Categories
LEA Professional

LEA Professional names distribution partner for Japan

From left to right:
Back row: Ben Goldsworthy (GenAV), Dave McKinney (GenAV), Blake Augsburger, Founder and CEO (LEA), Koh Nishida (CEO Onkyo Tokki)
Front row: Tomoki Matsui (Marketing), T. Nagase (LEA Sales Manager), Yuta Kamibayashi (Marketing) 

LEA Professional has announced a distribution partnership with Onkyo Tokki of Tokyo, Japan to support LEA’s rapidly growing business in the APAC Region. This partnership aims to allow LEA Professional to increase support for its existing customers in the region, as well as further develop opportunities in the market.

Koh Nishida, CEO of Onkyo Tokki, said: “We are pleased to announce our partnership with LEA Professional, which provides us with innovative IoT and pro-audio power amplifier technologies. We consider it a great honour to represent such a pioneering brand, and we look forward to the exciting opportunities this partnership will bring.”

David McKinney of Generation AV, LEA’s representative in Asia, said: “LEA Connect series has been a big success in Japan since launching in the market just three years ago. We have hundreds of amplifiers installed across the country in key markets such as education, hospitality, corporate, retail, and entertainment. I have personally known Onkyo Tokki for over 20 years, and with its deep market knowledge and customer relationships, as well as proven track record of being on the cutting edge of network and cloud-based AV solutions, LEA will continue to grow exponentially in the coming years.”

Blake Augsburger, founder and CEO of LEA Professional, said: “We are thankful for the opportunity to work with Onkyo Tokki, a respected leader in the Japanese AV market. Japan has been a target market for LEA since inception and we have had good success building our brand. I am confident that Nishida-san and his team will build on this early success and take us to the next level. These are exciting times for LEA Professional in the APAC region.”

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Martin Audio

MARTIN AUDIO RELEASES DISPLAY 3 BETA 5 FEATURING NEW SUB ARRAY TOOL

Martin Audio has announced the latest major update to its 3D prediction software featuring a new sub array tool that user trials have declared as “astonishingly powerful”, as well as a host of additional features and workflow improvements.

DISPLAY 3 is a powerful tool for both live and installation projects, working seamlessly with SketchUp for sophisticated venue modelling, thus allowing for simpler venue and shape creation. Incorporating many of Martin Audio’s line array, constant curvature, point source and subwoofer solutions, DISPLAY 3 is ideal for cohesive system design and prediction in a 3D environment.

This latest beta version incorporates, for the first time, a new sub array tool enabling rapid design of ground deployed linear arrays of subwoofers. Traditional techniques have been employed to determine the EQ required to approximate and steer far-field beams. Emphasis has been placed on the speed of design using a handful of parameters, rather than requiring manipulation of individual loudspeakers and associated EQ elements.

“THIS IS A SIGNIFICANT UPDATE TO DISPLAY 3 THAT I’M CONFIDENT OUR USERS AROUND THE WORLD WILL RELISH.”

Ambrose Thompson, Research Director.

In this version, two sub array types are supported with ‘Broadside Stack’ and ‘Castellated’ configurations. For Broadside Stacksany sub loudspeaker can be selected, while for Castellated scenarios only subs which have cardioid settings available can be utilised—but more will be added over time.

Castellated arrays have three styles defined as Presets, with ‘Bookend’ where the end parts of the array are two boxes high; ‘Buttress’ where the array is one box high at the ends; and ‘Uniform’ consisting of an array of L shaped elements. Beam width can be set from 1 degree to 180 degrees, where setting to 1 degree will generate the narrowest beam possible from the array and by incrementing the width users can get closer to the coverage required.

Ambrose Thompson, Research Director, commented, “While it is the first iteration of this sub array tool, I believe it already sets a new benchmark in prediction software, and I’m delighted that user trials have also re-confirmed this.”

The Beta 5 release also includes other notable updates including the following: an early version of a tool to display the frequency response at any position on a surface; flown deployments of Martin Audio’s latest product, TORUS 8; a new control in the Loudspeaker Property Inspector to optionally constrain aiming angles to those available for the pin locations in the lift bar; default speaker insertion heights, and the inclusion of BlacklineX point source and subwoofer solutions.

Summing up, Thompson said, “This is a significant update to DISPLAY 3 that I’m confident our users around the world will relish. As with all things software, there are always new developments required and we are already hard at work on the next set of updates.”

For more: https://martin-audio.com/support/software

Categories
LEA Professional

LEA Amps Power Cutting Edge Recording Studio

LEA Amps Power Cutting Edge Recording Studio

When Legendary Clear Lake Recording Studio decided to upgrade its system and provide musicians with top-notch equipment, they chose to go with LEA Professional.

Let’s dive in!

THE SPEC

LEA AMPS POWER CUTTING EDGE RECORDING STUDIO

🏢 Venue: Clear Lake Recording Studio | North Hollywood, California

👷‍♂️ Integrator: RSPE Audio Solutions

🎶 Audio Spaces: Studio B

🦈 Product Used: CONNECTSERIES 354D (3)

THE VENUE

LEA AMPS POWER CUTTING EDGE RECORDING STUDIO

THE INSTALL

LEA AMPS POWER CUTTING EDGE RECORDING STUDIO

In the highly competitive music industry, staying on the cutting edge of technology and providing musicians with top‐notch facilities and the tools they need to sell their music and climb the charts are keys to survival for any recording studio. Clear Lake takes that very seriously, continuously upgrading studios and adding new equipment. “We want musicians to want to come here,” says studio owner Eric Milos. “We’re always pushing the envelope with our look and capabilities to stay ahead of the game.”

With a desire to take Studio B to the next level, he sought out the expertise of Russ Belttary at RSPE Audio Solutions to transform the room from a 5.1 surround setup to a cutting-edge 9.1.4 Dolby Atmos system, complete with the newest range of high‐resolution PMC speakers. RSPE, long known for its expertise in integrating analog and digital audio with the film and music industry, was up for the challenge. “The stakes are incredibly high in this business for companies like Clear Lake Recording,” says Belttary. “Our mission is to give them the very best guidance, service, and products in creating a state‐of‐the‐art recording studio.”

The team at RSPE knew that to achieve the ultimate in sound quality it had to recommend the perfect amplifiers to seamlessly connect with the Avid MTRX, DADman software, and a Dolby Atmos hardware renderer. Enter three LEA Professional Connect Series 354D — its integrated Dante connectivity eliminates unnecessary analog conversions for the purest signal and lowest noise floor possible.

While top‐notch sound quality was of critical importance to Milos, he also wanted amplifiers that were
reliable and easy to use. “The LEA amplifiers fit the bill perfectly and were able to be tucked away in the
machine room, thanks to their renowned dependability,” says Belttary.

CS354D

THE CONCLUSION

LEA AMPS POWER CUTTING EDGE RECORDING STUDIO

“The result of this meticulous attention‐to‐detail and cutting‐edge technology is nothing short of
astounding, adds Milos. The sound quality and specifications meet the highest standards, earning
Studio B the prestigious designation of being a PMC Near‐Field Reference Room.

“Our goal was to have a reference quality mix room that any of my high‐profile clients can come to and
have a sonic experience that parallels big budget Hollywood studios,” adds Milos. “Thanks to LEA and
RSPE, mission accomplished, not impossible.”

We would like to thank Clear Lake Recording Studios & RSPE Audio Solutions for choosing our amps on this killer install and we hope they will provide quality sound for the next generation of music greats and beyond.

Categories
Martin Audio

MARTIN AUDIO, BELAIR AND THE BUG CLUB TEAM UP FOR ECO-FRIENDLY ‘UNPLUGGED BUG’

Martin Audio has teamed up with Belair Technology and The Bug Club to deliver the ultimate eco-friendly VW Pop-Up DJ Booth.

Since 2013, The Bug Club has delivered hundreds of events from private parties, festivals, brand activations to product launches, carnivals, exhibitions and street parties but their latest creation, the Unplugged Bug, is a unique intersection of sonic experience and environmental responsibility.

The fibreglass-built vehicle itself is 30% larger than a standard VW Camper and is designed to be a ‘festival friendly’ DJ booth. The custom-built Martin Audio sound system runs entirely on renewables thanks to Belair’s rack mounted Power Tower. The Power Tower is a clean and modern rechargeable battery-powered replacement for noisy and polluting generators and with its easy-to-use operation combined with silent running and zero emissions delivers the perfect ‘off-grid’ solution.

Belair Technology was founded in 2019 with the goal of electrifying events previously powered by diesel generators. Its founder John Baillie grew up with a love of music and a passion for science, having for a time worked at CERN, the world’s largest particle accelerator:

“As an avid festival-goer, I noted how off-grid events are desperate for sustainable solutions, yet often have little option but to use polluting diesel generators. Working with Martin Audio and the Bug Club to deliver the Unplugged Bug is a great step forward and I’m excited about what we can learn from its operation over the summer.”

John Baillie, Belair Founder.

The custom-built sound system, capable of entertaining crowds of up to 500 people, comprises two 15” 3-way high performance loudspeakers, each pole-mounted to a double 15in direct radiating subwoofer, and controlled by a DX4.0.

Martin Audio Managing Director, Dom Harter, commented, “My personal love for both VW camper vans and DJ culture led inevitably to the door of the great people at The Bug Club. At the same time I had been introduced to John and his work on renewables, and it just all fitted into place. At Martin Audio, environmental sustainability is an important initiative, and this latest development will help explore new possibilities for us in the future.”

To complete the sustainability equation The Unplugged Bug is designed as a trailer (no engines!) and as a policy all their carbon footprint is offset by planting trees. The Unplugged Bug can also be supplied with top quality DJs and equipment, pro lighting, disco balls, sound technicians and branding options. The Bug Club fleet can even offer bar services, with experienced mixologists.

With the summer season fast approaching this is seen as the ultimate in mobile discos, ideal for exhibitions, sporting events and all manner of summer parties prioritising environmental responsibility. It has already been booked for numerous events and will also be on show at Martin Audio’s upcoming Open Days taking place April 18-19that their headquarters in High Wycombe.

Summing up, Justin Rushmore, Managing Director of The Bug Club, said, “We were delighted to team up with Martin Audio and Belair on this initiative. It was clear from the outset there was a meeting of minds on the sustainability aspect of live events, and we believe we can gather key data and insight that can help to not only further improve these types of events but also scale up to bigger initiatives.”

For bookings: https://thebug.club/

Photo credit: Rick Sleiman

Categories
Martin Audio

TORUS INTRODUCED AT TSUKUBA CAPIO HALL

Ibaraki Prefecture, known as the Science Future City, (located near Tsukuba Station on the Tsukuba Express, Tsukuba Capio in Tsukuba City), is a place for citizens to interact through cultural and sports activities.

Among these facilities, Capio Hall is the city’s event hall suitable for dance and theater. Opened in July 1996, it has created a full-fledged theater space with a unique arrangement of 384 seats that creates a sense of unity between the performers and the audience, and high-quality stage equipment.

In 2022, Capio Hall underwent a major renovation of the speaker system, and was introduced to Martin Audio’s latest model TORUS.
Mr. Endo of Sigma Communications Co., Ltd., which is in charge of technical management of the hall, talked about the renovation issues as follows.
“Originally, the center proscenium was of the exposed type, and clusters were assembled using multiple point source speakers on a lifting grid. When updating the equipment, we naturally considered line arrays, but there were issues. The Capio Hall is not very deep, but the horseshoe-shaped balcony seats extend up to the third floor, and the vertical coverage angle is very large.
” It was clear that if we were to introduce a line array with such a large number, we would have to use a large number of lines just to ensure the vertical directivity angle. Therefore, the constant coverture array was considered.

Martin Audio’s new model TORUS is a perfect match for theaters with high ceilings, even though the target distance is short throw. For venues with a depth of 15m to 30m, full-fledged line arrays may not meet your needs in terms of practicality and price. However, point sources may not provide sufficient coverage or SPL. TORUS is a constant curvature array designed to fill that gap perfectly by combining optimized coverage, SPL realization and cost efficiency.

The lifting grid of the proscenium was retrofitted with a new 4-bar vertical array consisting of 2 x T1215 and 2 x T1230. With these four, we were able to secure a vertical directivity angle of 90 degrees, which was enough to cover from the top 3rd floor to the front row of the 1st floor. In addition, the XD12 is installed in the side column along with the subwoofer SX118, which are independently driven by the iK42 DSP power amplifier. A total of six Blackline X8s were also installed for infill and balcony seating assistance, powered by Powersoft’s Quattrocanali series.

Mr. Ota of Audio Brains, who did the sound adjustment, talks about it. “Initially, the concept was to aim narrowly at a distance and widen at a close distance, but when we made adjustments while actually producing sound, we found that a 90-degree horizontal directivity angle would provide a better coverage area. As a result, 80% of the venue can be covered by the proscenium. The auxiliary X8 adjusts the delay and volume to match the proscenium, and only follows a small area. With TORUS’s wave, the angle of the guide can be changed even with the grill attached, so it’s good that we can flexibly respond to cut-and-try on site.”

Mr. Endo concludes: “The Capio Hall needs to be able to accommodate a variety of events for the public. Recently, dance recitals by students have become popular, and more and more sound pressure is required from the speakers installed in the facility. , the TORUS and subwoofers have plenty of headroom to handle this, and we are very happy with the new setup.”

Categories
Martin Audio

VME INCREASES MLA INVENTORY TO OVER 100 ENCLOSURES FOR ARENA BOXING EVENTS

For nearly a decade, Martin Audio partner, Manchester-based VME, has been providing PA for major boxing events in the nation’s arenas, on an accelerating basis.

Starting out with an inventory of 48 MLA multicellular loudspeaker array enclosures, such has been the demand from this sector that the rental fleet has now more than doubled, and this month the rental company announced that it has increased its inventory of MLA family products to over 100. This makes VME one of the largest MLA rental stagers in the UK.

Explaining the underlying reason, operations manager Aaron Harvey-Holt says that this is in recognition of the fact that his company is now servicing over 40 events a year for TV transmission through Sky Sports, BT Sports and DAZN—all in major UK venues such as Wembley Stadium, Wembley OVO Arena, The O2 Arena, Cardiff International Arena and Manchester AO Arena.

“MLA IS GREAT FOR THE TIGHT TIME SCALE WE OFTEN HAVE TO DELIVER IN AS SOMETIMES WE DON’T HAVE RIG DAYS”

Aaron Harvey-Holt, Operations Manager, VME

Events include the IBF World Heavyweight Championships—and bouts ranging from David Haye to Tyson Fury—to the more recent high-profile Misfits ‘crossover’ series which saw YouTube star KSI going head-to-head with FaZe Temper at OVOArena,Wembley.

Rigging a system in the round is quite unlike reinforcing a conventional pros arch rock concert. For example, the PA fly position is normally set within a 7 sq.m grid immediately above the ring and configuration can vary from hangs facing out on all four axes to distributed hangs and delays to ensure crowds of up to 20,000 have full intelligibility of all action—from the walk-in music to the National Anthem, DJ interval music and MC announcements.

The Misfits event, with all the razzmatazz associated with it, was no exception.

Aaron Harvey-Holt is clear as to why MLA has become their go-to system. “It’s for the ease of rigging,” he says. “MLA is great for the tight time scale we often have to deliver in as sometimes we don’t have rig days.” Further to this, the flexibility it affords is vital when they are having to work around TV company constraints. Having venue parameters in their library is no guarantee that they won’t have to take new measurements each time and create a different profile.

“This is precisely why we recently purchased another 24 MLA Compact and 20 MLA,” explains the VME ops manager. For the KSI fight alone they fielded 70 MLA boxes and 24 MLA Compact. “We rigged nine hangs of MLA / MLA Compact in total … 25 boxes a side at the stage end for mains, subs and sidefills—with five MLX a side in cardioid flown, behind the two main hangs—and three hangs further down the arena for delays at the left, centre and right positions.”

The flexibility of the system has also proved a hit with VME’s project manager Mikey Greenwood and system designer Gareth Thomas—the latter working alongside Ben Marsh who is alsode factosystem tech. He ensures that MLA’s advanced optimisation will enable sound to be steered precisely where it’s needed — designing the horizontal projection in CAD, mapping to where the TV interviews take place, and implementing the ’Hard Avoid’ setting on any reflective VIP boxes. This also takes into account the sensitivity of the broadcast mics when it becomes essential to deaden the sound around the ring.

“With complex events such as this, having that level of control with MLA is vital,” summarises Aaron Harvey-Holt.” It provides massive benefits all round.” Plus, of course, when not on duty at their own events, there will be plenty of scope for cross-hiring MLA, such is the demand during the busy summer season.

Categories
Optimal Audio

Optimal Audio Releases All Access WebApp Desktop Demo

Optimal Audio, the award-winning manufacturer of commercial audio equipment, has announced the release of an all access WebApp Desktop Demo mode.

WebApp is the digital backbone of Optimal Audio’s ecosystem of controllers, amplifiers and loudspeakers providing a system integrator with the ability to configure an entire system of multiples zones in a venue, while presenting the end user with an intuitive and simple interface to control the sound system. Now, for the first time, anyone can experience both the simplicity and power of WebApp without the need for a Zone hardware unit.

The Desktop Demo, available on PC and Mac, offers a fully interactive experience of the intuitive nature of WebApp, and allows users to build confidence and familiarise themselves with this powerful tool. True to the Optimal Audio brand ethos, the team has delivered a concept that offers a simple and easy onboarding experience that enables integrators, installers, and venue owners to experience the beating heart of the Optimal Audio eco-system.

Jamie Gomez, Marketing Manager commented:

“One of the first things I recognised on joining was that if we could get the WebApp out to as many people as we could, it would be the quickest and most powerful way for system integrators and installers to see the true nature of Optimal Audio and how it is changing commercial audio for the better. Thankfully, Matt Rowe agreed and we were able to develop this relatively quickly.”

Matt Rowe, Head of Engineering responded:

“Similar to test driving a new car, gaining hands-on experience and familiarity with the features of a car builds confidence in making the right purchase decision. In the same vein, the introduction of the WebApp Desktop Demo enables individuals with a PC or Mac to take it for a spin by setting up various zones and sources, adjusting faders and creating routines, without requiring a Zone hardware unit.”

The WebApp Desktop Demo incorporates all of the of the latest features from the most recent release of WebApp 1.1 and the Demo app will also get updated with any future release of WebApp.

Test drive today: https://optimal-audio.co.uk/products/controllers/webapp-desktop-demo/

Categories
Optimal Audio

Optimal Audio Enhances WebApp with Integration of Bluesound Professional Streamers

Optimal Audio is proud to announce the release of WebApp 1.1, featuring a BluOS Control API integration to control Bluesound Professional audio devices that feature built-in network-connected streaming and music management controls for use in commercial audio spaces.

Optimal Audio’s WebApp is the backbone of its ecosystem of controllers, amplifiers and loudspeakers providing a system integrator with the ability a to configure an entire system of multiples zones in a venue, while presenting the end user with an intuitive and simple interface to control the sound system. 

With this latest release, WebApp and Zone firmware enable API controls for Bluesound Professional devices via BluOS from Optimal Audio Zone controllers. This simple and powerful solution supports playback from almost 20 streaming platforms and internet radio stations, including services specifically designed for commercial use.

The integration of Bluesound Professional streaming music devices such as the B100S and B400S provides a scalable solution for venues requiring up to four playback streams. Integrators and end-users can configure powerful routines within WebApp to automate streaming preset recall and volume control for a specified time, day, and zone, enabling venue staff to focus on their primary responsibilities.

The API integration also allows WebApp to play, pause or skip a track and displays song artwork for an improved end-user experience.

In addition to the seamless integration with Bluesound Professional streamers, the latest update to WebApp includes several useful new features. A Client Configuration Tool has been added to enhance security and simplify the operation of client connections such as mobiles or tablets. A global setting for ‘delay units’ in system settings and an auto Time Zone/DST adjustment have also been added.

Matt Rowe, Head of Engineering for Optimal Audio commented:

“I’m thrilled to deliver WebApp 1.1 and introduce streaming capabilities into our commercial audio eco-system. I believe that being able to recall presets from Bluesound Professional devices combined with WebApp’s powerful routine functionality provides a versatile solution that will be welcomed by installers and venue owners.”

The Optimal Audio Open Days, scheduled for April 18th and 19th in High Wycombe, will feature WebApp 1.1 showcasing its ability to manage a well-known four-zone commercial audio deployment.

For more information: https://generationav.net/products/optimal-audio-series/controllers/webapp/

 

Categories
HH Electronics

HH Electronics TNA Line Array Presses Case at Cidermill Theatre

Photo: Andy Marshall & Acanthus Clews Architects


The Cidermill Theatre is a new performing arts theatre owned and run by Chipping Camden School in Gloucestershire, UK. Built to serve both the school and the wider Cotswold community, the £4million venue was opened in October 2022 at a launch event which featured actor Ben Miller and chart-topping singer Jennifer Paige, who performed a set including her international hit Crush.

Centred on the Rockspring Auditorium (capacity 292 seated, 450 standing), the complex also includes a dance studio, black box studio, lounge area, rehearsal spaces, classroom, café and bar. The Theatre enjoys a full range of professional facilities and is quickly developing an impressive programme of theatrical performances, live music, dance, cinema screenings and talks. An essential component of any modern, flexible performing arts centre is its audio provision, and the Theatre consulted with specialist Michael Krompass at BASE Culture about a suitable system.

Krompass had no hesitation in recommending HH Electronics’ new TNA line array, having experienced a demonstration of the system when it was launched. Perfect for small to medium sized venues, the TNA offers a compact, active package that is easy to set up and packs a powerful punch that belies its size. The system is based around the TNA-2120SA, a multi-channel active subwoofer with integrated Class D amplifier which features two high power 12” low frequency woofers with exceptionally high output, and the TNA1800SA a powerful single 18” active low frequency subwoofer. With three channels of high performance amplification, the TNA-2120SA houses six cutting edge built-in DSP presets and as part of a modular system can power up to six satellite TNA-2051 passive, two-way compact line array loudspeakers, offering an ideal solution that does away with the extra expense of rack amplifiers and processors.

The main Rockspring auditorium was equipped with a full system comprising one TNA2120SA, two TNA1800SA and six TNA2051 units per side. BASE Culture also supplied five HH Electronics TRM-1201 12” active stage monitors and a single TRM-1500 active sub for use as a drum fill. In order to maximise the flexibility of the space, the system is ground-stacked, its easy portability enabling quick setup and take down times.

Cidermill Theatre Technician Laurence Iles is impressed by the system: “We definitely made the right choice by going with Michael’s recommendation. The system is perfect for the space, sounds brilliant and has more than enough headroom to cater for everything we stage within the auditorium. It’s most definitely a high quality system that comes in at a very competitive price.”

Michael Krompass of BASE Culture added: “The HH TNA line array system was a superb fit for The Cidermill Theatre install. Its elegant look and sleek aesthetic compliment the theatre design perfectly. The PA packs a punch, sounds outstanding and is easily comparable to systems many times its price range.

“HH was the perfect choice and the client has been blown away by the results. I love the bottom end, clarity and smooth natural compression that it throws out. HH is now my go-to choice for venues of all shapes and sizes – dependable, high-quality and always exceeds sonic expectations.”

Categories
Martin Audio

DISCOVER CHURCH UPGRADES WITH MARTIN AUDIO WAVEFRONT PRECISION

A Wavefront Precision line array forms the centrepiece of a new AV upgrade at the Discover Church in Milwaukee, specified and installed by Martin Audio partner Avenue Systems.

The expanding ministry has undergone several campus extensions since 1969, culminating in a major renovation in 2022, which included the sanctuary. Avenue Systems were part of that renovation process. “This is the project that allowed for the installation of the new Martin Audio rig,” confirms founder and CEO, David Price. “We helped coordinate the design and integration for the newly renovated space.”

Avenue Systems were tasked with undertaking a full AV makeover of the main worship area and video control room, installing new audio, lighting, video, control and acoustical systems for every aspect of the main auditorium’s AV.

Explaining the requirement in more detail, Price confirmed that the PA would need sufficient versatility to reinforce typical modern worship, with full band, plus occasional choir and orchestra for special occasions in a room seating a little over 1800 congregants. “The church also conducts several special musical events throughout the year and hosts a smattering of professional Christian music artists and large conferences,” he added.

Martin Audio’s market leading Wavefront Precision line array was deemed best fit for purpose. “Although [the client] did not have prior experience we were able to arrange a demo for them before the renovation which helped facilitate a worship conference they were hosting in the space.

“THE MARTIN AUDIO SYSTEM HAS PROVEN TO BE A WORTHWHILE INVESTMENT FOR OUR CHURCH”

Danelle Yacco, Technical Director, Discover Church

“The demo is clearly what won the project. They were blown away by the clarity and performance of the system. It provided the necessary output for the special event, but using it over the weekend also displayed for them how well it performed even at lower levels for their regular weekend experience.”

Avenue Systems have been recommending Martin Audio solutions for several years. Their first project was a small CDD system for a client in Clearwater, FL. back in 2017. “We were immediately compelled by the performance and price point of the system so that Martin quickly became a staple for us in projects across the country.”

This grew in size and potency to the large system now deployed at the Discover Church.

Designed and optimised by the Avenue Systems technical team it comprises: 16 flown WPS (eight per side) as a stereo main array; 16 flown WPM (eight per side) as outfill arrays for the raked seating; a pair of flown SXH218 cardioid subwoofer arrays (each with three SXH218 elements) and eight of the popular DD6 front fill speakers, stationed on the lip of the stage. Finally, a pair of Martin Audio LE200 wedges provide the pastor with reference monitor sound.

All arrays are powered by Martin Audio’s iKON multi-channel process amplifiers in the optimum 1-box resolution—iK81s assigned to the arrays/fills and iK42s to the subwoofer arrays.

Visualisation and optimisation were carried out by a combination of Martin Audio’s DISPLAY2 and 3 proprietary software, along with EASE. “The system performed incredibly well … virtually straight out of the box,” said Price. “We did adjust the optimisation slightly to ‘hard avoid’ the balcony face, which added some additional clarity and minimized some odd reflections.”

Explaining his philosophy regarding room acoustics, he said, “The RT of the space was initially not bad—at roughly 1.75 seconds. The church did want to add some treatment to lower it to 1.5 or slightly less, but didn’t want to lose the character of the space they had come to know. They are a ‘spirit-filled’ congregation and value the congregational participation. It was a factor knowing that they didn’t want to ‘over treat’ the room. I knew the optimisation would be a great way to compensate for acoustical treatment by instead optimising the coverage. Although this was an unusual-shaped room, the rig handled it beautifully.”

The Church’s technical director Danelle Yacco agreed. “The Martin Audio system has proven to be a worthwhile investment for our church. We have noticed a dramatic improvement in sound quality, allowing for a truly immersive worship experience. The sound is clear and consistent, providing even coverage throughout the building—from the front row to the back, and up to the gallery.”

In summary, David Price praised the support of Martin Audio’s Joe Lima and Martha Callaghan. “They did an amazing job in helping to provide the demo system. The tech support from Martin Audio is always top notch.”