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Optimal Audio

Optimal Audio Ahoy at Pirate Kindergarten

The Pirate Kindergarten in the German city of Bergisch Gladbach places a strong emphasis on the part played by music in children’s development. Music is a constant theme during activities at the day care centre and when the Kindergarten’s team agreed that its ageing sound system could no longer meet their ambitions, they engaged audio experts Starpoint to supply a replacement. As well as delivering high quality audio throughout the Kindergarten, the new system needed to be easy to install and operate.

Bastian Sauer of Starpoint recommended an Optimal Audio solution:

“We listened to all the requirements and quickly concluded that Optimal Audio offered the best solution for this application. Working with the customer we specified the system and assisted them with programming the Zone unit, leaving them to carry out the installation work themselves without any problems.”

The system at The Pirate Kindergarten consists of ten Optimal Audio Cuboid 5 loudspeakers and a Zone 8P controller. Cuboid 5 is a discreet high performance two-way, full range, passive 5” on-wall loudspeaker which has portrait or landscape mounting options. Zone 8P is a zonal audio controller with DSP, amplification and WebApp. This single compact unit is the beating heart of an efficient multi-zoned system, and allows users to independently allocate sources across up to 8 configurable zones within a venue. Each zone can be configured to do precisely what is required by the use of the intuitive WebApp. Installation and operation is thus straightforward and highly cost-effective. The Kindergarten system comprises 4 zones controlled from 2 different rooms.

“The Zone 8P with its integrated 8-channel amplifier delivers more than enough power for the entire system and the Cuboid loudspeakers can also be used for outdoor applications by means of optional terminal covers for the connections on the back which render them IP-54 compliant. Optimal Audio thus safely and effortlessly delivers perfect sound throughout the facility.”
 
According to Bettina Omer, head of the day care centre, the new system has proved to be a huge success for children and caregivers alike. Whether for day to day use or special events like children’s theatre, carnival, summer or Christmas parties, the system’s versatility and flexibility combined with its ease of operation makes it an outstanding solution:
 
“We like to listen to a lot of music and encourage the children to sing along and move. They’re always very happy when we sing and dance together. Unfortunately, our old system was very limiting in this respect, so we’re really happy that our support association has installed the new Optimal Audio solution, which sounds fantastic.”
 
Alex Barrand, EMEA Sales Manager at Optimal Audio adds:
 
“Whether for kindergarten, shop, house of worship, bar or restaurant, the award-winning Optimal Audio portfolio enables the delivery of flexible, high quality solutions across a wide spectrum of application. A focus on intuitive installation and operation is finding favour with customers across the world who are inspired by our commitment to challenge the traditional, often unnecessarily complex world of commercial audio, and deliver systems that can be operated by anyone – not just engineers.”

Categories
Martin Audio

SWG’S WPL PA SERVES UP A TREAT AT BIG FEASTIVAL

During what has proved to be a non-stop summer of activity for SWG Events, the production company has honed its Martin Audio PA rig into something nearing perfection.

By the time they arrived at Blur bass guitarist Alex James’ farm near Kingham in Oxfordshire, where each year the three-day Big Feastival takes place, they were able to offer visiting sound engineers—who accompanied most of the acts—a deluxe set-up at front-of-house.

With a combination of food and music spread over some 10 fringe stages, SWG Events supply audio, lighting, video and staging solutions alongside artist services, whilst deploying their class-leading audio inventory on the extraordinary width of the main stage.

According to Simon Purse, SWG Events Head of Audio, special care had been needed to ensure the VIP area, set off axis, was still within the coverage area of the outfills. Fully satisfied with the combination of 12-a-side WPL (main hangs) and 12-a-side W8LC (outfills) it was the elegant networking, subwoofer arrangement and overall control that brought most satisfaction to the service providers and promoters IMG.

Purse said this fully validated the event introducing Martin Audio’s flagship WPL for the first time. The key was to avoid projecting sound beyond the rear perimeter boundary, butting onto a second venue called the Cheese Hub—a double decker disco. “In previous years we’ve had problems in being able to avoid hitting this venue and disrupting the live music; we’ve used delays to aid in control, but this has never been a perfect solution and had led to compromises with audience and non-audience areas” states Purse.

“THIS WAS MY FIRST TIME ON THIS NEW MARTIN AUDIO SYSTEM, AND I HAD A GREAT TIME MIXING ON IT”.
Jan Halsvik, Sound Engineer

WPL, which they were able to run without delays, offered a different approach entirely and enabled simple system adjustment. “It provided all the advantages of being able to avoid [the Cheese Hub] while enabling us to use fewer boxes than in previous years. Had there been an issue we’d have been able to deal with it because of the workflow, with a ready solution in place before any potential problem was experienced, rather than relying on a knee jerk reaction. In this instance we used an optimisation profile in the DISPLAY software that transitioned the area from ‘non-audience’ to ‘Hard Avoid’ and as a result the sound dropped off significantly.”

WPL was driven in 2-box resolution from Martin Audio’s process-controlled multi-channel iKON amps, and by using Martin Audio’s new DX4.0 dedicated system controller, they were able to place the legacy W8LC on the same network, allowing full system control from a single point.

A further eight W8LM along the stage lip provided front fills and 12 x XE500 wedges were available to provide additional stage energy. Also providing premium stage fills on each side were a pair of TORUS T1230 point source boxes on top of two SXC118 cardioid subwoofers.

LF design provided a further success for SWG Events. Their solution was to deploy 14 x SXH218 enclosures as a castellated cardioid system—nine forward facing, five rear facing. “We have used DISPLAY to draw that out with the software’s new Subwoofer Calculator tool because of the width of the venue. This provides the delay times and enables us to design an arc shaped array of subs in time, rather than space. There is also a gain shading element where the volume of each of the subs is alternated to give a very rounded dispersion pattern. It works really well, and I’ve had great results with that all summer.”

It brought the best out of an all-star line-up that included Sigrid, Tom Grennan, Blossoms, Vaccines, Rick Astley, Everything Everything, Example, Hot Chip, Melanie C, Faithless, Natalie Imbruglia, Lightning Seeds, Faithless, Mae Muller, Katy B, Jake Shears, and their respective sound engineers were generally delighted.

Sigrid’s long term sound engineer, Jan Halsvik was particularly complimentary. “This was my first time on this new Martin Audio system, and I had a great time mixing on it,” he said.

“[The PA] seemed very well tuned for the site, and being able to blend the older boxes with the new made it sound likea seamless transition when walking the area. This worked well with the festival being a very family friendly one.

“The whole system kept a tight and consistent output over the whole perimeter, and also stayed true between sound check and show. In fact it was extremely pleasurable having it sound as I had intended during sound check, providing me with ample headroom and solid low end.”

As ever the event’s success owed much to the extensive SWG Events team. Mark Bott was SWG’s operations manager and long-term event production manager; Joe Bailey was his production assistant; Matt Pope was both system engineer and FOH tech (Pope, in particular, was tasked with taking Simon Purse’s CAD design template and making any specific adjustments and fine tuning once on site). Other techs involved were Oliver Haward (monitors); Sam Jones and Daniel Wooles (patch).

Categories
Martin Audio

CELEBRATING SONIC SUCCESS: DEPLOYING MARTIN AUDIO’S FLEXPOINT FP4 SPEAKERS AT THE 2023 FIRST GLOBAL CHALLENGE IN SINGAPORE

Singapore, known for its innovation and cutting-edge advancements, is the proud host of this year’s FIRST Global Challenge, marking the seventh edition of this remarkable international robotics competition. From 7th to 10th October, at the Singapore EXPO, this groundbreaking event represents a significant milestone as it ventures into Asia for the very first time.

With the unique Olympic-style setting demanding a discreet yet powerful solution with even coverage, it was a challenge to find the right sound system for this occasion. Traditional bulky speakers were out of the question, as they could obstruct the audience’s view and the watchful eyes of the press.

Working closely with Generation AV, N-Live found the perfect solution with Martin Audio’s FlexPoint FP4 sound system. Generation AV recommended the FP4 for its portability and remarkable power, despite its compact size. The FP4 is a point-source loudspeaker tailored for short-throw distributed systems, ensuring premium sound quality from a compact enclosure. It astoundingly delivers exceptional output and performance while taking up minimal space, making it the perfect fit for installations that require precise spot and fill coverage.

At first, there was some skepticism about whether these speakers, due to their compact dimensions, would be loud enough for the grand occasion. However, System Engineer Sher Mohamed’s doubts were swiftly put to rest as he was astonished by the sheer power of the FP4. Its wide and smooth frequency response effortlessly reproduced both speech and music, making it an impeccable choice for the grand stage of the 2023 FIRST Global Challenge in Singapore.

The FlexPoint FP4’s are powered using Martin Audio’s VIA amplifiers, and the new DX0.4 loudspeaker processors utilising the latest FIR presets.

As the world’s young innovators gather to compete and inspire, the technology behind the scenes plays a crucial role in ensuring their success. With Generation AV’s expert guidance and the FlexPoint FP4 as the sound system of choice, the event was a harmonious symphony of technology and talent, embracing the future of youth robotics with resounding success. This collaboration between N-Live and Generation AV has proven to be the ideal solution for this remarkable event, showcasing the power of innovative partnerships in the world of event technology.

Categories
Martin Audio

MARTIN AUDIO TURNS THE CLOCK BACK 50 YEARS AS TAPFS RECREATES DARK SIDE OF THE MOON

Following a successful stint in North America, the Australian Pink Floyd Show (TAPFS) tribute band has returned to the UK for its #DarkSide50 Tour 2023. This celebrates 50 years since Pink Floyd’s original Dark Side Of The Moon tour.

Significantly, the tour will also marry Martin Audio’s latest state-of-the-art Wavefront Precision line array technology, as fielded by 22live—who handle all audio production for TAPFS—and the original rig conceived by Martin Audio founder, Dave Martin and Bill Kelsey for that 1973 tour.

The idea of recreating this for arguably the greatest cover band on the road today, came from Chris Hewitt (of CH Vintage) who floated the idea back in April.

Hewitt is known for having salvaged and curated much of the iconic equipment that toured concert halls and festivals in the 1960s and 70s, and selected items from his emporium can frequently be seen on show, lovingly restored, at major trade conventions.

He had already created Pink Floyd’sLive at Pompeiirig for that momentous event’s 50thAnniversary in 2021 (which appeared at the 2022 PLASA Show in London). But in April this year he decided to take it further. Having discussed the idea of revisiting the Dark Side concept with Focusrite chairman, Phil Dudderidge, it was a later conversation at this year’s PLASA Show, in the depths of Olympia, that sealed the deal.

Of course, it also needed approval from the band, who in any case have long used Chris Hewitt’s resource for authentic components for the band’s guitar cabs (in order to capture Dave Gilmour’s precise original tone). He wasted no time in getting back in contact with Australian Pink Floyd founders, Stephen McElroy (aka Steve Mac), Jason Sawford and Lee Smith — who had themselves witnessed some of Hewitt’s Pompeii recreation. They were in favour of the idea, as were promoters SJM and the band’s management.

As a result, the 1973 rig will be on static display inside the venue foyers. But what does it comprise? Centrepiece is the legendary Kelsey / Martin 2 x 15 bins, (two 15” drivers vertically stacked rear facing) which were the firstproduction cabs Dave Martin ever made (after earlier attempting, but failing, to develop a 4 x 15).

Notes Chris Hewitt, “The Martin 2 x 15 Mk1 is the bin that launched the legendary Martin 1 x 15 W bin which became part of the modular system, along with the MH212 Philishave mid. It was realised that 2 x 15 Mk 1 cabs were heavy and didn’t always fit through venue doors, so Martin made a quick design decision to saw it in half horizontally.

“We are taking four of these original Kelsey / Martin bins, loaded with JBL K140s, and the midrangefor Pink Floyd in 1973, which was covered by silver flares with a mixture of Vitavox S2, Electro-Voice 1829 horns and JBL 2402 bullets. We also have those along with Phase Linear 400 amplifiers.”

Also on show are original Sennheiser MD409N vocal mics of the type used at Pompeii and on the DSOTM tour, and some of the original Pink Floyd flight cases in Hewitt’s possession, manufactured by the long-serving CP Cases.

It was hoped that when the doors open at each venue, the general public will be allowed in to view the foyer display only. The exhibit will also be available for an early sneak preview for holders of the special VIP packages, who arrive for soundcheck and ‘meet and greet’ with the band.

22live are happy to be a part of this retrospective, and in particular their hire director (and co-founder Paul Timmins) whose relationship with TAPFS extends back through many tours. “It’s unique that while we are providing the new technology of Wavefront Precision, with all its advantages of scalability and optimisation, in the auditoriums, out in the foyer we are connecting back to the original rig through which fans heard the soundtrack 50 years ago. It just shows how far the technology has come.”

With the unique Olympic-style setting demanding a discreet yet powerful solution with even coverage, it was a challenge to find the right sound system for this occasion. Traditional bulky speakers were out of the question, as they could obstruct the audience’s view and the watchful eyes of the press.

Working closely with Generation AV, N-Live found the perfect solution with Martin Audio’s FlexPoint FP4 sound system. Generation AV recommended the FP4 for its portability and remarkable power, despite its compact size. The FP4 is a point-source loudspeaker tailored for short-throw distributed systems, ensuring premium sound quality from a compact enclosure. It astoundingly delivers exceptional output and performance while taking up minimal space, making it the perfect fit for installations that require precise spot and fill coverage.

At first, there was some skepticism about whether these speakers, due to their compact dimensions, would be loud enough for the grand occasion. However, System Engineer Sher Mohamed’s doubts were swiftly put to rest as he was astonished by the sheer power of the FP4. Its wide and smooth frequency response effortlessly reproduced both speech and music, making it an impeccable choice for the grand stage of the 2023 FIRST Global Challenge in Singapore.

The FlexPoint FP4’s are powered using Martin Audio’s VIA amplifiers, and the new DX0.4 loudspeaker processors utilising the latest FIR presets.

As the world’s young innovators gather to compete and inspire, the technology behind the scenes plays a crucial role in ensuring their success. With Generation AV’s expert guidance and the FlexPoint FP4 as the sound system of choice, the event was a harmonious symphony of technology and talent, embracing the future of youth robotics with resounding success. This collaboration between N-Live and Generation AV has proven to be the ideal solution for this remarkable event, showcasing the power of innovative partnerships in the world of event technology.

Categories
Martin Audio

Extensive Deployment of WPS and Other Martin Audio Systems at Ryogoku Kokugikan

Ryogoku Kokugikan stands as the sole dedicated edifice to the revered art of Sumo, Japan’s national sport, steeped in historical significance. The origins of Sumo trace back some 2000 years, with its current form crystallizing around 300 years ago.

 

This cherished national sport has been passed down through the generations and firmly rooted in Japanese culture. Thus, the name Ryogoku Kokugikan is renowned, resonating with every Japanese, as Sumo wrestlers diligently train here, each harboring dreams of hoisting the prestigious gift cup. Being the very emblem of Japan’s national identity, the revered His Majesty the Emperor himself occasionally graces the arena with his presence, with a special seat reserved for his honor.

                                                                                                                      

Apart from the traditional Sumo tournaments, Ryogoku Kokugikan serves as a versatile venue, hosting a plethora of events, from professional wrestling bouts to musical concerts and corporate gatherings.

 

Here’s the insight shared by Mr. Akashio regarding the audio system:

“Sumo necessitates an audio system capable of faithfully reproducing a wide range of sounds, from the subtle to the thunderous, resonating within the wrestling ring. Ensuring that even those seated in the farthest reaches of the second floor can distinctly discern the faintest sounds, we aimed to craft an immersive experience. This was no small feat, but we were determined to overcome this challenge.”

 

Through a meticulous system update, we rigorously experimented with Display3 and discovered that a WPS-centered configuration presented an ideal setup, accommodating the diverse requirements of Kokugikan, including considerations for size, weight, clarity, SPL, and control performance. Additionally, we introduced the much-requested SXCF118 cardioid subwoofer to deliver deep bass notes. Moreover, the installation of TORUS directly above the ring allowed us to distribute sound effortlessly to areas that were hitherto challenged by poor acoustics, owing to the presence of the roof.

 

Our objective was to engineer a versatile system that could seamlessly cater to a wide array of event requirements.”

 

Here’s Ota’s perspective from Audio Brains, who executed the adjustments:

“Adapting the traditional Ryogoku Kokugikan arena was a unique experience for me. Instead of relying on measuring instruments, I collaborated closely with Mr. Akashio, relying on our sense of hearing. We strived to maintain sound clarity towards the rear while managing and mitigating any reflections. Surprisingly, we found solutions even in situations where the requirements seemed contradictory.”

Categories
LEA Professional

LEA Amps For Upscale Latin Dining | Diosa

In preparing to launch DIOSA , foodpreneur Jose Castro recognized the importance of an exquisite atmosphere, including an impeccable audio system. They ultimately selected LEA Professional to perfectly complement the restaurant’s elegance.

Let’s dive in! 🦈

THE SPEC

🏢 Venue: DIOSA | Downey, California

👷‍♂️ Integrator: Gridworks

🎶 Audio Spaces: bar, dining area, stunning patio, and restrooms (16 zones)

🦈 Product Used: CONNECTSERIES  Mixture of  (8) 354N & 704N

THE VENUE

Embodying earthly elements throughout its signature cocktails and Latin-American-inspired menu, DIOSA’s guests are immediately transported from the restaurant in Downey, California, to the heart of Mexico. To create a fully immersive audio environment across the restaurant’s sixteen zones, including a massive bar, main dining area, stunning patio, and gorgeous restrooms, the Pearl West Restaurant Group leadership recognized the importance of deploying technology to ensure vibrancy and cross-functionality. 

THE INSTALL

To set the ambiance for each zone, DIOSA needed amplifiers that would supply reliable and sustainable connections. The Pearl West Restaurant Group contacted manufacturer’s reps Geer Tech to provide an audio system compatible with its high-energy needs that would provide flexibility throughout the venue. After a tour of the Geer Tech Experience Center in Huntington Beach, Pearl West decided that LEA Professional’s technology would be an exemplary fit for DIOSA’s audio needs. After being connected with local integrator Gridworks, the final pieces were put into place for DIOSA’s grand opening. 

Account Manager at Geer Tech, Kenny Miller, was responsible for the installation. “The Pearl West Restaurant Group was looking for a system that would produce granularity and control,”  Miller explained. “LEA Professional’s technology was the ideal solution, as it had both remote controllability and the capacity to adjust different sound settings. Everything this project required was built into this one LEA Professional package.”

Gridworks deployed the LEA Connect Series 354 and the LEA Connect Series 704. The CS354 is a 4-channel amplifier with 350 watts per channel and powers the ceiling and exterior loudspeakers. The CS354 supports HiZ (70V or 100V) or LoZ selectable by channel, which was perfect for DIOSA since they wanted to use a mix of low-  and high-impedance loudspeakers.

The Pearl West Restaurant Group wanted the ability to monitor and control the restaurant’s amplifiers remotely, so the security and functionality of the remote connection were essential. SharkWare, LEA Professional’s advanced amplifier control software, was installed to facilitate remote connectivity  and onsite commissioning. SharkWare works to monitor the status of connected amplifiers and allows users to adjust several system settings from anywhere. In addition to SharkWare, DIOSA is also utilizing the magic of the LEA Cloud to control their amplifiers and solve connectivity issues.

CS704

THE CONCLUSION

“We couldn’t be happier with our sound system,” Jorge Castro shared. “Given the Pearl West Restaurant Group is based in Southern Washington, and DIOSA is in California, we needed an audio system that could be controlled virtually. We were completely blown away by the system’s versatility and remote control access. LEA Professional’s integration between its amplifiers and cloud technology makes working between restaurants seamless.”

Since the doors opened for DIOSA, the LEA Professional sound system put in place has worked flawlessly. As the Pearl West Restaurant Group looks to expand its establishments, it plans to integrate LEA Professional amplifiers and software moving forward. 

We would like to thank everyone at Geer Tech and Gridworks for choosing our amps on this killer install and we hope to provide quality sound at Diosa for many years to come.

Categories
Martin Audio

SWG EVENTS MOVE INTO CARDIFF CASTLE, WITH WAVEFRONT PRECISION

After their memorable double header weekend—when they supplied premium Martin Audio PA rigs to both stages at Glastonbury and in support of Queens of the Stone Age at Cardiff Castle—rental partner SWG Events were back in the Castle grounds for shows with Wales’ national treasure, Sir Tom Jones.

The second of three shows saw support by another native son, Stereophonics front man Kelly Jones, this time leading his own spin-off band, Far From Saints.

Cardiff Castle has become a new venue for SWG Events, and so a meticulous design was undertaken for Sir Tom Jones where the optimisation of the system was of paramount importance, as SWG Head of Audio, Simon Purse explained. “The PA had to avoid the walls surrounding the Castle green to avoid any slapback. This was crucial and having DISPLAY [D3 software] really helped. Also since the Castle is in the middle of the City Centre, keeping noise pollution to a minimum was essential—and we had no reported issues offsite at all, as was also the case with Queens of the Stone Age.”

The stage is a permanent fixture at the Castle throughout the summer. “Previously we had left and right hang of 12 WPL and an outhang of 10 WPC on stage right to cover some of the audience and the disabled access platform, but we also deployed a similar outhang on stage left to add to the symmetry of the system.”

“EVERYTHING WORKED SEAMLESSLY AS WPC SOUNDS SO SIMILAR TO THE WPL, YOU DON’T HAVE TO DO A LOT TO IT SINCE IT IS VOICED THE SAME.”

Simon Purse, Head of Audio, SWG Events

“Everything worked seamlessly as WPC sounds so similar to the WPL, you don’t have to do a lot to it since it is voiced the same.”

There was another slight modification in that the WPC delay, which they had originally imposed more as a precaution, was removed as being unnecessary, as the flagship Wavefront Precision system could effortlessly provide sufficient coverage for the 8,000 who assembled.

In addition, SWG deployed four WPC as front fill, positioned on the stage apron, and TORUS T1530 with SXC118 cardioid subwoofers, two of each per side, firing inwards. They supplied 12 Martin Audio XE500 wedges a house monitor system, as required.

SWG Events were working for a number of promoters over the run of shows, and their technical production manager, Ian Williams, praised the system: “Both the FOH and monitor rigs have been well received by the touring engineers who have passed through the event,” he confirmed. Their FOH supervisor (and system tech) was Matt Pope, while Oliver Haward was on monitors and Sam Jones was on patch.

Simon Purse had created a generic visualisation plan in Martin Audio’s DISPLAY 3, handing over to Pope to fine tune on site. The main focus was on the subwoofers, as Simon Purse explained. “We added a couple more subs in order to deploy a castellated cardioid broadside array—delayed in an arc which helps us control the horizontal dispersion of the array.” In total, they fielded 14 SXH, nine forward facing, five rear facing.

“The new subwoofer tool in D3 enables you to calculate the dispersion a lot easier—it’s now in the software rather than on spreadsheets and to be honest it works really well and is notably smooth,” he concludes.

Categories
Martin Audio

Celebrating Lucky Ali Live at Phoenix Citadel, Indore with Martin Audio WPL System

Phoenix Citadel Mall in Indore recently hosted an unforgettable musical evening featuring “Lucky Ali Live at Phoenix Citadel.” This captivating event was made possible through the exceptional audio capabilities of Martin Audio systems. The highlight of the night was the prominent use of the Martin Audio WPL, a Bi-amp Three-way Line Array with two 12-inch drivers, where a total of 16 units were employed. Enhancing the WPL’s performance were 12 units of the SXH218, a Passive Hybrid® Horn/Reflex Subwoofer with two 18-inch drivers, along with the iK 42, a Four-channel 20,000W Class D Power Amplifier. This harmonious combination ensured that every note sung by Lucky Ali resonated flawlessly throughout the venue, delivering an immersive and unforgettable experience to all in attendance.

Categories
Martin Audio

Exquisite Acoustics with Shilpa Rao & Pawandeep Rajan – Martin Audio WPL System at Tatya Tope Stadium, Bhopal

Shilpa Rao’s live performance at Tatya Tope Stadium in Bhopal resonated throughout the venue, creating an unforgettable experience for every audience member. This exceptional event was enhanced by the powerful Martin Audio systems, thoughtfully selected for their unparalleled audio quality and dependable performance. The combination of the WPL Line Array, SXH218 Subwoofer, and iK 42 Power Amplifier not only delivered impeccable sound but also ensured that the melodies lingered in the hearts of the audience, continuing to echo long after the final note had been played.

Categories
Martin Audio

Manya Narang’s Exceptional Live Performance at Rail Auditorium, Bhubaneswar, Powered by Martin Audio WPL System

Manya Narang’s Live Performance at Rail Auditorium, Bhubaneswar, Elevated by Martin Audio WPL System Manya Narang’s live concert at the Rail Auditorium in Bhubaneswar left a lasting impression in the hearts of the audience, offering a remarkable blend of superb audio quality and soul-stirring music, all thanks to the exceptional Martin Audio Systems. The deployment of the WPL Line Array, SXH218 Subwoofer, and iK42 Power Amplifier, under the meticulous direction of Mr. Abinash and expert engineering by Ramyajit Gupta, not only enhanced the auditory experience but also ensured the purity of every musical note reached the ears of each attendee. This resulted in an enchanting musical evening that will undoubtedly be etched into the annals of musical history.