Categories
LEA Professional

LEA Amps for Immersive Recording Studio

Nestled on the outskirts of Music City, Secret Sound—a cutting-edge studio designed by industry legend Chas Sandford, known for his work with icons like Tina Turner, Brooks & Dunn, and Rod Stewart—turned to LEA amplifiers when upgrading to Dolby Atmos. 

The Spec

🏢 Venue: Secret Sound  | Franklin, TN

👷‍♂️ Integrator: The Pad Group

🎶 Audio Spaces: Entire studio

🦈 Product Used: Connect Series 702D &  704D (Multiple)

Secret Sound

Chas Sandford’s Secret Sound studio is a state-of-the-art mixing and tracking environment located on 53 secluded acres in the heart of Franklin, TN.

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“In reviewing the specific requirements for our installation, LEA Professional amps checked all of the boxes perfectly,” said Sandford. “It was a breeze setting them up, we basically set them up once and forgot it. Once the system was tuned, I was floored by how great it sounded! The system performs flawlessly and sounds fabulous.”

Like many others in the music industry, Sandford’s quest to enjoy music at its highest level brought him to NAMM, where he served on a panel for Creating Your Own Atmos Studio. The panel was facilitated by Dave Malekpour, President of The PAD Group (Professional Audio Design, Inc.), who used Secret Sound to explain why Dolby Atmos could benefit Sandford and how to implement it effectively. Sandford was hooked and worked with Malekpour to make it a reality using the studio’s preexisting gear, including Augspurger monitors.

“Sandford wanted to use his existing isolation rack, which had limited space available,” said Malekpour. “We chose LEA amps primarily because of the Dante connectivity and the ability to fit into one rack space with four channels of great specifications and super low noise. An added benefit was that the amplifiers themselves don’t make a lot of noise or generate a lot of heat — they were just really efficient and effective in this installation.”

Malekpour installed a combination of multiple Connect Series 702Ds and 704Ds in the studio to power the PMC speakers. Both 1U amplifiers are well-suited for installations requiring high flexibility, making them the perfect choice for Secret Sound. With 96kHz-capable Dante and AES67 connectivity options, the IoT-enabled 2-channel 702D and the 4-channel 704D provide 700 watts per channel, support Hi-Z (70V or 100V) and Lo-Z selectable by channel, and feature Smart Power Bridge technology. With three ways to connect, the studio can engage the built-in Wi-Fi access point, connect to the building’s Wi-Fi, or connect to the local area network via Cat5 or Cat6 cable.

CS702D
CS704D

The Conclusion

“Amplifiers have a big impact on how the speakers perform, how the low end is delivered, and the naturalness of it,” said Malekpour. “And the LEA amps are a great product, literally Dante-enabled little powerhouses. I highly recommend them, and I think I’ll use them again probably every chance I get.” 

Click here for the original article

Categories
Linea Research Martin Audio

RADIO RIOT BRINGS BIG GIG SOUND TO THE PUB CIRCUIT WITH NEW MARTIN AUDIO BLACKLINEQ SERIES

UK – Radio Riot are a three-piece pub and function band delivering Britpop and guitar-driven covers spanning five decades. Like the best function acts, they bring the same energy and ambition to every show regardless of venue size. And in choosing a truly portable sound system capable of consistently delivering a big gig sound, lead singer and guitarist David Preston turned to Martin Audio’s new Blackline Q Series of loudspeakers.

Preston has been playing with bassist Luke Stephens and drummer Dean Fowler since the age of 19. “We did originals, covers, and an Oasis tribute band over the last 25 years together but around 9 years ago stopped because life got busy,” he explains. “We all missed it, so we got back into it last year with Radio Riot.”

For Preston, who brings a professional audio background to the project, production standards are non-negotiable regardless of the venue. “We want to create a big gig feel,” he says. “Everything is mic’d up no matter what the venue, whether it’s a small function room, a cricket club or a pub. We want the full show, every time.”

That ambition extends to the backing tracks, which incorporate keyboards, strings and synths. “When we’re doing songs like ‘Bittersweet Symphony’ or ‘Town Called Malice,’ we need those strings and keyboards to land properly,” he notes. “We spent a year and a half building the show before we played our first gig.”

In search of a PA capable of delivering that big-gig impact from a system that could also fit in the boot of a car, Preston turned to Martin Audio’s BlacklineQ – a new series of passive loudspeakers driven by a Linea Research 44M06 amplifier.

EVERY VENUE WE’VE PLAYED, THE BLACKLINEQ COVERS THE SPACE EXACTLY AS WE NEED IT TO

David Preston, Radio Riot

“With self-powered systems, you sometimes hit limiters too early,” he explains. “Stepping up to external amplification gives you much more headroom and quality and allows us to control the PA far better.”

The portable rig comprises a pair of Blackline Q15 tops and a pair of Blackline Q118 subwoofers.

The Q15 is capable of a peak SPL of 133dB, featuring a 15-inch LF driver with a 4-inch voice coil and a 1.4-inch exit HF compression driver with a 3-inch dome. Its 70°– 90° horizontal × 50° vertical Differential Dispersion horn ensures wide, consistent coverage across the audience area.

Completing the system, the Q118 is an 18” compact, high-performance subwoofer extending low-frequency response down to 38Hz, with a peak SPL of 136dB.

“I love the top-end clarity that the Q15 delivers,” says Preston. “And because we always mic up the full backline, the subs handle whatever we throw at them. The PA handles the whole band even when we have all the synths, keys, or full-range horn parts on the track as well, and we can still break the system down easily and load it into our cars.”

That portability and handling are important for a band loading in and out of venues quickly. “It’s a system we can put up and power on quickly,” he says. “The subs are light enough to lift into a car on your own, and even the 15s aren’t unreasonably heavy—it’s essentially a one-man operation. What we’re running now is smaller than we had before but delivers the same power with considerably more clarity.

For system control, Preston runs Martin Audio’s System Engineer 8 software on a tablet, using the Linea Research amplifier’s onboard DSP for system EQ. “I do my main overall PA EQ within the amp rather than the mixer. The quality is more accurate and simply sounds better,” he explains.

Ultimately, it is the sound that defines the system’s success. “Every venue we’ve played, the BlacklineQ covers the space exactly as we need it to,” says Preston. “They’re really good-sounding speakers with great definition.”

For Preston, the investment speaks for itself. “If you’re willing to spend a little more over a mid-range self-powered system, it really makes a difference,” he concludes.

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Click here for original article.

Categories
BlueSound Professional Company News

Bluesound Professional partners with Generation AV for Asia

APAC – Bluesound Professional has entered into a sales representative agreement with Generation AV to boost its growth in APAC and bring its audio solutions to a broader audience. Lenbrook Asia continues to serve as the brand’s local distributor.

With headquarters in Singapore, Generation AV represents audio and video brands in Asia, supported by a team with decades of regional experience, and is well-placed to represent Bluesound Professional’s scalable audio streaming solutions. “We’re excited to partner with Bluesound Professional to showcase their innovative hardware and software,” said David McKinney, managing director of Generation AV. “We pride ourselves in supporting top-tier brands that redefine auditory experiences, and Bluesound Professional’s high-performance networked audio solutions are an ideal fit. From retail spaces and bars to restaurants and hotels, we’re eager to introduce their technology to even more environments across Asia.”

Bluesound Professional has already completed several installations in the region. “Partnering with Generation AV is a key step in expanding our presence in Asia,” commented Graeme Harrison, vice president and general manager of Bluesound Professional. “The team’s enthusiasm, expertise and experience will be invaluable as we continue to drive strong sales growth in Asia, solidifying our position as leaders in networked audio. On a personal note, it’s great to be working with David again, and we’re excited about what we can achieve together.”

The Bluesound Professional and Generation AV team during Bluesound Professional training in Singapore last month

Click here for original article.

Categories
LEA Professional

From Poolside Beats to Lounge Ambience: LEA Amplifiers Set the Mood at Lifestyle Holidays Vacation Club

The Dominican Republic is a land of unparalleled natural beauty and vibrant culture, where lush landscapes and pristine beaches meet the rhythmic heartbeat of its people. Among the many treasures of this diverse island, Puerto Plata is a shining gem on the northern coast, offering a captivating blend of history, adventure, and natural beauty. A town steeped in colonial significance, Puerto Plata served as a key port during the colonial era, and its historic architecture still stands as a testament to its past. ☀️

The Spec

🛎️ Venue: Lifestyle Holidays Vacation Club | Puerto Plata

👷‍♂️ Integrators: Musitempo

🔊 Audio Spaces:  Entire Venue

🦈 Products Used: CS704D & CS354D

The Venue

Located oceanside in Puerto Plata, the Lifestyle Holidays Vacation Club resort boasts a diverse array of accommodations, where guests can enjoy breathtaking ocean or mountain views, fully-equipped kitchens, and both private and communal pools, creating a serene and pampering retreat. The resort offers a wide range of recreational activities, including golf, scuba diving, and various water sports. Guests can also enjoy nightly entertainment, dance lessons, and a supervised Kid’s Club, ensuring fun for all ages.

The original audio design was a series of independent systems by area. Each restaurant, bar, and other rooms had their own audio equipment, resulting in excess gear installed in multiple IDFs. Resort staff contacted Fernando Hernández Voigt, Founder of Musitempo, to help optimize the system and centralize operations. He included LEA Professional amplifiers as part of the retrofit.

“We had to retrofit the system while the resort was operating, so rewiring and centralizing everything while not disrupting guest activities was pretty challenging at times,” said Voigt. “Luckily, with the speaker tunings available from LEA, we didn’t have to go zone by zone and tweak the speaker settings. It was basically plug-and-play.”

The Install

Musitempo installed Connect Series 704D amplifiers and Connect Series 354D amplifiers to power the hotel’s loudspeakers. The IoT-enabled 4-channel 704D provides 700 watts per channel, while the 4-channel 354D offers 350 watts per channel. Both models support Hi-Z (70V or 100V) and Lo-Z selectable by channel, and feature Smart Power Bridge technology. Dante-enabled models include the same features as Network Connect models, plus 96kHz-capable Dante and AES67 connectivity options

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CS354D

The Connect Series delivers an industry-first professional amplifier family to feature cloud connectivity, a revolutionary advancement and a significant benefit for anyone maintaining the systems. With LEA Cloud, AV teams like Musitempo can remotely control and monitor the amplifiers regardless of the location or time of day, and with no subscription model or hidden costs, it’s completely free to use.

Musitempo also utilized LEA’s free SharkWare software to configure a base profile and push it out to all the pre-staged LEA amplifiers. SharkWare includes amplifier grouping, offline design, granular user access control levels, locked speaker tunings, and a graphical EQ. Additionally, the software enables users to view and adjust channel settings, including input settings, signal generator, crossover, equalizer, limiter, and load monitoring, for all LEA Connect Series amplifiers.

The Conclusion

With the completion of the retrofit, the resort now has a world-class audio system to match the beauty and grandeur of the property. Resort staff have simple UIs to control everything, like source selection and volume by zone, making their jobs much easier.

“Hotel management feels like they’re in the future. That’s the way that they basically describe the way the system works. Now, instead of guest complaints, they’re getting praised,” said Voigt. “LEA was an integral part of the solution. We couldn’t be happier with how the system turned out.”

Categories
Martin Audio

ARC COMMUNITY ELEVATES WELLNESS WITH MARTIN AUDIO CDD SOUND EXPERIENCE

UK – Arc Community is redefining the wellness club in the heart of London’s Canary Wharf, combining relaxation and contrast therapy within a vibrant, social setting. To create a soundscape capable of moving seamlessly from calm, unobtrusive daytime ambience to DJ-driven evening sessions, Arc turned to integrator Evolve Install and Martin Audio’s CDD Series loudspeakers.

“It’s a very fresh concept, there hasn’t really been anything like it in the UK on this scale,” says Elliot Patterson of Evolve Install. “It’s quite an amazing space.”

Focussing on contrast therapy – the alternation between intense heat and cold exposure to activate the body’s natural stress and relaxation responses – the venue features a vast communal sauna seating up to 65 people, multiple ice baths, and a beautifully designed lounge area for relaxation and socialising.

Music plays an essential role throughout the venue, but it was in the Lounge that Patterson’s team faced their most specific acoustic challenge: designing a sound system capable of shifting seamlessly between gentle background music for wellness sessions and the powerful output demanded by DJ sets.

“It’s a multi-functional area that needs to be calm and relaxing during the day but capable of a big, immersive sound at night,” he explains. “They have sessions called ‘Arc After Dark’, which are evening socials where DJs come in on certain nights.”

The Arc After Dark events – “blending the invigorating power of contrast therapy with immersive soundscapes and aromatherapy” – transform the venue into a sauna party for up to 95 people.

To meet the audio demands, Evolve Install specified a combination of four Martin Audio CDD6 loudspeakers, supported by a compact Martin Audio SX210 subwoofer.

“The CDD6 is such a versatile box; it’s a six-inch driver but it’s incredibly punchy for its size,” continues Patterson. “The cabinet design just works.”

The Lounge itself is a square room, with seating arranged in a circle for breathing exercises and meditation, and maintaining a clean aesthetic was essential.

“We didn’t want anything to take away from the aesthetic of the space,” says Patterson. “The CDD6s are very discreet – you can walk in and you won’t even notice them – but when you turn the system up, it sounds massive.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Integration/Installation Partner: Evolve Install

Click here for original article.

Categories
Martin Audio

BG EVENTS DEPLOYS HUGE MARTIN AUDIO WAVEFRONT PRECISION SYSTEM FOR BSW ARENA SHOW

HUN – Budapest-based production company BG Events recently deployed what is believed to be the largest total hang for a single event of Martin Audio’s Wavefront Precision series. A total of 120 line array elements from the WPLWPC and WPS series, together with 36 SXH218 subs, were specified for BSW at the Papp László Arena.

Celebrating two decades since BSW first formed in 2006, the #BSW20 tour marks a defining moment for the group, charting their journey from the underground hip-hop scene to the summit of Hungary’s live music industry as one of the country’s premier stadium-level performers.

It was BG Events’ extensive experience of working at the Papp László Arena – Hungary’s premier venue for international touring artists – that helped secure their involvement.

Bácskay Gábor Mazsi, System Tech at BG Events, begins the story. “We hadn’t worked with the band before, but the production team were aware that we had delivered numerous shows at the arena and were very familiar with the venue.”

Having deployed Martin Audio MLA for many years, the company upgraded its inventory to Martin Audio’s latest-generation Wavefront Precision Series in May 2025.

“When we talked with the BSW team about using WPL rather than MLA, they were very happy with it,” notes Mazsi. “The Martin Audio WPL is very similar in character, and also has zero feedback to the stage. This makes bands and sound engineers happy because when they come from rehearsal and start sound checking, nothing sounds different in their ears. I’m personally also very happy with the WPL sound image.”

ALL THE BOXES IN THE WAVEFRONT FAMILY WORK SO WELL TOGETHER

Bácskay Gábor Mazsi, BG Events

The Papp László Arena presents a formidable acoustic challenge, not only in terms of throw lengths but also due to an unusual asymmetric design.

“The first challenge is definitely distance,” Mazsi explains. “The arena is 120m long from the stage front to the last seats. But oddly the building is also asymmetrical, with two seating tiers on the left and three on the right.”

BG Events knew the Wavefront Precision solution would deliver the extensive and uniform coverage required. The final system design comprised 18 WPL array elements per side as main hangs, all driven at one-box resolution. To address the venue’s differing tier heights, the outfills comprised 12 WPL on the left and 14 WPL on the right.

First delays featured a further eight WPL per side, whilst second delays comprised eight WPC Series array elements per side to reach the far end points. Fourteen WPS models acted as front fills, configured in 4 x 3 and 1 x 2 box stacks, with a further six WPS per side deployed as flown sidefills.

“All the boxes in the Wavefront family work so well together – the filters, amplifiers and DSPs are the same, and the characters are all the same,” Mazsi confirms.

Low-frequency reinforcement – critical for the hip-hop performance -was provided by a total of 32 Martin SXH218 subwoofers. Two arrays of six were flown 1m behind the main PA, with a further 20 ground-stacked in ten pairs, with the bottom unit reversed in cardioid configuration.

“We used the ’40ms left-right cancellation’ for the flown subs. It worked really well in this venue,” describes Mazsi. “The ground-stacked ones had 70cm spacing and opened 60 degrees by time. The flown subs were powered by amps in bridge mode, whilst the ground stacks used one amp channel per box.”

The entire system was powered by iKON iK42 amplifiers. “The iK42s have a separate DSP for each amplifier channel, which is very convenient – you can set any sub timing or front fills,” says Mazsi. “The large hangs work well with six to nine amps, and if you were to have any issues, you can just hot-swap any of them, so you don’t lose the whole array.”

On-site, the WPL’s new faster rigging method and simplified cabling proved invaluable for the crew: “We prepared the correct length of breakouts in advance, then it was very simple to hang four WPLs cart by cart. We configured the setup and loaded the presets to the iK42s in the warehouse.”

Ultimately, the WP system delivered on all fronts. “FOH engineer Péter Agárdi was very happy with the result,” Mazsi confirms. “The show ran from 94 dB up to 100 dB, with excellent consistency and clarity throughout.”

Photography: Daniel Dobrovszki, Armin Speil, Oliver Toth, MateLeblanc

Thanks to

Integration/Installation Partner: BG Events

Click here for original article.

Categories
LEA Professional

LEA Professional Install At Peak City Church

When a Colorodo Springs, CO Christian church expanded into a new location to better serve their growing congregation, they were in need of a powerful audio system. Amplifiers for house of worship must be able to deliver a scalable solution that will serve the community for years to come. That’s where we came in.

Let’s dive in and see how a local integrator used our Connect Series amplifiers to power the audio system at Peak City Church.

The Spec

Venue: Peak City Church

Install Purpose: New Location

Integrator: Global Technology Group, Inc. 

Product Used: Connect Series 704D (X5)

The Integrator

Global Technology Group, Inc. was tasked to design and install sound, lighting, and video systems. GTG has multiple offices and employees assisting with single-item purchases all the way up to complete audio, lighting, and video systems. GTG will take care of it all! 

The Venue

Peak City Church in Colorado Springs, Colorado, is a dynamic, contemporary Christian church experiencing a high level of growth. The church recently moved to a new location with room to expand its congregation, services, and community outreach.

They currently serve about 800 with a range of services, support groups, and classroom-based instruction for children and adults.

The Install

Peak City Church wanted to provide intelligible, pleasing, clear and flexible audio support for their auxiliary spaces and classrooms. The common areas often carry the audio of services or other programs happening in the main auditorium, but they may also have background music, announcements, or their own audio as needed. The three multi-purpose classroom systems are primarily independent and are used to support group-specific programs or video support.

Kris Johnson, the Chief Financial Officer for Global Technology Group, Inc., explained:

“We put in place five LEA Connect Series 704D, four-channel amplifiers — two supporting the distributed audio and three more amps, one in each of the classrooms. We did their whole distributed audio through the lobby and in the hallways with the LEA amps,” added Johnson. “All their sound systems are now on the same Dante network so that we can distribute the sound anywhere we want, which is a very nice growth feature for the church.”

CS704D

The Peak City Church distributed system is making full use of the DSP features of the 704D amps. With a built-in, 32-bit, 96kHz core DSP architecture, the Connect Series offers high-quality Routable Input Matrix, Crossovers, Parametric EQ, Output Delay, Limiting, and more. Johnson appreciates how the built-in DSP saves valuable rack space, weight, and system costs, as well as saves installation time. In addition, he has been impressed with the amp’s ability to connect through the LEA Cloud platform for remote service and support.

The Conclusion

“It’s really refreshing to have a single-rack-space amp that has good power, and a lot of network features behind it, and all at a great price — other single-rack-space amp brands are just not very economical for us for most applications,” added Johnson.

“LEA amps are feature-rich, rugged, and affordable; that’s what we love about it. We have a hotel project coming up, and we will most likely specify several LEA amps; I’m looking forward to working on that project and working more with LEA Professional.”

Click here for the original article

Categories
Martin Audio

HIRE FREQUENCIES MAKES MARATHON DEBUT WITH ALL-MARTIN AUDIO DEPLOYMENT

UK – In its 15th anniversary year, London-based event production company Hire Frequencies made its debut at the TCS London Marathon 2026, supplying all-Martin solutions across the Finish Line, Fan Zone and TCS London Mini Marathon at this year’s record-breaking event.

“We first met the Marathon events team two years ago,” explains Will Smith, Founder and MD of Hire Frequencies. “We were convinced we could take the production values to a new level with high-quality sound systems and were delighted to win the project this year.”

The company drew on its expanding Martin Audio inventory – built up over the past two years – to deliver an all-Martin deployment across the three zones. This included FlexPoint SeriesTORUS and Wavefront Precision (WPS), all powered by iKON iK42 4-channel amplifiers.

“Our technical director Ritchie Nicola and technical manager Kieran Hall were key to the specification and deployment,” continues Smith. “We worked closely with the Marathon events team to ensure everything was right first time.”

EVERYTHING PERFORMED PERFECTLY…

Will Smith, Founder and MD of Hire Frequencies

Prior to the main event, the TCS London Mini Marathon saw schools invited to run, jog, walk or wheel either one mile or 2.6K through central London, culminating in a finish-line crossing and medal presentation. Here, Hire Frequencies deployed a Martin Audio system comprising four TORUS T1230 array elements and a pair of SXC115 subwoofers, together with a distributed system of eight FlexPoint FP8 loudspeakers.

“TORUS was ideal for this site thanks to its quick deployment and high output,” says Smith. “It delivers exceptional clarity with strong mid-range throw, perfect for the application. The SXC115 is compact and fast to deploy, while the FP8s worked perfectly as infills across the wide crowd area. They didn’t have subs at the Mini Marathon previously, so we were really able to elevate the experience—we had lots of positive feedback.”

For the TCS London Marathon itself, Hire Frequencies deployed a Martin Audio WPS Wavefront Precision super-compact line array for the Fan Zone, which hosted music playback and live performances throughout the day. The ground-stacked system featured four WPS array elements per side, supported by two SXCF118 subwoofers per side.

“The Fan Zone was effectively a mini festival stage,” says Smith. “WPS was the ideal solution. With the help of Martin Audio’s DISPLAY software, we set the throw length to 50m and used the Hard Avoid feature to assist with noise control on stage.”

Meanwhile, along the finishing straight, 16 Martin Audio FlexPoint FP12 loudspeakers were distributed across the final 300 metres, delivering commentators’ encouragement and motivational music to runners approaching the line.

“The FP Series are compact and punchy, making them ideal for the finish line where space was limited between hospitality areas,” notes Smith. “Even the commentators remarked on the difference, describing the improvement on last year as ‘chalk and cheese’ in terms of both impact and sound quality.”

The system was deployed over two days while coordinating with other contractors across the busy site, and fully de-rigged within just two hours post-event.

“Everything performed perfectly – that’s why most of our inventory is now Martin Audio,” concludes Smith. “The marathon broke the Guinness World Record for the most finishers, as well as world records in both the men’s and women’s races. For me, it was an incredibly proud moment to have our team supporting such a globally recognised event.”

Photographer: Eric Menard

Thanks to

Integration/Installation Partner: Hire Frequencies

Click here for original article.

Categories
Optimal Audio

Optimal Audio paints an audio treasure at Panagyurishte Art Gallery

BGR – Optimal Audio sculpted smooth dynamic sound at Bulgaria’s Panagyurishte Museum, for an exhibition highlighting the cultural richness of the region, with its particular focus on the gold Panagyurishte treasure and other significant artefacts.

Situated in the heart of the town, the historic building – formerly the home of banking institutions –  was reimagined in 2025 by the Lachezar Cocorkov Foundation and transformed into the region’s first dedicated 3D-mapping gallery.

Demanding an audio solution to match the scale, depth and emotion of its visual storytelling – whilst also remaining simple enough for non-technical staff to operate – the exhibition turned to Audio-Technica Central Europe, who recommended an Optimal Audio solution.

The newly transformed gallery is the first of its kind in the region. The central exhibition area operates in a 5.1 surround format serviced by five Optimal Audio Cuboid 6 loudspeakers with two Optimal Audio Sub 10 subwoofers providing low end support. A total of 7 Optimal Audio UP 6 ceiling loudspeakers complement the main system in the peripheral gallery spaces.

The system was carefully selected to accommodate the building’s flat walls and drywall construction. These created inherent acoustic challenges, including resonant frequencies and extended reverberation times which required precisely controlled sound reinforcement but without the need for a dedicated sound engineer on site.

System designer, Audio-Tecnica Europe’s Stoyan Bozov, explained, “Having just finished my doctoral thesis on the topic of immersive audio in the education field, I designed the system around Optimal Audio because a 5.1 surround system can be a bit of a challenge in rooms without controlled acoustics, but the Optimal Audio Cuboid 6 with two Optimal Audio Sub10s handled it well.

“The SPL delivered by the Optimal Audio system is surprising and it was a great experience to hear the delivery of powerful full-bodied sound from such small enclosures. At the gallery’s internal opening, the same question arose: how did speakers of this size manage such fidelity and clarity? – so we were very pleased with the outcome.”

Power is delivered via four Optimal Audio Amp 100 amplifiers, with an additional Amp 200 driving the subwoofers and four of the Up 6 loudspeakers.

Part of the system relies upon an Audio-Technica ATDM-1012DAN digital mixer, acting as both mixing engine and routing matrix. The system distributes 13 inputs across 8 outputs to support the 5.1 surround configuration and peripheral zones.

The result is a smooth, dynamic and detailed sound field that enhances the impact of the 3D-mapping installation and ensures consistent coverage throughout the gallery.

By combining discreet loudspeaker design and controlled amplification with simple system management, Optimal Audio has drawn a new benchmark for immersive gallery installations – where art and audio work in perfect harmony.

Bozov concludes, “We were proud to make it possible for visitors to see some very old and forgotten artefacts on display in the most modern way with the best possible immersive experience.”

Photography: Jordan Moore

Thanks to

Integration/Installation Partner: Audio-Technica Central Europe

Click here for original article.

Categories
LEA Professional

LEA Professional Amplifiers Make a Splash at Jawfish Restaurant

Jawfish Restaurant in Portland, Oregon, is where locals and Northwest travelers come together to eat, drink, and revel. The restaurant brings together inventive cooking, comforting flavors to satisfy a wide range of tastes, and a lively bar scene in an atmosphere alive with the spirit of the Pacific Northwest. 😊🔊

THE SPEC

🎭 Venue: Jawfish Restaurant | Portland, OG

👷‍♂️ Integrators: Novus AV

🔊 Audio Spaces:  Entire Venue(s)

🦈 Products Used: Connect Series 704

THE VENUE

Jawfish was undergoing a full renovation when Novus AV received a call about installing a new audio system there. The restaurant had received a referral from “a friend of a friend” and wanted a multi-zone configuration, with the caveat of using some existing Tannoy AMS 6ICT and AMS 5DC surface-mount loudspeakers. Novus AV immediately included LEA Professional amplifiers in the system.

“LEA is my primary go-to amplifier for just about everything, unless a customer specs it otherwise,” said Ryan Cook, Owner of Novus AV. “I wanted an amplifier that was going to be powerful enough to accommodate a flexible number of speakers and whatever the future might hold.”

THE PROJECT

Shaw Theatres Lido and Shaw Theatres JEM, two of the most popular Shaw Theatres locations, decided it was time to upgrade their audio systems and contacted Lee Chew Kai, Director/Business Leader, Goldenduck Asia Pte. Ltd., to select and install new amplifiers to support the individual theaters at both locations. Since the LEA Connect Series of two-, four-, and eight-channel amplifiers is the most feature-rich in the industry, Lee recommended them to help the cinemas achieve their goal of immersive audio.

LEA’s advanced performance and technology offer the best experience to cinema goers,” said Lee. “Space constraints are also a common challenge in boothless cinema setups, so LEA’s compact footprints are another benefit that helps us significantly reduce rack space without compromising performance.

THE INSTALL

Novus AV installed a 4-channel Connect Series 704 amplifier to power the restaurant, which provides 700 watts per channel. The restaurant is divided into four zones: the bar, the dining area, the restrooms, and the front atrium, each on a dedicated channel.

CDS704

All amplifiers in the Connect Series are professional-grade, IoT-enabled smart amplifiers suitable for installations of any size. They support both Hi-Z (70V or 100V) and Lo-Z, selectable by channel, eliminating the need for separate amplifiers to handle different speaker impedances, while streamlining installations and reducing equipment costs. The Connect Series also includes 96kHz DSP as a standard feature, providing a range of benefits that greatly enhance audio performance and system versatility.

The Connect Series is the industry-first professional amplifier family to feature cloud connectivity, a revolutionary advancement, and a significant benefit for anyone maintaining the systems. With LEA Cloud, AV teams like Novus AV can remotely control and monitor amplifiers from anywhere, at any time, and with no subscription model or hidden costs. It’s completely free to use.

Branch AV utilized nine LEA Professional Dante Connect Series amps for this install to give them the channel count they needed including one Connect 168D, one Connect 88D, one Connect 704D, two Connect 84D and four of the Connect 354D amps. As the configuration of the spaces changed, so too did room for equipment racks.

THE CONCLUSION

Even with a last-minute “oops” when someone accidentally switched off the rack’s power, the client is very happy with the installation. Everything is working and sounding great, and the restaurant’s popularity has blossomed since its grand opening, often requiring reservations to get a table.

“Restaurants are known to be harsh on AV equipment. I’ve seen other brands fail rather quickly because of the environment, but I’ve never had to send in an LEA amplifier for repair, regardless of the operating environment,” said Cook. “So I knew they were reliable and powerful enough, had the feature sets that I needed, and were going to give me peace of mind about the project. You can’t ask for much more.”

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