Case Study Brands: MARTIN AUDIO

AV CASE STUDY: GEELONG ARTS CENTRE AUDIO UPGRADE

CASE STUDY:

Geelong Arts Centre

A massive A$140m upgrade of Geelong’s arts precinct includes a hefty audio package led by Martin Audio WPS line arrays.

Hanson Associates was initially engaged to provide the acoustic and electroacoustic design for the new Stage 3 Redevelopment of the Geelong Arts Centre (GAC). This ambitious project introduced two new theatres: The Story House, a 550-seat venue, and The Open House, a flexible 250-seat performance space. Our role extended beyond room acoustics to include the design of house loudspeaker systems, thanks to the forward-thinking approach of GAC’s technical advisor Andrew Nicol of A.E.N. Advisory and Design Services, who understood the critical synergy between room acoustics and sound reinforcement.

Alongside the Stage 3 project, we were also directly appointed to assist with technology upgrades for GAC’s existing Play House theatre. This encompassed a new sound reinforcement system, motorised flying equipment, and an extensive overhaul of the venue’s cabling infrastructure.

TACKLING AN OUTDATED SYSTEM

The Play House Theatre’s previous sound system was a relic of an earlier era, consisting of outdated, single-source cabinets mounted on the proscenium. The venue’s geometry — originally designed as a cinema — compounded coverage issues, with a deep balcony overhang and complex side seating areas presenting significant challenges. The in-house system failed to provide adequate coverage, leading to its consistent replacement with temporary loudspeakers for live events.

The centre channel posed the greatest challenge, as the existing system provided negligible audience coverage and was often left unused. A modern solution was urgently needed to meet the demands of contemporary programming.

The Play House Theatre enjoyed a full technical refit including new rigging, electroacoustics package, Riedel Bolero comms, and lighting. 

CLIENT BRIEF: PERFORMANCE WITHOUT COMPROMISE

The loudspeaker system design for each venue was shaped by the final acoustic specifications, with a brief that emphasised:

  • Clarity – Intelligible speech (STI ≥ 0.6 at all listening positions)
  • Natural Reproduction – Excellent transient response and minimal distortion
  • Level – Total SPL at all listening positions: Leq 105dBC (6dB crest factor)
  • Uniformity – Minimal variation across the audience area
  • Dynamic Range – Low system noise and high headroom

A key requirement for The Story House was the ability to adapt its response to different room configurations with minimal operator intervention while maintaining consistent performance across both audience and stage areas.

The Play House and Story House required traditional front-left-right theatre sound reinforcement systems, supplemented by fill and delay loudspeakers. The Open House, a flexible black-box space, needed a single permanent loudspeaker system in a primary orientation, with additional infrastructure to support a pool of shared loudspeakers for alternative layouts.

The Open House black box theatre also opens out to the adjacent park for alfresco Christmas carols and the like.

MODELLING THE SOLUTION

Using Odeon, we developed detailed acoustic models for each venue, allowing us to refine room acoustics for different performance formats and evaluate the impact of various loudspeaker solutions.

In the Play House Theatre, sightlines were paramount. To optimise coverage, we modelled multiple centre loudspeaker configurations, ultimately selecting a line array solution over clustered point-source cabinets for its superior coherence and consistent audience coverage.

Finding the best location for the centre cluster wasn’t the end of the story. The existing documentation was outdated and did not accurately reflect the built environment. The P.A. People’s input here was invaluable. Not only did they supply and install new rigging for the loudspeakers but went above and beyond to ensure the arrays are tucked up and out of the way as much as possible.

Special mention also goes to MultiTek Solutions, the appointed AV contractor, which conducted extensive site investigations, to provide us with the information the 45-year-old plans couldn’t. MultiTek were also able to map new cabling access routes along with the identification of appropriate rigging locations.

Utilising independent 3D venue models, we tested several loudspeaker solutions based on manufacturer recommendations and conducted comparative simulations. A collaborative approach with GAC led to the development of a grading system, assessing each option against the venue’s requirements, available inventory, budget, and technical performance. Following this process, Martin Audio’s WPS line array system, supported by subwoofers and single-source speakers, was chosen for each space.

A standout endorsement came from Jessica Mauboy during the grand opening: ‘Wow. Aren’t the acoustics great!’

MARTIN AUDIO: MEETING THE BRIEF

Martin Audio has pioneered beam-shaping technology for over 15 years, a feature we previously leveraged in O-Line installations to precisely map direct sound coverage while rejecting unwanted areas. This same technology was deployed in the larger-format WP-series loudspeakers, allowing for adaptable audience coverage with simple preset adjustments via the control system.

The combination of Martin WPS Line Arrays and SXCF118 subwoofers delivered exceptional signal-to-noise performance on stage, reducing reflections from hard surfaces and improving on-stage rejection. The Martin Audio Display D2 software facilitated precise system optimisation, with settings uploaded to iKon amplifiers driving the WPS arrays.

SUBWOOFER STRATEGY

Both the Story House and Play House feature flown cardioid subwoofer arrays flanking the centre line array. This configuration enhances horizontal dispersion control while minimising stage spill. For high-impact performances, such as rock concerts or electronic music events, four Martin Audio SXP218 active dual subwoofers are available as ground stacks beneath the left and right arrays. These are shared between The Story House and Play House as needed.

The new Story House venue is the largest in the precinct and features 3 x 10-element Martin Audio WPS arrays at FOH along with Martin Audio CDD loudspeakers for fill. 

A RESOUNDING SUCCESS

The feedback from GAC’s technical managers and visiting audio professionals has been overwhelmingly positive. Touring artists and engineers alike have praised the system’s clarity, coverage, and ease of use. A standout endorsement came from Jessica Mauboy during the grand opening: “Wow. Aren’t the acoustics great!”

Such praise reflects the meticulous effort invested in design, installation, and system tuning. Hanson Associates collaborated closely with GAC staff to ensure that the final tuning not only met but exceeded expectations, delivering optimal audience coverage and localisation.

A TEAM EFFORT

TAG’s Tony Russo and Bryan Davidson provided invaluable support throughout the process, from design consultation to on-site implementation and post-completion assistance. The P.A. People supplied new motorised winch systems, enabling safe and flexible deployment of the centre array and subwoofers.

At Hanson Associates, we differentiate ourselves by directly commissioning and tuning the sound systems we design, ensuring that our performance specifications are fully realised. For the Play House Theatre, we executed system tuning in partnership with David Gilfillan of Gilfillan Soundwork, delivering a solution that continues to impress performers, audiences, and technical teams alike.

The transformation of Geelong Arts Centre’s audio infrastructure is a testament to the power of collaboration, precision engineering, and cutting-edge technology. It stands as a world-class example of how thoughtful acoustic and electroacoustic design can elevate the performance experience for artists and audiences alike.

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AV CASE STUDY: WORLD HARVEST CENTRE

CASE STUDY:
World Harvest Centre

CVAV pulls off a comprehensive and logistically-challenging system upgrade in Fiji’s World Harvest Centre.

Christian Mission Fellowship International (CMFI) is a rapidly growing church headquartered in Suva, Fiji. Established in 1990, its 30,000 members and missionaries serve in 120 countries across 5000 churches worldwide.

CMFI is headquartered in Suva at The World Harvest Centre (WHC). WHC has an impressive, round church building with over 3500 worshipers, a full band, production, and a 100-member choir.

Since its construction in 1990, the centre has installed numerous sound systems; however, none have been able to overcome the challenges of the large reverberant space and the sound quality requirements of the growing church.

Enter Head Pastor Suliasi Kurulo, who finally decided that the time had arrived to call in the professionals and deliver the dream to its members.

Deciding to award a significant project like this required more than just proving that the system would technically work. It also meant trusting that the selected company understood Fiji’s culture and involved them in many aspects of the installation and its production techniques. Unlike most projects where a company installs the system, this project required a deeper level of engagement and collaboration.

After many proposals and CAD models, Head Pastor Suliasi, his production crew, and the committee awarded the project to Carey Leghorn from CVAV Australia based on a Martin Audio solution.

ABROAD SCOPE

Carey, together with Anthony Russo from Technical Audio Group, Martin Audio’s representative, made several visits to WHC to evaluate the scale of the project, create a design that would meet the brief’s requirements, and assure the church that this would be a unique partnership.

From Carey’s viewpoint, “This project was one of the most difficult I had ever worked on. We faced several challenges, from working at 15m heights for PA rigging to custom steel fabrication on site. Additionally, we had to install several kilometres of cables through a complex roof structure. Also, much of the fabrication had to be done in Australia with no room for error once the project was containerised and sea freighted.”

Choosing the final speaker design of the system involved hundreds of hours of modelling, with the final decision to use a Martin Audio WPM line array system with processing and amplification from a Q-SYS System. The church preferred to retain and improve some of the existing Q-SYS backbones and converge them with the Martin Audio system.

Anthony takes up the project overview: “During my many visits to the church, I sat in on many services and envisioned the many aspects of the system design and how to conquer the space. Moreover, I was emotionally moved by how much effort and love this space intertwines with every congregation member’s life.”

The services are major concert events with 3000-plus people singing, supported by a full band and choir. Therefore, the system had to achieve higher than normal SPLs and provide a unique experience generally associated with an international touring act.

“I believe every seat needs to be the best seat, all while trying to keep an eye on a budget. There is a fine line where you can’t compromise,” says Anthony.

PA SYSTEM DESIGN

Martin Audio’s DISPLAY prediction software was used to design a 56-cabinet WPM system, which proved the optimal solution. The main hang consists of a 32-cabinet left and right system, along with a ten-a-side WPM operating in two-box and one-box resolution modes, respectively.

The extensive array system is supported with six Martin SX 218 speakers to provide 12 x 18-inch sub-bass speakers. Each driver is individually processed and amplified. Despite the challenges posed by the rigging and structural steelwork, the CVAV crew achieved the seemingly impossible feat of hanging a centre cluster and allowing beam steering of the sub-cluster, thereby implementing a textbook solution.

“Once I saw it hang together in place, it was a dream moment for me,” commented Anthony. “It’s extremely rare to get subs in that position in churches, where projectors, site lines, and roof weight loadings often constrain you. This results in compromised split left and right subs and the inevitable power alley and off-axis cancellations.”

The choir stalls are covered with eight individually amplified and processed CDD 12 two-way cabinets from Martin’s Coaxial CDD range, ensuring maximum coverage and performance. The main console provides a tailored mix send depending on the choir’s requirements.

An eight-cabinet, 12-inch two-way delay system from the Martin BLX range was installed to complement the main system. While not essential, this system enhances the overall experience for the rear congregation and optimises the coverage of the main arrays to the main seating area.

Three Martin CDD 10-inch front stage apron speakers supplement the front rows to complete the main system. The stage is covered by a six-cabinet LE 100 12-inch CDD foldback system.

Q-SYS PROCESSING

With such a remote location and mission-critical status, nothing was left to chance regarding the headend equipment.

The main system processing is controlled via a Q-SYS Core enterprise-class 610 unit driving 17 Q-SYS 8K and 4K series QLAN amplifiers installed in two remote amplifier rack rooms.

The 610 was chosen for maximum reliability and the processing power required for the number of FIR system filters and processing blocks. Furthermore, a 610 future-proofed the church for its expansion plans on site.

Netgear AV 4250 switches handle all network traffic on Dante and QLAN protocols. Remote access is via a Lenovo NUC, which enables remote desktop access or Reflect management from Q-SYS servers.

APC Systems’ UPS provided uninterrupted power backup to Suva’s unpredictable mains, enabling continuous operation during brownouts for the core, switches, and FOH console, resulting in a faster system restart.

The cable system design utilises both digital and analogue network feeds running in parallel. Carey stressed the importance of reliability and that they had to plan for every possible scenario. Fortunately, with Q-SYS, two backup levels are in place. If a data cable is cut, spare A&B LAN lines are available. If a switch or core fault, Q-SYS allows all amplifiers to run in standalone mode. This means the analogue feed can take over, with enough onboard processing to ensure the service remains uninterrupted.

A patch bay system was installed at each rack location for the main desk, which allows any mixer or source to be substituted in an emergency.

USER CONTROL

“The complexity of the WHC system makes it challenging for users to identify faults, even with an engineering background. Anthony points out that “it’s nearly impossible to detect issues like one sub driver of 12 not working or the second box in a 16-way array is malfunctioning, particularly when the system is 12m in the air. However, detecting such faults can become significantly easier with the right software tools.”

Carey and his team created peace of mind by developing an advanced, user-friendly graphical user interface (GUI). Using the power of Q-SYS, they designed a touchscreen interface with specific test pages which allow the WHC crew to conduct a stepped pink noise test on each speaker before services. Furthermore, the team loaded a music library on the core, providing staff with a reference track to refer to when needed. A simple on-screen button push starts the test sequence both visually and audibly. This enables operators to see a pictorial representation of the system and hear as each cabinet is checked, along with associated power meters and impedance readings.

All Q-SYS amplifiers and peripherals are constantly monitored for health status, and if needed, email alerts are sent to TAG support in Australia.

 

dLIVE & WELL

Principal sound engineers at WHC, Siasailosi Dokonivalu and Kit Mateyawa, had been using Allen & Heath iLive and SQ7 consoles for their live and broadcast operations for many years. Given the pending new sound system and the increasing complexity of productions, urgent discussions were had on whether to upgrade their existing consoles to an A&H S5000 dLive console with a 48-channel Dante rack.

After reviewing dLive’s improved workflow and 96kHz capability, the team lobbied the church to invest in the console. Finally, Andrew Crawford from TAG, tasked with providing training in Fiji to all WHC churches, green-lighted the idea. Over 50 crew based throughout Fiji would be invited for an intensive four-day training course in Suva.

LOGISTICS

From CVAV and TAG’s experience managing overseas projects, meticulous planning was required to ensure success. Nothing could be left to chance, from the smallest rigging nuts and bolts to cabling and tools.

Given the significant investment, WHC dispatched Joe Kurulo and their trusted production manager Vatu Weleilakeba to Australia to inspect every item before dispatch.

Joe and Vatu were very impressed with the professionalism of the team during his inspection. “I was able to review the frequency response of each speaker on paper before packing, and every electronic item underwent soak testing for over a month. Additionally, I could inspect the preassembled racks and was thoroughly impressed by the attention to detail that the team was putting into the project,” said Vatu.

D-DAY: THE INSTALL

The team loaded ‘kitchen sink’ style and shipped everything by sea with a tight three-week target to complete the project. The deadline for D-Day was for Pastor Suli and the choir’s return from their USA tour. Carey, his leading technicians Lachlan Crawford and Simon Tanner, and Anthony supervised the assembly of the giant jigsaw puzzle. The church’s willing volunteer team of over 30 crew members was on hand to assist and learn. At this point, the ‘team’ turned into a force with the WHC crew.

Anthony and Carey realised that their expertise in everything from rigging, safety, cabling, and soldering could benefit the community. Anthony coined the term ‘University’ to describe their opportunity to educate and mentor enthusiastic young people with a lifetime of valuable skills that could never be found in books or online.

The team faced one of their toughest installations due to sweltering heat and 90% humidity, which made it challenging to work at 15m heights in a full rigging harness with tools.

With only a week left until D-Day, the team grew when TAG’s Andrew Crawford arrived to provide dLive training for the local technicians and renowned electro-acoustic expert David Gilfillan for system tuning and commissioning.

David spent four days meticulously analysing hundreds of computer measurements, double-checking each measurement and questioning everything, especially given the unusual space and system complexity.

THE RESULT

After completing the objective measurements, the team gathered to conduct a subjective analysis. This analysis included reference playback material and live band performances. Only after this step was completed could the final sign-off be given.

Anthony points out that only experienced ears can make the final decision on system balance. Pure measurements alone will never suffice. “A half dB here or there, or a fine ratio adjustment on a compressor, can make all the difference. Well-engineered systems, if aligned correctly, respond to even the slightest changes. Even then you need to keep checking what you think you hear vs what the measurement mic shows you.”

D-Day arrived and culminated in one of the biggest moments for not only the church but also for Fiji, with many island dignitaries in attendance and streaming to thousands online.

In a rare invitation, Anthony addressed thousands on stage and, in an emotional speech, praised the church’s vision. Importantly, he stressed that this project was not about cutting-edge technology and outstanding quality, but the congregation could now truly appreciate the sound of their musicians, choir, and preachers, and even importantly, know that their production team now had new education and skills that was invaluable for their future.

Anthony, in conclusion, said, “This location had become a place of learning inspired by a team, welcomed like family by its people and, in turn, willing to share their knowledge for future generations. Simply put, The World Harvest Centre ‘University’ had arrived.“

Click here for original article.

LEISURE FACILITY SOUND SYSTEMS

CASE STUDY:

Leisure Facility

Best Gym, Theme Park and Activity Centre Sound Systems
OUR MISSION
UNITE YOUR AUDIENCE

Martin Audio delivers signature sound with class leading coverage, consistency and control to inform, entertain and energise your patrons.

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IT’S PHENOMENAL WHAT THEY HAVE GIVEN US AND WE’VE RECEIVED A NUMBER OF HIGHLY POSITIVE COMMENTS

Rebound Trampoline Park, Hull

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

We have an extensive record of successful sound installations within a variety of fitness and leisure facilities – whether in a health club, sports centre, spa, theme park or any other type of leisure environment.

Martin Audio’s wide portfolio of loudspeaker solutions meets the variety of needs and challenges that face leisure facilities and their deployment of sound systems – this also helps to guarantee a consistency of sound dynamics between different loudspeakers, as well as working within different project budget scenarios.

Critically, Martin Audio systems incorporate award winning Patented technology to deliver superior coverage and consistency and articulate both speech and musical genres flawlessly to inform, entertain and energise patrons.

Our pedigree in the leisure sector has largely been driven by the success of our CDD Series, coupling great audio quality and excellent coverage with stylish design and systems suitable for both indoor and outdoor usage.

AUDITORIUM SOUND SYSTEM

CASE STUDY:

Auditorium

School & University Sound Systems
OUR MISSION
UNITE YOUR AUDIENCE

Martin Audio delivers rich, clear sound that envelops the entire audience leading to a thriving, multi-use auditorium.

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You get different audiences for the Philharmonic, the rock bands, dance troupes and special presentations from a foreign country, and Martin Audio has shone in all of those areas.

Don Drucker, Installer. Pyramid Audio

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

We have an extensive record of successful and award winning installations within a variety of worldwide auditoriums whether that is part of convention centres, education halls or theatre complexes.

Martin Audio’s wide portfolio of loudspeaker solutions meets the variety of needs and challenges that face auditoriums and their deployment of sound systems – this also helps to guarantee a consistency of sound dynamics between different loudspeakers, as well as working within different project budget scenarios.

Critically, Martin Audio systems incorporate award winning Patented technology to deliver superior coverage and consistency for the audience and articulate both speech and musical genres flawlessly to truly connect performers to their audience.

CHURCH & HOUSE OF WORSHIP

CASE STUDY:

Church & House of Worship

Best Sound Systems

OUR MISSION

UNITE YOUR CONGREGATION

Martin Audio delivers rich, clear sound that envelops the entire congregation leading to an uplifting experience, a stronger community and a thriving House of Worship.

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SYSTEM DESIGN BROCHURE

The coverage is truly exceptional. We have seating in alcoves and they were just getting reflected sound before. Now every seat in the house has even coverage, top to bottom, side to side.

First Pentecostal Church, Arkansas – USA

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

We have an extensive record of successful installations with houses of worship around the world from the smaller 200 seat venue through to the multi-campus sites.

Intelligible audio for the congregation is an essential component to an uplifting experience. Speech and music reproduced with absolute fidelity is the hallmark of any Martin Audio system.

Martin Audio are also the global leaders in optimisied line array technology with award winning Patented technology that delivers superior coverage and consistency while avoiding sound reflections off walls, windows and balconies improving intelligibility for the congregation.

NIGHTCLUB SOUND SYSTEM

CASE STUDY:

Sound Systems for Nightclubs

Best Club Sound Systems

OUR MISSION
UNITE YOUR AUDIENCE

Martin Audio delivers powerful, distortion free sound to immerse and energise the dancefloor. As a result, nightclubs become destinations and more profitable.

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DANCFLOOR PRODUCT SOLUTIONS

You Don’t Get To call Yourself The Ministry Of Sound Without Having One Of The Best Systems In The Game

The Development of Ministry of Sound with Martin Audio

MixMag

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

We have an extensive record of successful and award winning nightclub installations around the world, delivering high quality and energy pumping sound to help turn venues into destinations, with customers returning again and again, increasing the venue’s reputation and profitability.

Martin Audio’s wide portfolio of loudspeaker solutions meet the variety of needs and challenges that face nightclub venues and their deployment of sound systems – this also helps to guarantee a consistency of sound dynamics between different loudspeakers and their location, as well as working within different project budget scenarios.

Critically, Martin Audio systems address coverage challenges efficiently, have the power to ignite a dancefloor yet be distortion free to allow clubbers hours of listening pleasure.

Many of these solutions incorporate award winning Patented technology that deliver a superior audio experience for clubbers and can solve acoustic challenges that the venue may present.

FESTIVALS AND OUTDOOR EVENTS

CASE STUDY:

Festivals and Outdoor Live Events

Sound Systems

OUR MISSION
UNITE YOUR AUDIENCE

Martin Audio maximises consistent sound levels and coverage onsite while containing offsite noise levels to unite festival goers and the neighbourhood.

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Headliners at Hyde Park are now performing at levels well in excess of 100db which was unthinkable before

Jim King, Senior Vice President, Live Events, at AEG

Revered Festival Sound

For over fifty years, Martin Audio has earned a reputation for supplying superb sound systems across the spectrum of sound reinforcement, including outdoor concerts and festivals.

In collaboration with our global network of rental partners, Martin Audio has taken pride of place on some of the world’s biggest and most prestigious festivals, such as Glastonbury, Rock in Rio, and BST Hyde Park.

With our fastidious focus upon full frequency sound, control, coverage and consistency, festival production teams rely upon Martin Audio to deliver the best controlled sound across their sites.

I have to say the system delivered a really exciting muscular sound with absolute clarity for the daily crowds that were in excess of 100,000. There’s nothing that will make the hairs stand up on the back of your neck as much as seeing an audience rocking as far as the eye can see.

Peter Racy, Gabisom Chief Engineer, Rock in Rio.

Unite Your Audience

Our philosophy of “Unite Your Audience” isn’t just a motto, it’s the guiding principle behind everything we do. Our systems bring our signature sound of clarity and impact with the coverage and consistency that truly connects the fans with the artist’s performance ensuring across the festival site, everyone hears the best sound.

Big Sound Without The Noise Pollution

Since the mid-2000’s Martin Audio has been an innovator in the arena of line array optimisation – the ability to manipulate sound for improved control, coverage and consistency for the benefit of the user and the audience.

Today, our acoustical simulation software provides both highly accurate sound system prediction with the ability optimise the sound against target goals set by the user and the dynamics of the festival grounds. The user specifies exactly what SPL and frequency response is required at various points throughout the festival site and intelligent software automatically determines the array configuration and controls the array to produce that result. With such control, both non-audience areas and Hard Avoid® areas ─ such as on stage and beyond the venue perimeter ─ can be programmed in, and vertical coverage can be fine-tuned electronically.

This helps to contain audio avoiding unnecessary sound bleed between stages, but moreover where offsite noise levels are enforced, this technology maximises onsite SPL levels, coverage and consistency while meeting off-site restrictions. Leading festivals rely on Martin Audio systems having born witness that alternative solutions have not met exacting standards in real world scenarios.

This makes for happier FOH engineers, performing artists, promoters, paying audience and the local neighbourhood, and ultimately a successful and profitable festival.

 

The technology behind Martin Audio MLA and Wavefront Precision allows us to deliver a full range intimate experience at 350m from the pyramid stage and yet within 50m of the edge of the arena, we can reduce the levels up to 15dB and even lower beyond. The accuracy of this system is unmatched; it’s like stepping through an invisible door as the sound rapidly fades around you.

Simon Honywill, Audio Consultant for Glastonbury.

All members of its management are approachable, down to earth, and they are service led, driven by its people and understanding that it’s about shared relationships and collaboration with customers.

Paul Timmins, Director, 22live

We had to control sound escape outside the venue to an unprecedented level, but with Martin Audio’s DISPLAY optimisation software the results were easy to obtain. Inside the audience field the audio experience was completely different to outside the perimeter. It was amazing how much sound pressure and quality was provided to avoid it leaking out.

Shuzo Fujii, Chairman, MSI Japan.

THEATRE AND LIVE PRODUCTIONS

CASE STUDY:

Theatre

Best Sound Systems

OUR MISSION
UNITE YOUR AUDIENCE

Martin Audio delivers signature sound with class leading coverage, consistency and control to truly connect performers and audience for an unforgettable experience.

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I felt that the MLA array was the right sounding loudspeaker system for the job and it offered me the most control and consistency of sound for the auditorium.

Nick Lidster, Sound Designer, Jesus Christ Superstar

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

Theatre, musicals and live production is in our blood having provided sound systems for worldwide productions including Jesus Christ Superstar, Legally Blonde, Spamalot, Joseph, Return to Forbidden Planet, Chitty Chitty Bang Bang, Grease, Lord of the Dance and Dirty Dancing.

At Martin Audio we recognise the importance of intelligible speech, vocals and music that envelops the audience, front to back, regardless of the acoustic challenges set by the production or venue itself and have a range of product solutions tailored to meet these needs.

We achieve this by an obsessive attention to detail on the professional sound system’s acoustic performance, involving a sophisticated mix of design, research, mathematical modelling and software engineering, to deliver dynamic, full-frequency sound right across the audience.

Hospitality

CASE STUDY:

Hospitality

Bar, Restaurant & Hotel Sound Systems

OUR MISSION

UNITE YOUR PATRONS

Martin Audio delivers a consistent acoustic signature of rich, clear sound across a venue, connecting the different facets of the space and delighting the patrons that frequent them. Consequently, venues become destinations and more profitable.

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Everyone’s very impressed with the sound system because when you walk through the building, you essentially have the same acoustic signature throughout every space, there aren’t any gaps or areas where the highs drop out or it’s all bass.

Gibsons Italia, Chicago, USA

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

We have an extensive record of successful hospitality installations, everything from bars and restaurants to hotels.

Delivering high quality sound can play an important part in turning venues into destinations, helping clientele smile so they become repeat customers who spread the word and thus increase the venue’s reputation and profitability.

Martin Audio has a wide portfolio of loudspeaker solutions – including weatherised outdoor speakers – to meet the variety of needs and challenges that face hospitality venues and their deployment of sound systems – this also helps to guarantee consistency of sound dynamics between different loudspeakers throughout their location, as well as working within an assortment of project budget scenarios.

Many of these solutions incorporate award winning Patented technology that deliver a superior audio experience for patrons of the venue and can solve acoustic challenges that the building may present.

Corporate Event

CASE STUDY:

Corporate Event

Sound Systems

OUR MISSION

UNITE YOUR DELEGATES

Martin Audio delivers rich, clear sound that envelops all delegates ensuring impactful presentations that educate, motivate and inspire.

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The system sounded great, with really even coverage from front to back and side to side, even within a very wide space. Everyone was very happy with the coverage, clarity and overall sound quality.

Jamie Ransford, OSA

Signature Sound, Class Leading Coverage and Performance

Since 1971, Martin Audio has been designing and manufacturing from its British headquarters high performance professional loudspeaker and electronics systems for both touring and permanent installation.

We have an extensive record of successful corporate events – ranging from Fortune 500 companies through to SME clients – based on the same philosophy that a delegation that can hear every word and feel inspired or informed will be more engaged and the event is more likely to fulfil its goals.

Many corporate events take place in spaces with highly reverberant surfaces that can significantly impact upon intelligibility: Martin Audio has patented technology solutions to better control sound and deliver superior coverage and consistency for the audience.

Similarly, the nature of these events often means that the ideal position for loudspeakers is not available because of sightlines or screens, and again Martin Audio solutions can compensate for this to still ensure clarity for the audience.

A wide portfolio of loudspeaker solutions meets the variety of needs and challenges that face corporate presentations and deployment of sound systems – this also helps to guarantee a consistency of sound dynamics between different loudspeakers, as well as working within different project budget scenarios.

Finally, with C-suite or celebratory presenters and entertainment guests, everything has to work seamlessly. Much like live touring sound, there are no second chances.

WE ARE READY TO ASSIST

NEED SUPPORT?

Do you have an upcoming event or project and need assistance on product selection? Or do you need expert advice? Drop us a note, we are ready to help.

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