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MARTIN AUDIO WPL DELIVERS CONSISTENT TOURING PERFORMANCE FOR DSL AND VAN DIK HOUT

NLD – Dutch rock band Van Dik Hout, one of the Netherlands’ most successful and enduring acts, recently brought their acclaimed live show to Amsterdam’s AFAS Live as part of their ongoing touring schedule. Since breaking through in the mid-1990s with iconic songs such as Stil In Mij, the band has earned a reputation for powerful, emotionally charged performances. Long-time audio production partner DSL Geluids- & Lichtverhuur deployed a Martin Audio Wavefront PrecisionWPL system at AFAS Live and throughout the tour, providing consistent, high-performance sound reinforcement.

Due to a long-standing relationship with the band and its production team, DSL has a detailed understanding of their expectations and workflow. “Our scope extends far beyond supplying a PA system,” explains Gert-Jan Gomes, Director and Co-Owner of DSL. “We maintain and prepare the touring package, transport the equipment between shows, manage storage and logistics, and provide technical support throughout the production cycle.”

The sound system must faithfully reproduce the band’s signature sound while providing the flexibility to adapt to everything from intimate theatres to large outdoor festival stages. “The primary requirement for the tour is to deliver a consistent, high-quality production regardless of venue size,” says Gomes.

DSL operates one of the largest Martin Audio rental inventories in the Netherlands, with WPL forming the backbone of their large-scale event and touring systems. “Over a twenty-year period, Martin Audio has become the foundation of our loudspeaker inventory and an integral part of our approach to live sound reinforcement,” explains Gomes.

For the Van Dik Hout tour, Martin Audio WPL arrays were selected for their ability to deliver exceptional vocal clarity, high output capability and consistent coverage across large audience areas. Depending on venue size and audience geometry, the system could be scaled while maintaining the same sonic signature and overall performance. At the AFAS live venue, a total of 32 WPL cabinets were deployed.

THE CORRELATION BETWEEN THE SOFTWARE MODEL AND REAL-WORLD PERFORMANCE IS REMARKABLY ACCURATE

Gert-Jan Gomes, DSL

“One of the major advantages of the Wavefront Precision platform is the ability to optimise individual enclosures within an array,” notes Gomes. “We can precisely control how energy is distributed throughout the audience area. This allows us to achieve excellent consistency in both SPL and frequency response from the front row to the rear of the venue. For a touring production such as Van Dik Hout, where every venue is different, this is particularly valuable.”

Low-frequency reinforcement is provided by Martin Audio SXH218 hybrid horn-loaded subwoofers.

“Low-frequency performance plays a major role in any Van Dik Hout production,” Gomes explains. “While the band is known primarily for its strong songs, powerful vocals and guitar-driven sound, the impact and energy of the rhythm section are equally important in creating the live experience audiences expect. At AFAS Live we deployed twenty-four Martin Audio SXH218 hybrid horn-loaded subwoofers, configured as twelve cardioid stacks of two cabinets high. The stacks were positioned across the front of the stage with approximately one metre spacing between each stack, creating a broad and evenly distributed low-frequency source.”

Front-fill coverage was provided using Martin Audio TORUS constant-curvature loudspeakers, ensuring a seamless transition between the front rows and the main arrays. The entire system was powered by Martin Audio iKON amplifiersand managed through the manufacturer’s advanced optimisation platform.

“A key design objective was consistency,” says Gomes. “Whether the band performed in a theatre, concert hall, festival tent or outdoor festival environment, the audience should experience the same powerful, detailed and balanced sound. The combination of WPL, SXH218, TORUS and IKON amplification allowed us to achieve that objective while providing the flexibility required by a modern touring production. The cardioid configuration significantly improved rear rejection, creating a more comfortable working environment for the musicians and reducing unnecessary low-frequency build-up behind the array.”

For DSL, the accuracy of Martin Audio’s DISPLAY software modelling is cited as a major advantage: “The correlation between the software model and real-world performance is remarkably accurate,” Gomes describes. “When we deploy a system based on a Martin Audio prediction model, we know with a high degree of confidence what the outcome will be before the first measurement microphone is connected.”

DSL credits the success of the tour to both the technology and the preparation involved in flagship arena schedules. “Projects of this scale demonstrate that successful deployment is about much more than loudspeaker performance alone,” Gomes says. “It requires a combination of detailed preparation, experienced personnel, efficient logistics and reliable technology. The WPL platform proved to be an important part of that process, delivering both the sonic performance expected from a flagship Martin Audio system and the operational efficiency required for a demanding arena production schedule.”

The feedback from the band’s production team and engineers was extremely positive, noting in particular the headroom and vocal intelligibility of the WPL arrays.

“For us, one of the best indicators of success is when nobody is talking about the sound system during the show,” Gomes concludes. “The audience is focused entirely on the performance, and the technology simply supports the experience. That was certainly the case at AFAS Live.

“The event once again confirmed that WPL is not only a powerful loudspeaker system, but a complete solution. The combination of prediction software, optimisation tools, efficient deployment and outstanding sonic performance allows us to deliver the same high standard whether we are working in a theatre, an arena or on a major festival stage.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

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Martin Audio

MOORESTOWN FRIENDS SCHOOL UPGRADES AUDITORIUM AUDIO WITH MARTIN AUDIO TORUS

USA – Moorestown Friends School is a coeducational Quaker day school in Moorestown, New Jersey. Founded in 1785, it serves students from age three through to Grade 12. The school’s 48-acre campus blends historic structures with state-of-the-art facilities, recently bolstered by a newly installed Martin Audio TORUS sound system in its main auditorium.

To facilitate the upgrade, the school turned to New Jersey-based live event and system integration specialists, Starlite.

“We’ve been proud to partner with Moorestown Friends School on multiple projects over the years, providing professional AV, rigging, and lighting solutions tailored to their needs,” explains Starlite’s Nick Minieri. “When it came time to upgrade their ageing sound system, in particular to enhance both sound quality and consistency of coverage, the school once again called on us.”

Starlite immediately recognised the acoustic challenges of the space, which features wide, curved reflective surfaces and cavities along its rear wall. And it was these challenges that led to Starlite’s first deployment of Martin Audio’s TORUS constant curvature line array, a system specifically designed to overcome such difficult acoustic environments.

WE KNEW MARTIN AUDIO WOULD NOT LET US DOWN ON SOUND QUALITY…

Nick Minieri, Starlite

“We have used Martin Audio speakers in the past but this was our first deployment of the TORUS Series,” confirms Minieri. “We knew Martin Audio would not let us down on sound quality and that this was the perfect application for the product. We were not disappointed.”

The final system design comprises two flown hangs, each featuring 2 x TORUS T1215 and 1 x TORUS T1230 array elements.

“Having the consistency of a good sounding array we were able to focus on tuning the room and not “correcting” the EQ of the boxes themselves,” notes Minieri.

The main arrays were supplemented with a Martin Audio SX218 dual-18in subwoofer to significantly enhance low-frequency response.

“Sub is often a requirement for the theatre spaces that we work in so the soundscapes that our end users create are immersive and utilize the entire frequency spectrum,” he adds. “It also means that the venues can comfortably support a traveling music group or host events such as their own battle of the bands.”

The entire system is powered by a pair of Martin Audio iKON iK42 amplifiers. “The iKON amps are great because they have heaps of power and, of course, pair perfectly with Martin speakers.”

For this project, the iKON amplifiers were also utilized for their onboard DSP to handle all room tuning. “This was fantastic to eliminate a failure point and have the ability to save our customer the extra cost of a dedicated audio DSP processor that comes with control system features were not needed in this application,” describes Minieri.

The final installation represents a significant, future-proof upgrade that has fundamentally transformed the venue’s audio performance. “We were confident we could deliver a system to support the school’s performances, assemblies, and community gatherings for years to come,” concludes Minieri. “Thanks to the Martin Audio TORUS system, the school now benefits from clear, full-range sound to every seat in the house.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Integration/Installation Partner: Starlite

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Martin Audio

JAMES MORRISON TOURS WITH MARTIN AUDIO WPC AND 22LIVE

UK – James Morrison has embarked on his “20 Years of Undiscovered” UK and Ireland tour, supported by 22Live and a Martin Audio WPC Wavefront Precisionsound system.

The 22-date run celebrates the 20th anniversary of Morrison’s debut album, Undiscovered. The tour features performances of the No. 1 album in full, alongside hits spanning his career. Supporting Morrison and his band, 22Live has deployed a scalable Martin Audio WPC solution.

“I’ve known Yaron Levy – the tour manager and FOH engineer – for around 30 years,” says Paul Timmins of 22Live. “We first met when he was monitor engineer for Simple Minds in the ‘90s. More recently, we’ve worked closely with him in his role as tour manager for UB40.”

Planning for the tour began in October 2025, following a successful short run of dates earlier that Spring. The production required a system capable of delivering the natural, warm tonality essential for Morrison’s vocal- and guitar-led performance.

“Yaron wanted a very natural sound,” Timmins explains. “He has used Martin Audio with Simple Minds and Ocean Colour Scene and likes the warmth it provides, but he wasn’t as familiar with Martin’s newer products.”

THE 100-DEGREE DISPERSION IS FANTASTIC FOR THEATRE SPACES

Chris Wilcock, 22Live

To evaluate the WPC platform, Levy attended an Australian Pink Floyd show at Birmingham Symphony Hall. “He really liked the audio and the overall package,” continues Timmins. “From there, I designed a rig that would provide the necessary flexibility for the one-truck tour.

The system comprises up to 24 WPC elements (12 per side), flown on single points with four grids to allow for flexibility in smaller venues, enabling boxes to be ground-stacked if required. Low-frequency reinforcement is provided by 12 SXCF 11818” subwoofers, ground-stacked typically in configurations three high and two wide depending on the venue. Fill is provided by Martin Audio’s TORUS constant curvature arrays – with four TORUS T820 for lip fill and four TORUS T1230 elements for in- or out-fill duties.

System Tech on the tour is 22Live’s Chris Wilcock. Having progressed rapidly through the company after starting in the warehouse during his university degree, this tour marks his first full run as lead FOH system tech. Supporting him is Maria Head, who oversees stage operations and supports the monitor engineer.

“My growth into this industry has been really organic and well supported by 22Live and the people running it who trusted me,” begins Wilcock. “There’s a very close team of people on this tour who have been working together for a long time. There’s a good vibe between the crew and artist, everyone looks out for each other. It’s a great tour.”

“The WPC performance is remarkable,” he says, “And it’s versatile enough to fit into venues of varied sizes. The rigging system is fast and smooth; it takes no time to get it in the air and back down on the floor. The 10-degree rigging angles give me the flexibility to design a better system for each room and reach the more challenging audience areas over or under balconies. It’s also a very light box for the power that it has.”

The WPC’s consistent wide dispersion is a huge benefit given the varied nature of the venues. “The 100-degree dispersion is fantastic for theatre spaces where points can be in some very awkward places,” he says.

“The T820 front fills we use are a perfect size to sit aesthetically on the edge of the stage without affecting sightlines,” Wilcock adds. “They produce a very defined sound to bolster James’ vocal on the front rows.”

Martin Audio’s software is deployed to further enhance the performance. “The non-audience and hard avoid functions on DISPLAY work really well,” Wilcock describes, citing Cambridge Corn Exchange with its glass balcony front as a good example. “Hard avoiding that surface successfully reduced reflections in the room and was able to steer HF back into the audience area. I’m impressed by how much the software can do and improve difficult spaces.”

Concluding, Paul Timmins is in no doubt of the Martin Audio WPC’s suitability and performance. “In my opinion, the 12-box WPC hang is ideal for the largest UK theatres,” he says. “You might open the PA up a little more than you would with a deeper hang, but that’s where the Martin Audio system excels – you get superb vertical coverage and consistency.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

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FELLOWSHIP BIBLE CHURCH ENHANCES MULTI-PURPOSE SPACE WITH MARTIN AUDIO TORUS

USA – Fellowship Bible Church (FBC), located in Sewell, New Jersey, serves hundreds of families across Gloucester County. Its busy programme of worship services, youth activities and community events has recently been enhanced with the installation of a Martin Audio TORUS sound system in its multi-purpose gymnasium.

The gymnasium is one of the church’s most flexible spaces, regularly hosting church gatherings, youth group events, community wellness programmes and live worship. However, its existing sound system was no longer able to meet the demands of the room, prompting Fellowship Bible Church to turn to local AV integrator Starlite to design and install a modern replacement capable of delivering significantly improved clarity and coverage.

“Large, open gymnasium spaces are known for poor acoustics,” says Starlite’s Nick Minieri. “Hard surfaces, exposed structure and high ceilings create reflections that make speech hard to understand and music difficult to control.”

To achieve the consistent coverage required, Starlite specified a Martin Audio TORUS constant curvature line array system, taking advantage of its ability to direct sound towards the audience while minimising energy directed onto the walls and ceiling, where unwanted reflections occur.

WE WANTED SOMETHING THAT WOULD BE RELATIVELY LIGHTWEIGHT AND EASY TO HANG

Nick Minieri, Starlite

“The constant curvature design of the TORUS system allows for even coverage across the listening area, which was critical in this space,” says Minieri.

Acoustic treatment also formed an important part of the installation. Impact-resistant absorption panels were installed along the walls, while additional acoustic hardware was used to minimise reflections from the exposed steel roof structure.

Practical installation considerations also influenced the final specification: “We wanted something that would be relatively lightweight and easy to hang, and we wanted it to be passive so we didn’t need to install new electrical boxes.”

The final system comprises two flown hangs, each array featuring 2 x TORUS T1230and 1 x TORUS T1215 elements, supplemented by a Martin Audio SX218 dual-18in subwoofer. Four Martin Audio CDD15 loudspeakers provide delay coverage while also allowing the space to be configured into multiple audio zones. Power is provided by Martin Audio iKONiK41 amplifiers.

“The CDD paired nicely with the TORUS as delay speakers as their voicing is so similar,” explains Minieri. “But we also used them in a divisible room configuration and a side configuration, giving the space three distinct stereo sound system options depending on how the client wants to use the space.”

The SX218 subwoofer delivers the low-frequency extension required for contemporary worship services and live music performances. “This space is being used as a worship space with a live worship band, so the sub was a must-have to support the bass and kick drum,” Minieri notes.

The completed installation has transformed the gymnasium into a highly capable multi-purpose venue, providing consistent, intelligible audio across a wide variety of applications.

“Fellowship Bible Church now has a gymnasium that functions as a true multi-purpose space,” concludes Minieri. “Speech is clear, music translates well, and events can shift throughout the week without technical limitations getting in the way.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Integration/Installation Partner: Starlite

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Martin Audio

22LIVE DEPLOYS MARTIN AUDIO FOR ROYAL HOSPITAL CHELSEA EVENTS

UK – The recent Live at Chelsea concert series took place over five nights in June within the courtyard of London’s historic Royal Hospital Chelsea, attracting audiences of more than 4,000 each evening. Providing the sound reinforcement was leading UK rental company 22live, which deployed a comprehensive Martin Audio system comprising WPC main arrays, TORUS front fills and WPS sidefills.

Founded by King Charles II and designed by Sir Christopher Wren, Royal Hospital Chelsea has been home to the Chelsea Pensioners since 1692. With the historic buildings and iconic clock tower forming a striking backdrop, the events were staged in the magnificent Figure Court, a 17th-century courtyard that hosted a diverse line-up of artists, including Holly Johnson, Blue, Sparks, The Proclaimers and The Beach Boys.

MOST OF THE ARTISTS BROUGHT THEIR OWN ENGINEERS, AND THE FEEDBACK WAS CONSISTENTLY POSITIVE.

Paul Timmins, 22live

“It’s unusual because it’s an outdoor event, but the audience is entirely seated,” explains Paul Timmins, Hire Director, 22live. “There was tiered seating around the sides and at the rear, so it felt much more like a purpose-built theatre environment.”

With an audience area measuring approximately 75 metres square, 22live selected Martin Audio’s WPC Wavefront Precision line arrays as the main system, deploying left and right hangs of 12 cabinets per side.

To provide coverage across the relatively wide listening area, four Martin Audio WPS line array elements were ground-stacked on grids as outfills, while six TORUS T1230 constant-curvature array elements delivered front-fill coverage. Low-frequency reinforcement meanwhile came from eight SXH218 dual 18-inch subwoofers, configured in a compact castellated cardioid array, with five cabinets facing forwards and three facing backwards. The entire system was powered by iKON series amplifiers.

“The audience area is bordered by large stone structures, so we wanted to minimise reflections from those surfaces,” says Timmins. “We also wanted to avoid directing unnecessary energy into the surrounding buildings wherever possible. Beyond that, the challenge was simply to achieve consistent coverage across the audience area as efficiently as possible.”

“It was an interesting event because each of the five nights featured a different headline artist, with a wide range of musical styles,” reflects Timmins. “Most of the artists brought their own engineers, and the feedback was consistently positive. Everyone I spoke to had good things to say about the system.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

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MARTIN AUDIO TORUS SUPPORTS MALWANCHAL UNIVERSITY CONVOCATION

IND – As part of Central India’s largest medical education group, Malwanchal University in Indore, Madhya Pradesh, is a modern 65-acre campus with a vibrant student community of over 11,000.

In April 2026, the University, together with the Index Group of Institutions, hosted its 5th Convocation Ceremony – its flagship graduation event – where degrees are formally conferred and outstanding academic achievements celebrated. With students, faculty, dignitaries and guests in attendance, the sound reinforcement system was required to deliver every speech and ceremonial moment with clarity, balance and authority.

To meet these requirements, locally based Patel DJ Sound deployed a Martin Audio sound system solution comprising TORUS T1215 constant curvature array elements, complemented by Blackline X218 subwoofers.

THE TORUS SYSTEM GAVE US CLARITY, CONTROL AND PROFESSIONAL SOUND ACROSS THE VENUE.

Amit Patel, Patel DJ Sound

“TORUS has proven to be a strong asset for us in Indore.” says Amit Patel, Director of Patel DJ Sound. “Its compact build makes it adaptable, while output and clarity allow it to perform beyond expectations.”

Bridging the gap between line array and point-source technologies, Martin Audio TORUS arrays are engineered to deliver high-output power and uniform coverage with exceptional cost-efficiency.

Hosted in the University’s Central Auditorium – a large-scale venue on campus designed to accommodate up to 2,000 attendees – two flown arrays, each comprising 4 x TORUS T1215 elements, provided controlled coverage, strong vocal intelligibility and a refined sonic character ideally suited to speech-led content, while the Blackline X218 subwoofers added low frequency depth and weight.

Commenting on the performance of the Martin Audio system, Patel DJ Sound engineerAnkit Patel comments, “The TORUS system gave us clarity, control and professional sound across the venue.” Fellow engineer Raj Mane adds, “Working with Martin Audio allows us to deliver a polished sound experience that clients can trust.”

“Martin Audio has strengthened our business by giving us a system we can trust for important events,” concludes Amit Patel. “With TORUS T1215 and Blackline X218, we deliver clear, consistent and professional sound. That reliability builds client confidence, strengthens our market reputation, and helps us take on prestigious assignments with assurance.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Integration/Installation Partner: Patel DJ Sound

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FIRST BAPTIST CHURCH IN CARTHAGE UPGRADES TO MARTIN AUDIO TORUS

USA – First Baptist Church in Carthage, Texas, has transformed its worship experience with a major audio upgrade, replacing a PA system that had remained largely unchanged since the church’s construction in 2003. The new installation centres on Martin Audio’s TORUS constant curvature array technology, delivering significantly improved coverage, clarity and consistency throughout the sanctuary.

Over the years, the church’s worship style and musical programme had evolved beyond the capabilities of its ageing sound system. Uneven coverage, deteriorating loudspeakers and amplifiers, and a lack of intelligibility all contributed to the decision to invest in a modern solution capable of meeting both present and future requirements.

To design and install the new system, the church turned to RP AVL, led by founder Ray Priszner.

“I stepped away from a Technical Director role at a mega-church in the Houston area to found RP AVL in 2022,” begins Ray. “I missed helping churches and working alongside volunteer teams to increase their skill set in serving their local church. This project started because of a relationship with a pastor who felt called back to his home church in Texas. In his prior church I had installed a smaller Martin Audio system which he really loved.”

The church sought a system that would provide natural, clear sound, ensure even coverage across the congregation, and remain scalable as the ministry continued to grow. Speech intelligibility was a particular priority, ensuring voices would remain clear and present within the mix.

Having previously experienced the Martin Audio TORUS system at InfoComm, Ray was confident it would meet the brief: “I was very impressed with the tonality, imaging and HF coverage,” he recalls.

The sanctuary itself presented several acoustic challenges. Wider than it is deep and featuring a stepped ceiling, the room exhibited a number of frequency anomalies. Acoustic treatment formed an important part of the overall project, while Martin Audio’s DISPLAY software played a key role in system design and optimisation.

WITH THE CONSTANT CURVATURE DESIGN, SHADING TO THE FRONT ROWS WITHOUT THE NEED FOR FRONT FILLS WAS A HUGE WIN.

Ray Priszner, RP AVL

“Importing the room rendering and modelling with different Martin boxes made the process seamless – ultimately choosing the TORUS T820 and CDD6 to be the optimal boxes for the space,” says Ray. “I’m very impressed how accurate the DISPLAY modelling was compared to the physical deployment of the system. Using SMAART I measured numerous positions within .2db of DISPLAY’s predictions. This alone has given me additional confidence when designing and implementing Martin Audio solutions.”

The final system comprises two hangs of four TORUS T820 elements per side, supplemented by a pair of SX218 dual-18in subwoofers and a pair of Martin Audio CDD6 loudspeakers for outfill coverage. Power is provided by 2 x Martin Audio iKON IK41 amplifiers.

“Using the TORUS in single box resolution really helped with the coverage throughout the space,” notes Ray. “With the constant curvature design, shading to the front rows without the need for front fills was a huge win.”

He also praised the simplicity of the rigging process.

“Again the DISPLAY 3 configuration was spot on with pick points and angles. It couldn’t have been easier using the provided hardware with no additional need.”

For outfill duties, Ray turned to Martin Audio’s CDD series, which he regards as a proven solution for houses of worship.

“They have a sound that is natural and open with a great form factor. They pair well with the TORUS line giving additional fill where needed giving a smooth tone extension.”

In fact, the performance of the CDD loudspeakers alone made an immediate impression during commissioning.

“I had just finished tuning the CDD6s when the worship pastor walked in and was amazed at the sound. I turned and looked at him to inform him that the only thing on was the outfills. His jaw dropped. He said ‘no way. That can’t be.’ But I said yes, only the small guys!”

Low-frequency extension is provided by the SX218 subwoofers, configured to deliver smooth, even bass response throughout the room. “The SX218 each receive single driver power which gave me the ability to steer the low frequency and create more even coverage,” he says.

The improvement in audio quality has been noticed immediately by both church staff and congregation members: “We had a rehearsal where I dialled in the band and vocalists, and I worked with the volunteers on their console to get things set-up. They pointed out how big and clear the sound was and how natural it all felt. Over the weekend, long term church members made comments about being able to hear all the instruments along with the choir for the first time in their 15 years of attending the church and how the speakers weren’t distracting to the space. It was a huge win.”

Reflecting on the project, Ray believes the installation has achieved exactly what the church set out to accomplish.

“The overall project was a huge success for this client,” he concludes. “They no longer have different areas in their room where the sound is louder or softer, and the clarity and fullness of the system is allowing them to experience worship and the word as never before.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Integration/Installation Partner: RP AVL

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Linea Research Martin Audio Optimal Audio TiMax

MARTIN AUDIO, TIMAX, LINEA RESEARCH AND OPTIMAL AUDIO CLAIM MULTIPLE AWARD WINS AT INFOCOMM 2026

Martin Audio, TiMax, Linea Research and Optimal Audio returned from InfoComm 2026 in Las Vegas with three major award wins and an enthusiastic response to theDemo Room approach. BlacklineQtook a Best of Show Award for Martin Audio on the back of its US tradeshow debut, the newly launched Optimal AudioColumn Seriesclaimed a Best of Show Award of its own, and Martin Audio partners Technical Audio Group and Vestec Audio were awarded Best Multipurpose Venue at the Mondo|DR Awards.

At the heart of the showcase was Demo Room N112, where a new application-driven format took attendees through four real-world walkthroughs – Hospitality, Sports Venues, Worship and Auditoria – pairing the right loudspeaker systems with the control and processing technology to bring each one to life. Brought to life by projection mapping and immersive audio from TiMax – showcasing how spatial audio can bring a further dimension to the audience experience in a venue. The sessions were very well received generating in-depth conversations with integrators, consultants and end users that traditional stand demos rarely allow.

On Booth N6833, Martin Audio showcased the evolution of the flagship Wavefront Precision optimised line array series, alongside CDD Series and ADORN, whilst BlacklineQ made its US tradeshow debut, adding Best of Show to its growing roster of awards. As the first series in its class to offer differential dispersion, helping to deliver controlled coverage in multiple deployments, BlacklineQ has moved ahead as the fastest selling edition of the popular Blackline Series.

From its fully operational hospitality environment on stand, which spanned dining room, bar and outdoor terrace, Optimal Audio, launched its ZonePad VL-1 passive wall controller and SmartAmp Custom Configurator. The new products were served alongside the recently launched Column Series – Column 8 and Column 16 – which went on to win its own Best of Show Award.

The growing interest in advanced spatial audio workflows were evidenced at TiMax, where the latest evolution of its spatial audio and show control platform, TiMax SoundHub, was demonstrated with a dedicated immersive setup. New ADM-OSC integrations, native SpatAI v2 integration bringing AI-driven control into TiMax SoundHub, and Scaling Surfaces for portability of showfiles between venues of different sizes all drew consistent interest from performance, presentation and experiential audio professionals throughout the week.

Meanwhile, Linea Research chose InfoComm to introduce its newly launched NSC Series of compact network system processors. Visitors went hands-on with NSC24, NSC46 and NSC48 alongside the latest update to System Engineer 8, with the stand seeing consistent engagement from integrators and system designers across the week.

Marketing Director, James King, concluded, “Our Demo Room concept and booth experience at InfoComm 2026 successfully showcased the individual strength of the four brands and highlighted how in combination they can provide powerful integrated solutions for venues.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

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MARTIN AUDIO WAVEFRONT PRECISION POWERS SWEDISH HOUSE MAFIA’S HISTORIC BALTIC DEBUT

EST – Electronic supergroup Swedish House Mafia recently made a historic debut appearance in Estonia. At the famous Tallinn Song Festival Grounds, fans enjoyed their first live experience of the legendary band anywhere in the Baltic region. The concert was powered by a Martin Audio Wavefront PrecisionWPL sound system – also marking the first time the flagship line array has been deployed in Estonia.

The Tallinn Song Festival Grounds (Tallinna Lauluväljak) is one of Estonia’s most iconic outdoor event spaces. Completed in 1960 and considered a masterpiece of post-war architecture, it features a unique concrete arch designed by Henno Sepmann to create powerful natural acoustics for thousands of choir singers.

However, as sound system supplier and Martin Audio distributor Audiosky knows from multiple deployments at the venue, what works for natural acoustic choirs can create an immense challenge for high-power amplified concerts.

“This acoustic screen was designed so that the voices of 10,000 singers would reflect beautifully to the audience, and it certainly looks magnificent,” explains Audiosky’s COO, Tiit Terask. “But if you place a high-output amplified sound system in front of it, the reflections off that screen are extremely challenging – a highly uncomfortable delay time.”

For this landmark event, Martin Audio’s Wavefront Precision physical design and electronic optimisation software proved to be a revelation. “To overcome this acoustic obstacle, we took a dual approach,” Tiit continues. “First, we moved the stage further out from the concrete screen. Second, this first-ever deployment of Martin Audio WPL in Estonia delivered the best acoustic results we have ever achieved at this venue.”

Adding to the complexity, the gig was performed in a 270-degree configuration – yet another first in the venue – necessitating a complex, carefully designed and configured system.

THIS PROJECT REPRESENTED NEXT-LEVEL PERFORMANCE AND MARKS A BRAND-NEW BENCHMARK FOR EVENT AUDIO IN ESTONIA.

Tiit Terask, Audiosky’s

The main left/right hangs each comprised 18 Martin Audio WPL line array enclosures. Due to the unique stage design, the outhangs – consisting of 14 WPL cabinets per side – were positioned further upstage than the mains. The delay system comprised 12 WPC elements per side, with nine Martin Audio W8VDQ point source cabinets acting as front fills.

Providing the legendary, physical low-end required for Swedish House Mafia’s performance was a massive sub-bass configuration comprising over 100 subwoofers. This included 16 SXHF218 subwoofers (eight per side) flown directly behind the main hangs, and 16 W8LS subs flown behind the outhangs (eight per side). On the ground, 72 SX218 subwoofers were stacked in three blocks of 24 in a cardioid configuration.

For Ben Tucker, Martin Audio Product Specialist, who was on-site to assist the Audiosky team with the design and deployment, the physical geometry of the venue presented a tricky coverage task.

“The raked seating area had a huge, prominent VIP section right in the centre,” Ben explains. “To cover this strange geometry, we decided to have the main PA system cover the entire area, allowing the delays to gently blend in rather than acting as a completely distinct delay system.”

Using Martin Audio’s DISPLAY software, Tucker was able to optimise the array coverage. “We pointed the top box of the main PA at the absolute furthest listener, and then used the software processing to transition into a ‘Hard Avoid’ area straight up the rear wall and on the entire concrete canopy roof,” he says. “And I gave the audience coverage and the ceiling area equal DSP weighting – a technique we use frequently at major UK festivals to control noise limits and stop sound propagating beyond the audience.”

The specific subwoofer configuration was also a crucial element of the design. “I went back and forth for a couple of weeks to find the best configuration,” Tucker explains. “As soon as you add more than one subwoofer source to a venue, you introduce comb filtering and cancellations. In this case, we were working with seven distinct subwoofer sources.”

“We knew we wanted to get some subwoofers in the air because we had a 105m throw to cover, and Swedish House Mafia’s show is exceptionally low-end heavy,” he continues. “I applied a bit of delay-gain steering to pull the flown energy down into the audience area.”

The stage shape heavily influenced the design of the ground sub array. “We ended up with three arrays of 24 ground subs in three-high blocks, with the centre cabinet in each stack reversed to create a cardioid pattern. It was an overwhelming amount of low-end – the largest subwoofer array I have ever deployed in my career!”

For Tiit the real-world performance exceeded all expectations. “I was incredibly surprised by how smooth and even the total coverage was. Typically, I am sceptical of marketing drawings, but in this case, the predictions matched the real-world results perfectly. One of the biggest difficulties at this venue is ensuring consistent coverage. On this show, whether you stood between the main left/right or shifted over between a main hang and an outhang, the audio profile was absolutely identical. Covering such a wide area with identical, seamless sound is a massive achievement.”

Tiit credits the extensive weeks of planning for the event’s technical success. “It was a major undertaking, but the team’s preparation was flawless. I am incredibly proud of my crew; everyone executed their roles to perfection.”

Ben Tucker agrees: “As a systems engineer and part of the Martin Audio product support team, it was a pleasure to work alongside such a highly competent, professional crew. I have complete confidence in Tiit and his team moving forward. They will deploy this system excellently on any show they take on.”

The ultimate success of the event was reflected in the immediate feedback from the tour production team and local promoters. “We received maximum points from the Swedish House Mafia production team – they told us the sound was a perfect 10 out of 10,” Tiit concludes. “The positive impact was instant. This project represented next-level performance and marks a brand-new benchmark for event audio in Estonia.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Distribution Partner: Audiosky
Integration/Installation Partner: Audiosky

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Martin Audio

MARTIN AUDIO STRENGTHENS ENTERPRISE AV MARKET PRESENCE IN CHINA WITH SHANGHAI UNIVISION PARTNERSHIP

Martin Audio is strengthening its enterprise AV market presence in China with the appointment of Shanghai Univision (You Shi Wei Xin) as a new distribution partner. Joining established distributors Sino Huifeng and Guangzhou Guidance, Shanghai Univision will deliver dedicated expertise to the corporate, education and government market, supporting consultants and integrators with application-specific design and deployment.

Under the new agreement, Shanghai Univision has been appointed the sole distributor for Martin Audio’s Wavefront PrecisionWPS series, TORUS 820 constant curvature array and O-Line modular micro line array – solutions ideally suited to corporate, commercial and large-scale integrated environments.

Commenting on the appointment, David Wong, Director of Sales at Generation AV (Martin Audio’s APAC representatives) states, “Shanghai Univision has a proven track record of success in the Enterprise and AV installation market in China. We are excited with our new partnership and look forward to providing our full support to the Univision team.”

WE LOOK FORWARD TO WORKING ALONGSIDE OTHER PARTNERS TO BUILD UPON MARTIN AUDIO’S LEGENDARY SUCCESS

Frank Xiao, Shanghai Univision

Shanghai Univision serves the Chinese market as a specialist AV and IT distributor.From its Shanghai headquarters and regional hubs in Beijing and Shenzhen, the firm provides the high-level pre-sales and after-sales expertise required for complex system deployments.

Frank Xiao, General Manager of Shanghai Univision states, “We are delighted to partner with Martin Audio in China. As a world-renowned UK brand & manufacturer, Martin Audio is dedicated to delivering state-of-the-art products, top-tier performance, and unmatched service.

“Our team is eager to collaborate with Martin Audio and Generation AV. By integrating the Wavefront Precision WPS series, TORUS 820 constant curvature array, and O-Line modular micro line array into our portfolio, we will provide a more comprehensive total solution to vertical markets across China. We look forward to working alongside other partners to build upon Martin Audio’s legendary success and legacy in the region.”

The new partnership was unveiled during a recent customer event in Beijing where over 100 industry professionals – including consultants, system integrators, and dealers – to the latest Martin Audio solutions, and on the Shanghai Univision booth at the recent Pro Light & Sound Guangzhou Show.

Dom Harter, Managing Director of Martin Audio comments, “Over the years Martin Audio has built a strong reputation in China for high performing audio solutions across many vertical markets. The technical expertise within the Shanghai Univision team is second to none, and we are confident they will have many successful Martin Audio installations coming soon across China.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

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