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UAE: Lou Agha’s system integration company, Exacting Diseno Technical Services, are fast gaining a reputation for installing premium Martin Audio sound systems in some of Dubai’s smartest upmarket bars and lounges.

Working closely with territorial distributors, PRO LAB they recently equipped Coco Grill & Lounge for owner Naz Choudhury, whose unique concept is to integrate a Shisha Lounge with Dubai’s first Redemption Bar. It follows the operator’s initial launch of the Coco brand in London, overlooking Tower Bridge—and offers the same breathtaking views from its downtown location, this time of the Burj Khalifa. All operations are alcohol-free, with upscale mocktail bars.

Lou Agha had been introduced to the project via a consultant. “When the client asked what sound systems I used, he was pleased it was Martin Audio, as this was the brand he was using in London.”

Agha first arranged a demo at PRO LAB of various CDDs (up to 8in) and FlexPoint. “We started with the small FP, and he was amazed by the sound quality.” He then quoted in various configurations, recommending CDD6 for the venue’s low-ceilinged interior and 14 punchy Blackline X8 for outdoors which combines Shisha Lounge with DJ and small combo live acoustic music, with vocalists, in a non-stop entertainment package.

The unit is divided into nine separate zones—all networked on a Dante backbone. The 14 Blackline X8 are complemented by six Martin Audio SX112, while six pre-existing ADORN A55 have been refurbished and added—four on one side two on the other.

At the entrance another pair of ADORN A55 and single SX110 sub beckon customers in, and as they enter the Dome, they are greeted by six FlexPoint FP8 speakers, with four SX112 subs.

“Inside the client wanted high quality music io be extended to the toilets,” continues Lou Agha, “so we have ADORN ACS 40TS ultra-compact ceiling speakers running at 16 ohms. That way they sound really nice.”

The lounge features two non-smoking areas: one contains four CDD6 and two SX110. While the other has six CDD6 and two SX110. In Smoking Area 1, are a further four CDD6 and two SX110; Smoking Area 2 has two further CDD6 and a single SX110, and Smoking Area 3—which can also be rented for private occupancy—is equipped with four CDD6 and two SX110.”

Lou Agha says that in order not to intrude on the general aesthetic of the lounge, the subwoofers are placed discreetly. “I used the SX110 rather than the SX210 because of space constraints,” he says. “For that reason I couldn’t put the SX210 on its side, so I separated them into pairs of the SX110.” By day the venue’s background music operates off a Spotify playlist, common to both London and Dubai—programmed by one of their DJs, with a theme heavily weighted towards the popular Afro Beats. Routing and DSP are under the management of a Xilica FR1.

On Coco’s website, the venue boasts that “from 24-hour upscale dining to theatrical culinary experiences and late-night lounging, Coco redefines sophistication.” And thanks to its sophisticated sound system, delivering a high-octane musical experience, it certainly lives up to this promise.

Australia: Dating back to 1824, St. John’s Anglican church in Launceston, Tasmania is the oldest church in the city, having recently celebrated its 200th anniversary. To mark the bicentennial the church committee commissioned a major upgrade, largely to enhance speech intelligibility. GUZ BOX design + audio, headed by founder Tim Kuschel, were tasked with overseeing the acoustic and electroacoustic design works.

This was back in 2020, but hampered by COVID restrictions and a lack of data, it wasn’t until March 2021, in the post-COVID era, that the Canberra-based consultant fully realised the overwhelming number of architectural constraints he would be facing in this heritage-listed building—not least the demanding acoustics, with multiple reflections created by a 22m-high dome.

The reason intelligibility was such a concern was because a large proportion of the congregants are elderly worshippers, struggling to understand spoken word services. The existing speaker system simply did not meet the requirements, as it consisted of too many non-compatible enclosures, randomly installed as new extensions had been added over time.

But speech wasn’t the only consideration as St John’s also hosts more contemporary music for its youth services—as well as orchestral and pipe organ recitals.

After evaluation, Tim Kuschel’s upgrade solution to provide enhanced coverage in the sanctuary, platform and presentation areas, came down in favour of Martin Audio’s multi-award-winning O-Line modular micro-array set-up, with scalable resolution. “This offered the most consistent results across the seating areas,” he rationalised. “With its compact form factor, O-Line excels in houses of worship where speech intelligibility is the primary function.”

GUZ BOX had arrived at this solution only after conducting extensive acoustic measurements using EASE software, to ensure that the loudspeaker energy was focused on the main church seating areas, and that the sound would operate within the full frequency range for speech and music, setting a desired Speech Transmission Index (STI) and other key parameters.

WITH ITS COMPACT FORM FACTOR, O-LINE EXCELS IN HOUSES OF WORSHIP WHERE SPEECH INTELLIGIBILITY IS THE PRIMARY FUNCTION.

He built a model in AutoCAD, converted it into a virtual acoustic model using AFMG’s EASE version 5 and correlated the physical measurements with the EASE model. He also worked closely with Cumulus Studio by proposing an extensive acoustic works treatment programme, including ceiling absorbers and wall treatments.

Working closely with Martin Audio distributor Technical Audio Group (TAG), he detailed two hangs of 16 Martin Audio O-Line elements.

US: Back in the year 2000, RMB Audio—one of Martin Audio’s longest serving global partners—installed a Wavefront W0.5 miniature high performance speaker solution in Heritage Baptist Church in Zebulon, NC.

The splayed array was designed to provide coverage of a church seating 600 with a balcony, below a vaulted pentagonal roof. Audience seating on the floor in the sanctuary formed a 200° fan from the pulpit, which required some angle separation between the cabinet hangs to provide an overlap from the 100° horizontal pattern.

Due to Martin Audio’s advanced engineering and build quality, this gave the church an excellent return on investment. But when it came to refreshing the speakers, a cell defect was detected. Realising that components for this vintage system were no longer available, an alternative was required.

Cooper Cannady, RMB’s owner, turned to the award-winning O-Line micro-line array for its accuracy and consistency, with two eight-element hangs proposed after modelling in Martin Audio’s DISPLAY software, and comparing with existing room data. Suspended from the existing half-circle frame the new rig provides coverage for the floor and balcony seating to the point where the existing Martin Audio under-balcony C115 speakers are no longer required to reach the last four rows of rear seating.

ASIDE FROM ITS THROW, WE’RE EXPERIENCING NO WALL REFLECTIONS, LOBING OR LOW-END THRUST TO THE STAGE; IT’S EVENED OUT VERY NICELY.

Cannady always had confidence that O-Line would be the best solution. “We knew it would be spectacular for that venue,” he said. “I sent them some photos of other installations we had done, and after discussing how much throw they would need they were left in no doubt as to what they were going to get. We have been able to run the system off their existing amplifiers and it went together really well, with all the angles fitting in very nicely.”

Each box could be run off a single amplifier channel without applying any resolution, although RMB will add Martin Audio’s dedicated DX4.0 system controller in due course—with FIR filter settings loaded in—largely for limiting and minor frequency adjustment.

“The quality has increased tremendously,” notes Cooper Cannady. “Aside from its throw, we’re experiencing no wall reflections, lobing or low-end thrust to the stage; it’s evened out very nicely.”

This is particularly important, he says, when three generations of families routinely attend services.“The older generation have said they can hear much better—which is always the top goal we work towards. O-Line brings the spoken word up significantly.”

Aside from the intelligibility and clarity of celebrants’ speech, the church features worship bands, comprising piano, organ, a brass section and acoustic guitars. “When we initially demoed the system, we played music that had some pretty robust low end to it.”

Finally, O-Line was always designed to be architecturally discreet, and turning to aesthetics, the RMB owner says although the PA has transferred “from black to white”, the change has hardly been noticed. “In fact it looks very attractive up there.”

Rev. Joel Dupree, Administrator at Heritage Christian Academy, added his endorsement: “RMB Audio upgraded our 25-year-old Martin Audio array with O-Line cabinets, which produce such great sound from a small package. It’s a perfect upgrade for our congregation.”

UK: The 235-cap Junction live music venue in Plymouth recently upgraded its ageing sound reinforcement infrastructure, opting for a Martin Audio premium PA.

The installation was carried out by locally-based Martin Audio rental and installation partner Nub Sound, and overseen by their Director of Operations, Josh Small. He recommended the manufacturer’s powerful triaxial THS 15in point source loudspeaker, combined with SXC118 cardioid subs to provide both the requisite headroom and vocal clarity—far exceeding the capability of the ancient system that it was replacing.

The long-running venue has been operated by the independent Bedford Breweries for the past decade-plus, but has been trading as The Junction for at least 20 years.

The venue has been systematically upgrading its sound capabilities over the past 18 months, with loudspeakers always planned as the final jewel in the crown. Said Josh, “The venue has transitioned from being a pub that did live music, to a proper live music venue.”

House engineer Dom Chiswell, another staunch advocate of Martin Audio’s signature sound, said the change of direction had been enforced as a result of the pandemic. “When we came out of COVID, we took a big hit with midweek bar sales; it wasn’t working, so we decided to focus on live shows, but make the experience a lot better for bands prepared to travel all the way down to Devon.” The new booking policy is now geared towards 60% touring bands.

WE’D BEEN SHOWN THS AS PART OF THEIR ‘UNPLUGGED BUG’, WHICH AT THAT TIME IT WAS ONLY A BESPOKE BOX. BUT ONCE IT CAME OUT AS A PRODUCTION ITEM IT WAS CLEARLY THE RIGHT BOX FOR THE ROO.

The process to find the perfect sound solution began a year ago, with an open day at Nub Sound, whose own relationship with the venue dates back many years. Martin Audio support engineer Ben Tucker attended, and several alternative Martin Audio PA systems were considered, including TORUS, FlexPoint (and briefly CDD-LIVE).

“We’d been shown THS as part of their ‘Unplugged Bug’, which at that time it was only a bespoke box. But once it came out as a production item it was clearly the right box for the room.”

UAE: Situated in the luxury residential area of Dubai Hills, on the Business Park, DUO Gastrobar has joined the growing list ofhaute cuisinerestaurants being sucked into the fast-developing neighbourhood.

Founded by Duoband Restaurant Group from St. Petersburg, headed by Renat Malikov and Dmitry Blinov, its quest for the best has already earned them a Michelin star for their fine European cuisine (with a twist of Asian), while their clientele luxuriates in an interior characterised by light, airy colours and natural materials, while the musical ambience is delivered by Martin Audio’s best-selling CDD series.

But it wasn’t the aesthetic of the white CDD5s so much as the sound quality that had impressed the owners, according to regional distributors PRO LAB LLC. Already with a presence in the area the operators were aware that Martin Audio is the brand of choice for many upmarket establishments and also for project designers/consultants, LXA—who have worked on a number of projects with PRO LAB.

“In fact the owners had asked LXA to look for the providers of Martin Audio as it has such good visibility in the region,” confirmed PRO LAB general manager Jan Tarakji.

The Martin Audio distributors were happy to support LXA Senior Project Manager, Riaan Koch as he designed the main bar/restaurant sound around five discreet CDD5W.

But the operators also wanted some headroom in the system for when needed, and to this was added a pair of SX110 subwoofers.

Tarakji added, “They know that if they want to push the system … maybe play some deep house, they have the tools to do so, as these are small and punchy. Thanks to eyebolts LXA have been able to fly these—one at the bar and one at the opposite end of the venue—as space on the floor is at a premium.”

In addition to the main area there is also a separate covered terrace, with a different vibe where patrons are served their music via a further five CDD5W.

UAE: The McGettigan’s Irish Pub franchise continues to expand across Dubai, but their latest bar and restaurant—situated in the Four Points by Sheraton Production City—is the first to be located within a Marriott-owned hotel property.

Set within this growing production hub it will serve the community of media-based businesses who are resident there. Also based at Production City are Martin Audio’s distributor for the UAE and GCC region, PRO LAB LLC, who will be able to use the venue as a showcase. For they supported system integrators Exacting Diseno Technical Services—specialists in the leisure hospitality sector—helping to recommend appropriate sound reinforcement solutions across several ranges in the loudspeaker manufacturer’s portfolio.

Set on a 5,000 sq. ft footprint, the lively bar restaurant offers a haven for business meetings for the hotel residents, transforming at the weekends when the action notches up. DJs perform and the general vibe is one of a sports bar with plenty of screens.

Thus versatility (and the rising tide of ambient sound at weekends) was very much in their thinking when it came to specifying the sound. But PRO LAB knew they were in safe hands with Exacting Diseno. “They are big supporters of Martin Audio, it’s their number one choice, when it comes to specifying sound systems,” stated PRO LAB’s Head of Audio, Pavel Shemiakin.

“When they started negotiating with the client it was made clear that they wanted a high-performance system—a HiFi sound with plenty of punch—because while it’s mostly playing low level BGM during the daylight hours, it also reverts to a sports bar and has DJ plug-in points. So Martin Audio became the obvious choice.”

The heavy focus is at the DJ position where a pair of CDD12 are mounted, while distributed evenly throughout the venue are a further nine wall mounted CDD6. These are reinforced by four ground-standing Martin Audio Blackline X115 subwoofers for LF extension.

However, the installation company, under the project leadership of Lou Agha, was still far from finished. For the outdoor terrace area they turned to 12 of Martin Audio’s ADORN A55T, supplied with the optional AIPKIT IP44 weatherised cover. This area can either take its source feed from the main room, or operate from an independent input and volume control, ensuring maximum versatility.

Stated Rami Haber. Pro Lab CEO, “Partnering with McGettigan’s reflects our commitment to supporting Dubai’s top venues with exceptional audio solutions that elevate the guest experience.”