendly food and music festival held annually on the Oxfordshire farm of Blur’s Alex James, this year celebrated its 15th anniversary. The 2026 event featured headliners including Basement Jaxx, The Streets and Bastille, with the main stage once again powered by Martin Audio and an upgraded Wavefront Precision system solution supplied by SWG Events.

“SWG Events have been the chosen 360 Production Partner for the festival since its inception 15 years ago,” says SWG’s Head of Projects, Joe Bailey. “Now as The Big Feastival, we’ve seen it grow organically with organisers always raising the bar, and 2026 was no exception.”

The main stage system comprised 12-per-side main hangs of Martin Audio WPL Wavefront Precision Large format arrays, together with 12-per-side hangs of WPC Wavefront Precision Compact arrays as outfills, and a cardioid broadside sub configuration comprising 14 Martin Audio SXH218 subwoofers. Twelve WPS Wavefront Precision Sub-compact line array elements were deployed as front fills.

“We upped the sub count this year just because the venue is getting bigger and bigger,” explains Simon Purse, Head of Audio at SWG. “Both the additional quantity and the bridging gave us double the power – a massive increase in headroom that you can hear even at low levels.”

This year, the main arena’s coverage and control was enhanced by a further deployment of WPC Wavefront Precision as delays. As Bailey explains, “The WPC delays gave us a more controlled, distributed system. We were able to improve audio quality at the back for the main arena whilst also providing us with a superior level of coverage control to help prevent spill to another venue – The Cheese Hub – at the rear of the arena.”

THE WPC DELAYS GAVE US A MORE CONTROLLED, DISTRIBUTED SYSTEM

Joe Bailey, SWG Events

The delay system itself comprised two hangs of eight WPC array elements, each supplemented with a cardioid stack of three SXH218 subwoofers.

“With approximately 120m to the back of the arena and a wide diamond shape, control is the name of the game,” says Purse. “We optimised the system using Martin Audio tools like Non-Audience and Hard Avoid to help control that clash between stages as best as possible, as well as giving everybody the maximum experience we can all the way to the outer perimeters.”

Martin Audio’s DISPLAY 3 prediction software allowed the team to model the venue long before arriving on site.

“We looked at the delay locations to make sure they gave us maximum range from the main hangs with the ultimate coverage control, without compromising headroom,” adds Purse. “Similarly with the subwoofer array, we modelled that and steered it to best suit that diamond-shaped arena, giving us

the width of the sub energy that we wanted. All of those things get fine-tuned on site, but it starts with the accuracy of Martin Audio’s modelling.”

Martin Audio solutions were also deployed on stage, with a monitor package comprising XE500 wedges and a sidefill system of SXC118 subwoofers and TORUS T1230 constant curvature arrays.

The festival is a proud supporter of accessibility, with SWG this year deploying additional subwoofers for the accessible seating area. “Aside from the continued supply of an induction hearing loop on the viewing platform and IEMs for British Sign Language (BSL) interpreters, new for 2026 was a deployment of Martin Audio SXC118 in the area,” notes Bailey. “That localised low frequency reinforcement under the seating directly enhances that feel of sub energy for those that are hearing impaired.”

Martin Audio solutions could also be found elsewhere on site, with Martin Audio Blackline cabinets on the Features/Fringe stages and Stage 2 (The Outpost) comprising a ground stack deployment of WPM, SXH218 and SXC115, with the support of trusted partner and supplier, Magnum PA.

“This is the fourth year Martin Audio has powered the main stage,” Bailey concludes. “By further refining the deployment of Martin Audio Wavefront Precision we were able to deliver even better coverage, control and headroom, once again enhancing The Big Feastival audience experiences.”

Photo Credit: Sam Gibson

Thanks to

Integration/Installation Partner: SWG Events
Distribution Partner: Magnum PA

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Categories
Martin Audio

MARTIN AUDIO AND TIMAX DELIVER IMMERSIVE SOUND FOR VACHE BAROQUE 2026 FESTIVAL

UK – Vache Baroque is an ensemble of musicians with a mission to connect the broadest possible range of people with the power and drama of Baroque music. Its 2026 Festival brought together a programme of music and drama in the grounds of The Vache, a historic estate and manor house in Buckinghamshire with origins dating back to the Domesday Book of 1086. Fittingly, the estate’s lake provided the backdrop to a Festival built around a ‘water’ theme. Sound for every event was delivered through a sophisticated Martin Audio system, with spatial audio handled by TiMax.

The main show, produced in conjunction with acclaimed theatre company Out Of Chaos, was a semi-operatic production of Shakespeare’s The Tempest, underpinned by an atmospheric multi-channel landscape created by Dan Samsa. Further events included a jazz evening; a ‘Water Music‘ concert interspersed with rare recordings by triple BAFTA-winning wildlife recordist Chris Watson; and SPLASH!, a relaxed show mixing scenes from The Tempest with pieces performed by the Vache Baroque Children’s Choir.

“In total we had 54 loudspeaker channels,” begins Simon Honywill, Market Development Manager for Live Sound, Production & Immersive at Martin Audio. “It was a system designed to provide the audience with authentic instrument reinforcement, transparent vocal performances and immersive soundtrack playback.”

For The Tempest, Vache Baroque performed musical pieces that have come to be associated with the play using period instruments – including harpsichord, theorbo, recorders and strings (all using gut instead of modern materials) – alongside Samsa’s soundtrack, inspired by Shakespeare’s line “the isle is full of noises”.

“Dan created this 25-channel soundscape using the orchestra and vocalists – instruments doing unconventional things, strange vocal noises. It was very organic,” says Honywill.

The Water Music themed concert, meanwhile, featured immersive recordings from Watson, one of David Attenborough’s principal sound recordists. “One was a storm at sea, another was a seal colony, and then whales – humpbacks and blues. Quite incredible.”

THE [FLEXPOINT] SPEAKERS SOUND OPEN AND TRANSPARENT, AND THE TRANSIENT RESPONSE IS FANTASTIC.

Simon Honywill, Martin Audio

The system itself was built in multiple layers. A distributed vocal system of nine Martin Audio FlexPoint FP6 was arranged in an arc around the tent, while the band system comprised two Martin Audio Q44 columns supplemented with SXC115 subwoofers as an on-stage anchor – although the band was also fed through the vocal system. “The Q44 columns were very discrete, they were set back at each end of the band and just blended in,” notes Honywill.

Thirteen FlexPoint FP4 provided front fill across the stage edge, whilst a reverb and FX system featured a combination of 14 x FP4 and 4 x FP6 set in a ring around the tent perimeter and 4 x FP8s rigged up high. “The idea was to create a homogenous ‘cloud’ of FX and reverb, within which there would be movement driven by TiMax and Grapes 3D,” he describes.

Providing plentiful low-end, SXC118 and SHX218 subwoofers were positioned beneath the seating, primarily for the whales. “The blue whale is the subbiest thing you’ve ever heard in your life!” smiles Honywill.

“There’s a consistent sonic footprint across the whole family, from the FP4 right the way up,” he continues. “The speakers sound open and transparent, and the transient response is fantastic. Operatic voices and horns don’t often go together, but Martin Audio just deals with it.”

The spatial element came courtesy of TiMax, combining live positional tracking of actors, singers and musicians via 18 TiMax D4 trackers, together with atmospheric soundtrack elements pre-programmed to fit the immersive design.

For the soundtrack, sound designer Dan Samsa and TiMax application specialist Gerry Marrone spent a day at TiMax’s studio in Tileyard, London, spatialising the content and pre-programming all the object movement using Grapes 3D software combined with TiMax2. Honywill confirms that “the entire performance was then glued together by live-tracking the actors and singers, along with the violinists, viola player, and two flute/recorder players”.

The Grapes 3D project, nested as a plugin inside the playback session, then transferred that programming through to the live shows, with the positional data running from the DAW into TiMax via OSC (Open Sound Control). With playback and spatialisation now synchronised, the pre-programmed content landed in TiMax exactly as intended, becoming one with the active TiMax cue stack.

Honeywill notes that TiMax fostered a closer connection between the audience and the performance. “TiMax enabled us to reinforce the performances effectively while making the sound system itself effectively disappear in the minds of the audience,” he says. “The tracking allows the connection between eyes and ears to be coherent. As a result, the often techno-resistant audience experienced a degree of depth, clear diction, and spatial imaging not possible with standard system deployments or other spatial processors.”

The upward firing reverb design lent subtle realism to an otherwise acoustically dead space inside the tent. “I used a Quantec 7.1 room simulator plug-in to provide a sense of space – really subtle, but if you take it away it’s so dry without it.” Reverb routing was fed from TiMax and returned back into TiMax to maintain the spatial elements.

Amplification was provided by Martin Audio’s iKON range – a combination of iK81 and iK41 models – and the system was designed and modelled in Martin Audio’s DISPLAY 3 software.

As an award-winning UK charity, Vache Baroque places special emphasis on giving young and disadvantaged people the opportunity to work alongside leading professionals, and the audio team played its part. Honywill praises the contribution of Ryan McCluskey and Charlie Dudderidge, who joined the crew for the Festival: “Both of them were great,” he says.

Reflecting on the project, he concludes, “With Martin Audio, subtlety and musicality were the order of the day. But then, when you have to reproduce the sound of a blue whale, there is a massive amount of power! Paired with TiMax’s spatial tracking, the system enabled us to provide the audience with a coherent and transparent experience entirely fitting for the event.”

Photo Credit: 

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Categories
LEA Professional

LEA Amplifiers Score an Audio Home Run at Estadio Yldefonso Sola Morales

Historic venues carry unique expectations, especially when it comes to fan experience. At Estadio Yldefonso Sola Morales, LEA Professional amplifiers helped transform a dated audio system into a powerful, modern platform capable of energizing spectators and supporting every event held at the stadium.

The Spec

🏢 Venue: Estadio Ydelfonso Sola Morales | Caguas, Puerto Rico

👷Integrator: Alexander Rojas | AVL Group

🎶Audio Spaces: historic baseball stadium

🦈Products Used: Connect Series 704, Connect Series 1504

Caguas is an autonomous municipality in the east-central region of Puerto Rico. Nicknamed “The Creole City,” it was founded on January 1, 1775, and approximately 125,000 people currently reside there. Like the rest of the country, baseball is part of the municipality’s cultural identity and history. Introduced in the late 19th century by Puerto Ricans who studied in the U.S. and Cuban immigrants, baseball quickly became the island’s most popular sport.

The local baseball stadium, Estadio Yldefonso Sola Morales, was inaugurated in 1937 and, since then, has been the field of the Criollos de Caguas, a professional baseball team in Puerto Rico. Named after Senator Yldefonso Solá Morales, the stadium is a symbol of local pride and heritage. The stadium has undergone numerous renovations over the years, most recently in 2022 when the renowned reggaetón duo Wisin & Yandel acquired the Criollos de Caguas baseball team. This latest phase included installation of new artificial turf, upgraded lighting, seating, and restrooms — marking a modern era for the historic venue. However, the audio system was inadequate for the updated stadium and sorely in need of an upgrade. To invigorate the crowd experience, the venue turned to the award-winning amplifiers from LEA Professional.

LEA-Amplifiers-Score-an-Audio-Home-Run-at-Estadio-Yldefonso-Sola-Morales-1
LEA-Amplifiers-Score-an-Audio-Home-Run-at-Estadio-Yldefonso-Sola-Morales-2

Photos by Gail, Dan, and Steve Ohnsman, Stadium Journey

Stadium staff contacted Alexander Rojas, Vice President of AVL Group, to help revitalize the audio system. They wanted a more reliable and robust system that could energize the crowd with the actions on the field.

“There were no specifications to meet; they simply wanted a system that didn’t sound like the existing system, that was loud enough to cover the audience area, that could handle the narrators and background music, and create a more hyped sporting environment,” said Rojas. “We felt that LEA amplifiers could easily do all of that.”

AVL Group’s team installed 9 Connect Series 1504 amplifiers to power the stadium’s 54 EAW MK Series loudspeakers installed throughout the stadium. The IoT-enabled 4-channel CS1504 provides 1500 watts per channel, supports Hi-Z (70V or 100V) and Lo-Z selectable by channel, and features Smart Power Bridge technology. A Connect Series 704 amplifier, a 4-channel amplifier with 700 watts per channel, was used to power loudspeakers in the corridors, suites, and restrooms.

Rojas also utilized LEA’s free SharkWare software to configure a base profile and push it out to all the pre-staged LEA amplifiers. SharkWare includes amplifier grouping, offline design, granular user access control levels, locked speaker tunings, and a graphical EQ.

CS352
CS 702
CS 704

SharkWare also allows users to monitor the status of every amplifier connected to the network and the status and performance of individual channels. In addition, the software gives users the ability to view and adjust channel settings such as input settings, signal generator, crossover, equalizer, limiter, and load monitoring for all LEA Professional Connect Series amplifiers.

The city uses the stadium regularly for baseball and other sporting events, and the staff is very excited about the improvements that the audio system has provided to the stadium’s environment.

“The new sound system really gets the crowd going,” said Rojas. “The built-in speaker tunings in the LEA amps were great for this application, as was the remote monitoring. We already have a few LEA projects planned and expect to have many more in the future.“

The Conclusion

By combining high-output amplification, intelligent system management, and long-term reliability, LEA Professional helped create an audio experience worthy of one of Puerto Rico’s most historic sporting venues. The result is a system built to support the next generation of events at Estadio Yldefonso Sola Morales.

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Categories
RTI Control

RTI launches ICP processor range and Integration Designer 12

RTI has launched its ICP-2, ICP-4 and ICP-10 Intelligent Control Processors, alongside Integration Designer 12 (ID12), introducing faster processing performance and more than 200 new features and enhancements to its control and automation platform.

The processors are designed for small, medium and large-scale control systems, with next-generation architecture intended to support complex control functions and expanded capabilities. RTI says the new processors offer faster performance than its previous XP series and feature an updated driver engine for customised third-party device control.

The ICP-2 is designed for smaller installations and includes a built-in two-port Ethernet switch, WiFi, infrared (IR), relay, sense and RS232 connections. Its Ethernet switch allows a single cable to provide power and control while forwarding data to a local device.

The ICP-4 targets medium-scale systems, with Ethernet switching or separate network interface capabilities, IR, relay outputs, sense inputs, RS232, RS485 and USB connections. Its dual Ethernet ports can be configured for use as a network switch or to connect two separate networks.

The ICP-10 is designed for larger installations and includes similar connectivity to the ICP-4, with dual Ethernet ports supporting network switching or separate network configurations while providing control and power.

Alongside the hardware, Integration Designer 12 introduces more than 200 new features and enhancements intended to streamline programming, expand automation capabilities and provide greater customisation flexibility for individual installations.

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Categories
Martin Audio

MARTIN AUDIO ADORN AND SX COMBINATION POWERS MULTIZONE SODAH TIRANA

ALB – Set in the heart of Albania’s vibrant capital, Tirana, Sodah Tirana is a newly opened all-day restaurant and lounge. Throughout the venue, a Martin Audio sound system delivers high-quality, consistent audio – designed, supplied and installed by local integrator, Prosound.

The client brief for the project was to ensure exceptional audio performance and seamless coverage at the modest SPL levels required for the hospitality environment.

“The client was looking for a system that would provide good sound quality and even coverage rather than simply focusing on high SPL,” explains Endrit Veleshnja, Audio System Design & Installation Manager at Prosound. “The system needed to deliver a balanced and enjoyable listening experience at moderate sound pressure levels, while also providing sufficient headroom for busier periods and the overall atmosphere of the venue.”

[THE A80T] OFFERED A VERY GOOD COMBINATION OF SOUND QUALITY, PERFORMANCE AND VALUE.

Endrit Veleshnja, Prosound

To achieve this objective, Prosound turned immediately to Martin Audio’s extensive portfolio, ultimately specifying a distributed system based around the Martin Audio ADORN Series paired with SX Series subwoofers.

The venue is arranged across two indoor levels, with the second floor featuring a mezzanine-style layout, alongside a separate outdoor terrace.

On the ground floor, the system comprises six Martin Audio ADORN A80T loudspeakers, supplemented by two SX112 subwoofers. Similarly, the second-floor mezzanine features an identical configuration of six A80T cabinets and two SX112 subwoofers, whilst the outdoor terrace is served by four Martin Audio A55 IP54-rated loudspeakers. Elsewhere in the venue, the restrooms are equipped with Martin Audio C4.8T full-range ceiling speakers.

“The A80T was a particularly suitable choice for the project because it offered a very good combination of sound quality, performance and value,” notes Veleshnja. “The loudspeakers also needed to integrate naturally with the interior design of the venue, which the ADORN Series unobtrusive contemporary design does very well.”

The discreet profile of the Martin Audio subwoofers proved equally important to the brief: “The compact size of the SX112 subwoofers allowed the additional low-frequency support required for the lounge environment without making the system unnecessarily large or visually intrusive.” The system is divided into separate zones, enabling staff to control and adjust sound pressure levels across different areas independently and remotely as the venue transitions throughout the day.

Having delivered on all aspects of the initial brief, the installation has been warmly received by the venue operators. “The client has been very satisfied with the result, particularly with the quality of the Martin Audio products,” Veleshnja concludes. “They were also very pleased with the overall service from system selection and installation through to final commissioning. This project demonstrates how Martin Audio solutions can provide a high-quality, aesthetically appropriate sound system for a hospitality environment without the primary objective being high sound pressure levels.”

Photo Credit: 

Thanks to

Integration/Installation Partner: Prosound

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Categories
Optimal Audio

Japanish, Optimally Zoned

THA – Bangkok’s Japanish blends cultural precision with Spanish warmth in one kitchen, whilst the recently installed Optimal Audio ecosystem creates clever zoning control instead of fusion. This dynamic space operates from 5:30pm to four in the morning changing from dinner to drinks to dancefloor with each function separated into its respective zones. The DJ set exudes its power in one area, whilst the peaceful terrace chills to its own tunes. Meanwhile, the restrooms and a corner that exists to be photographed maintain subtle background music levels and clean lines of sight. 

Central to the installation, designed and specified by Wasee Karnchawee of Optimal Audio distributor, ProPlugin, an Optimal Audio Zone 4 draws the lines. Four zones cover the space, each run as its own room with dedicated volume, EQ and source. The terrace maintains a conversational level while the dancefloor rocks its own level and a private party in one area leaves the rest of the building untouched. 

Karnchawee explained, “The brief was really about separation. The client wanted the terrace and the indoor room to feel like different places, and that only works if you can treat them as different systems. Zone 4 lets us do that.” 

Karnchawee added, “We specified Optimal Audio because it’s so simple to install as well as being easy for staff to use. The appeal of the ecosystem is that you are not making products from different manufacturers agree with each other. Zone, ZonePad and the loudspeakers were specified together, so the install was cabling and configuration rather than problem solving.” 

With shifts changing across a service that runs into the small hours, control was specified so that anyone on the floor can operate it. Optimal Audio’s WebApp lets whoever is on shift change the volume in any zone from a phone or a tablet, wherever they happen to be standing. The ZonePad 4 located on the wall does the same from a single position, handling source and level across all four zones without anyone reaching for a device at all. 

Indoors, the Optimal Audio loudspeakers meet the dual demands of the space. Eight-inch Cuboid 8 cabinets and 10-inch Sub 10 subwoofers are compact enough to sit quietly in a carefully considered room and capable enough to carry a full DJ set through to closing without the low end thinning out when the floor fills. The DJ area gets its output whilst the quieter areas are not disturbed. 

Karnchawee impressed, “What the client noticed first was that the audio quality is the same across the venue. You can walk from the terrace to the dancefloor, and the sound character does not change, even though the levels and the sources do.”

In the restrooms, and in the photo corner where sightlines need to be clear, ceiling speakers sit flush to the surface creating a deliberately clean and unbroken visage. The results there are measured by what nobody notices according to Karnchawee, “You want people to hear the music and never once look up to find where it’s coming from.” 

On the plate, Japanish brings two traditions together. In terms of its ambiance, the venue trusted Optimal Audio to keep pace with its dynamic nature to separate the zones and ensure easy intuitive control of each. 

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

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Categories
Martin Audio

MARTIN AUDIO WAVEFRONT PRECISION OPTIMISES OUTDOOR SOUND AT PICKATHON

US – Pickathon is a highly celebrated, multi-day music and arts festival held annually at Pendarvis Farm in Happy Valley, just outside Portland, Oregon. Known for its intimate, community-driven atmosphere, the festival curates an eclectic line-up spanning indie rock, folk, bluegrass, jazz and global sounds, prioritising artists on the verge of breaking out. This year, Martin Audio Wavefront Precision sound systems, deployed by Cascade Sound, elevated quality, coverage and noise control across all outdoor stages.

Pickathon is famous for its stunning, environmentally sustainable stage designs, which use raw construction timber to create organic structures that blend seamlessly into the surrounding maple and pine forests. But with nearby residential neighbourhoods having rapidly expanded, Martin Audio’s optimisation technology proved central to the festival’s operational priority of mitigating off-site noise.

Every outdoor stage at Pickathon 2026 featured Martin Audio Wavefront Precision products. “It is a homogenous design to provide consistency across the entire site,” explains Simon Honywill, Market Development Manager, Live Sound at Martin Audio. “The whole idea is that the Wavefront Precision quality and sound that people love maximizes audience impact while making sure the neighbours can sleep.”

Joe Lima is Martin Audio’s Product and Application Support Manager who worked alongside Simon Honywill and Cascade Sound to model and optimise the festival arrays. “They are inherently great-sounding loudspeakers,” says Lima. “At Pickathon, with varied topography and environmental challenges, the optimisation capability within our DISPLAY 3 software was a stand-out advantage for even and precise coverage.”

Cascade became the audio supplier to the festival in 2024 having acquired the previous supplier of many years. Their Martin Audio partnership began in 2025. “I was at the point of needing to replace an aging inventory of speakers and so the timing was perfect to bring the WPC to the Paddock Stage,” says Sean Rathbun, owner of Cascade Sound. “That was a smashing success. Then in 2026 there was an opportunity to make a larger purchase of Martin Audio inventory, and so this year we were able to make all three of the larger stages Martin Audio.”

At Pickathon 2026, the main Paddock Stage therefore comprised 11-per-side hangs of WPC Wavefront Precision Compact line array elements. The WPC system was supplemented by a wide broadside array of 12 Martin Audio SXC118 cardioid subwoofers, designed to significantly reduce spill to the sides and behind the stage.

Jason Power, Audio Manager at Pickathon, was impressed with the results. “I have been really impressed with the sound. As a touring engineer showing up to mix a band, it’s fantastic to step up and not feel like you have to fight or over-process the PA.”

WPC IS A HIGHLY ADAPTABLE, FLEXIBLE SYSTEM WITH A CLEAN, NATURAL SOUND.

Simon Honywill, Market Development Manager

“WPC is a highly adaptable, flexible system with a clean, natural sound. It can deliver serious power, but it can also be subtle for acoustic acts,” notes Honywill.

The Cherry Hill stage offered a more intimate experience, its system comprising seven boxes a side of WPC and two arrays, left and right, of SXC118 subwoofers in a two-by-two setup. “Cherry Hill is challenging because, like the Paddock Stage, it is situated at the bottom of a hill with quite a steep rake,” describes Jay Blaney, Field Application Engineer at Martin Audio North America. “Importing the topographical data into our DISPLAY 3 software allowed us to optimise coverage angles physically and electronically so we achieve even coverage from the front to the back of the audience.”

The Grove Stage featured eight-per-side hangs of WPM Wavefront Precision Mini, combined with six SXH218s in a ground-stacked cardioid configuration. The stage sits on a short incline, with large trees in the audience area creating an acoustic shadow. “We maintained a standard of SPL consistency and frequency response that surpassed anything achieved in previous years – tight and musical near the stage while containing energy within roughly 130 feet,” explains Blaney.

The Woods Stage – in the middle of the woods and not an easy stage to deploy a sound system on given its uneven ground – featured a ground stack of six WPS Wavefront Precision Subcompact boxes per side, mounted over four SXC118 subwoofers, with FlexPoint FP12 acting as infills. “There is an uphill incline on one side where audience members sit all the way up the hill,” Blaney notes. “Our ground-stack predictions allowed us to throw audio up the slope without sacrificing quality for the listeners directly in front of the stage.”

“The WPS and SXC118s delivered such a smooth and full-range sound on the Woods Stage,” adds Rathbun. “It covered the space so well and felt like a larger PA than it looks.”

Elsewhere on-site, the Galaxy Barn was served by Martin Audio TORUS T1230 and T1215 constant curvature line array elements per side, ground-stacked on two SXC118 subwoofers, while a number of DJ setups benefited from Martin Audio’s THS triaxial 15-inch point-source cabinet complemented by SXC118 subwoofers.

Feedback from the on-site engineers was universally positive. Nuri Erdal, A1 on the Grove Stage, has worked Pickathon over the last five years across different stages and roles. Mixing on Martin Audio for the first time, he says straightforwardly: “That is what a concert should sound like. Compared to other systems I’m familiar with, the Martin Audio rig brings the best of those worlds together. It has a clean, smooth, non-harsh top end, punchy low-mids, and the subs delivered the exact punch needed.”

Kris Geffen, A2 on the Grove Stage, agrees: “Often with low frequencies you’ll hear resonant spikes on certain notes, but everything sounded remarkably uniform. I walked all around our coverage area, and the high-end clarity extended right to the back boundary of the audience space. It’s a large area, and often you lose the top-end out there due to trees or hills, but the HF extension held up remarkably well.”

As Joe Lima summarises, “The engineers experienced a system that was remarkably consistent front to back, giving everybody essentially the exact same mix that the engineers heard at the board. It put a big smile on their faces. The magic behind the optimisation – besides Hard Avoid and controlling noise pollution – also comes down to our SPL profile. The fact that we can maintain level and tonal consistency front to back really unites the audience. That is what makes Wavefront Precision and our optimisation software the winning combination.”

Reflecting on the successful deployment, Sean Rathbun praises the collaboration behind the scenes: “As we have been building out these systems, Martin Audio has been a pleasure to work with. Joe, Jim, and Paul have been amazing and have supported all the needs of the festival.”

The final words come from Zale Schoenborn, founder of Pickathon, who confirms the success of Martin Audio systems in fully achieving the festival’s goals: “We took measurements around the site and listened to feedback from our neighbours, and both confirmed what we were hearing: the sound went exactly where we wanted it and stayed out of the places it wasn’t supposed to go. For the audience, it was close to perfect. It’s hard to believe how cleanly the sound just disappears beyond the edges. Honestly, this is how every outdoor festival should be done.”

Photo Credit: Summer Luu

Watch the full story:

Thanks to

Integration/Installation Partner: Cascade Sound

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Categories
Martin Audio

TRAMP HEALTH REINVIGORATES LONDON’S MAYFAIR WITH PREMIUM MARTIN AUDIO SOUND

UK – Tramp Health, a longevity-focused members club created by the owners of the iconic UK nightclub Tramp, opened in London’s Mayfair this May. Seeking to deliver uncompromised audio fidelity throughout the high-end wellness space, integrator Evolve Install designed and installed a comprehensive, multizone sound system utilising Martin Audio solutions.

Elliot Patterson of Evolve Install was first introduced to the site last year. “I’ve been working with owner Luca Maggiora on audio projects for easily 20 years,” recalls Patterson. “He showed me the space, and we immediately started putting the plans together.”

The premium multiroom venue required discrete, high-quality audio coverage tailored specifically to each area’s physical and acoustic demands. To meet these requirements, the communal walkways, lounge, and changing rooms were outfitted with Martin Audio’s ADORN ACS-40T shallow ceiling speakers, while the main corridor transitions to the larger, more powerful ADORN ACS-55T models.

[THE A80] IS AN INCREDIBLY VERSATILE CABINET.

Elliot Patterson, Evolve Install

In the high-intensity workout zones – specifically the Megaformer Pilates space and the dedicated HIIT room known as Form – high-output ADORN A80 cabinet speakers were specified and installed.

“While the ceiling speakers are perfect for handling the low-profile background music in communal areas, the high-energy classes in the Megaformer and Form rooms naturally demanded more output,” explains Patterson. “The instructors and members need audio with a bit more kick, and the A80 cabinet works exceptionally well for that.”

Patterson has been highly impressed by the performance and versatility of the A80 speakers. “It’s an incredibly versatile cabinet,” he says. “With its eight-inch driver, it delivers excellent power and gives us the flexibility to run low-impedance or 100-volt lines depending on the zone’s configuration. This was my first time deploying them, and they have performed incredibly well.”

To deliver coverage in the main gym floor, Evolve Install installed a further six ADORN A80T cabinets running on a 100V line. “The gym area has a beautifully warm and rich sound,” Patterson notes. “Even with a significant amount of reflective glass throughout the layout, the acoustic treatment on the walls and the heavy sponge flooring help to control the room, resulting in a fantastic acoustic response.”

The installation is set to expand in the near future, with an additional personal training suite currently scheduled to open, which will feature Martin Audio’s Q26 loudspeakers.

“As an installer, I know Martin Audio solutions can be relied upon for any project, and that was certainly the case here,” concludes Patterson. “Tramp Health has a sound system it can be proud of, combining high performance and a discrete aesthetic that perfectly matches its premium identity.”

Photo Credit: 

Thanks to

Integration/Installation Partner: Evolve Install

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Categories
LEA Professional

LEA amps are game changer for Cincinnati Open campus expansion

As the Cincinnati Open undertook one of the largest venue expansions in professional tennis, the audio system needed to evolve alongside it. Working with ICS, the tournament deployed a campus-wide audio platform designed to support fans, players, staff, and broadcasters across one of the sport’s most ambitious facility upgrades.

The Spec

🏢Venue: Cincinnati Open campus | Cincinnati, Ohio

👷Integrator: Carl Heck | Industrial Communication & Sound (ICS)

🎶Audio Spaces: World-class professional sports campus  including courts, hospitality spaces, public common areas, indoor facilities, event spaces

🦈Products Used: CS84D, CS164D, CS168D, CS352D, CS354D, CS702D, CS704D, CS1504D

Held annually since 1899, the Cincinnati Open is the longest-running professional tennis tournament in the United States. Facing increasing global competition and rising expectations for professional sports facilities, it recently launched a massive $250 million campus transformation to establish the venue as a world-class benchmark for the tennis industry. The expansion more than doubled the facility’s footprint, adding new courts, hospitality spaces, public gathering areas, indoor facilities, and year-round attractions designed to secure the tournament’s future in Cincinnati for decades to come.

The expanded campus required a fully integrated network-based audio platform spanning 10 match courts, 21 practice courts, five new buildings, multiple renovated facilities, and several common areas. The system needed to support match court audio, site-wide paging, indoor and outdoor background music, broadcast audio distribution, Hawk-Eye officiating system integration, emergency paging, pre-recorded messaging, zoned and all-call communications, and centralized system-wide control. Beyond monitoring the system from a single location, the venue’s AV team required complete control over volume and routing for each zone across the property.

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Venue staff contacted Carl Heck, Business Development Specialist at Industrial Communication & Sound (ICS), to design the new audio system. Compounding the challenge was the compressed timeline. The ICS integration team effectively had approximately five months to complete installation, testing, balancing, programming, and troubleshooting before the start of the tournament. To achieve all the client’s requirements, Heck recommended a Dante-based audio ecosystem powered by LEA Professional amplifiers.

“We started using LEA amplifiers about five years ago, and we haven’t looked back,” said Heck. “We knew they’d be an ideal platform for a world-class tournament environment, given their product catalog, combined with their competitive pricing and robust long-term reliability.”

To support the 54 zones across the expanded tennis complex, ICS deployed a range of Dante-enabled LEA Connect Series amplifiers, including the CS84D, CS164D, CS168D, CS352D, CS354D, CS702D, CS704D, and CS1504D. The variety of models allowed the team to match amplifier horsepower to the needs of each area throughout the venue, from match courts and public spaces to hospitality areas and back-of-house locations.

The scale of the project required an efficient deployment strategy. ICS’s team used LEA’s free SharkWare software to configure a base profile and push it to all pre-staged LEA amplifiers, reducing commissioning time while simplifying monitoring, diagnostics, and streamlining future system management even further with LEA Cloud remote amplifier control.

LEA’s compact single-rack-space designs also helped maximize available infrastructure by allowing amplifiers to be integrated directly into existing switch racks rather than requiring large dedicated amplifier racks. Combined with LEA’s per-channel Hi-Z and Lo-Z selectability, the system remained flexible enough to support a wide variety of speaker applications across the campus while reducing the amount of hardware required.

The resulting infrastructure allowed virtually any audio source to be routed to any zone throughout the facility. Multiple locations were also equipped to integrate live music directly into the Dante network for localized or zoned distribution as needed.

With year-round programming and a significantly enhanced fan experience, the facility has evolved into a multi-purpose sports and entertainment destination designed to maximize long-term return on investment while reinforcing Cincinnati’s role on the global tennis stage.

“By all accounts from the attendee experience, the player experience, and media response, the Cincinnati Open is now widely considered one of the premier tennis facilities in the world,” said Heck. “That’s definitely in part thanks to LEA amplifiers. We can’t say enough good things about them.”

The Conclusion

With its expanded campus now fully operational, the Cincinnati Open has established a new benchmark for tournament infrastructure. Backed by LEA amps and a unified networked audio platform, the venue is prepared to support players, fans, and future growth for years to come.

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Martin Audio

MARTIN AUDIO FLEXPOINT PROVIDES A PERFECT FIT FOR WINDMARK BEACH CHURCH

USA – Windmark Beach Church, set in the coastal community in Port St. Joe, Florida, is a campus plant of Hiland Park Baptist Church, a major Southern Baptist congregation based in nearby Panama City. Originally established as a portable “church in a box” setup, the congregation has transitioned into a dedicated, permanent facility within the WindMark Village Center following an extensive design, fundraising, and build process. To deliver high-performance sound reinforcement for its modern worship services, the new sanctuary has been equipped with a complete Martin Audio system, designed, supplied, and installed by S&L Integration.

The sanctuary itself presented unique acoustic and physical constraints, most notably low ceilings, structural columns, and tight sightlines that required a compact yet powerful point-source approach rather than line arrays.

As Reece Antley, Technical Director at Windmark Beach Church describes: “My biggest concern was during the design phase. With the space we had – lower ceilings, an odd-shaped sanctuary with columns in the middle – I was worried about how it was going to work and how it was going to sound when we finished.”

THE FLEXPOINT FP12 WAS A PERFECT FIT FOR THE SPACE, BOTH IN TERMS OF SIZE AND PERFORMANCE

Gage Helton, Director of Operations

Gage Helton, Director of Operations at S&L Integration confirms, “The ceiling was a little lower than we would have liked! But this just meant we couldn’t install large boxes, instead requiring speakers that could tuck up high to keep sightlines in check.”

The solution came in the form of Martin Audio’s FlexPoint Series, a premium point source loudspeaker delivering exceptional coverage and sonic performance in a compact, low-profile enclosure. S&L Integration used Martin Audio’s 3D prediction software, DISPLAY3, to model the room, designing an acoustic environment capable of generating a maximum average SPL of up to 100 dBA with even coverage of +/- 2.5 dB throughout the seating area.

The final sanctuary installation comprises a front left/right pair of FlexPoint FP12 cabinets, supplemented by a further pair of FP12s positioned approximately halfway back into the room acting as delays. Low-frequency extension is provided by a pair of flown Martin Audio SXC215 cardioid subwoofers, arranged in an end-fire configuration to steer low-end energy downward and distribute bass evenly throughout the space while keeping unwanted spill off the platform.

“The FlexPoint FP12 was a perfect fit for the space, both in terms of size and performance,” confirms Helton.

The installation has received high praise from church leadership, both for the quality of the sound field and the close collaboration throughout the project.

“I had experience working with S&L years ago in a corporate environment,” says Danny Hatchell, Executive Pastor at Windmark Beach Church. “They had the credentials and the resume to reassure our staff and decision-makers, demonstrating where they’ve successfully done this before. They brought their talent, shared their background experience, and walked us through the entire process. They helped us make wise choices early on that continue to pay dividends today.”

Antley is equally impressed with both the technical outcome and collaboration between integrator and manufacturer: “Originally, I came in thinking about line arrays. That’s where S&L was fantastic – we sat down and discussed what line arrays would actually look like in a room of this size. We couldn’t be happier with the installed Martin Audio FlexPoint solution. Martin Audio came in and tuned the room, offering great ideas that we hadn’t considered. The collaboration between S&L and Martin Audio in delivering the success of this project for our congregation made this my favourite aspect of the entire build process.”

Photo Credit: 

Thanks to

Integration/Installation Partner: S&L Integration

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