Category: Martin Audio

Situated in Fredericksburg, VA, the 1200-seat multipurpose Dodd Auditorium, at the University of Mary Washington (UMW), has been treated to a new, fully DSP-optimised Wavefront Precision line array from Martin Audio.

The installation, which comprises hangs of seven elements per side, was undertaken by Martin Audio partner, Soundworks of Virginia.

Soundworks had worked at the venue many times over the years as a rental provider, notably at commencement ceremonies. Their CEO Steve Payne observed, “At these events all parents really care about is hearing their kid’s name read out clearly. But this was always a challenge over a 250ft throw distance.” But this is just one of a variety of events hosted at the venue, including all types of performance arts, lectures and movies.

Soundworks had traditionally frontlined another PA system, but it was when they switched to Martin Audio, and the WPS, that a profound improvement in coverage and intelligibility became evident. “It was a totally different experience,” he said. “What had become a challenging job now looked easy. The Martin Audio system is so much more sophisticated; it’s all in the processing, and the software.”

Douglas Noble,Executive Director of Dodd Auditorium, had been equally impressed, and when he set out his requirements to Payne for a permanent PA upgrade he initially stated, ‘I don’t think we have it in our budget, but I would love to put a WPS system in Dodd!’ The Soundworks CEO started crunching the numbers and indeed made it work.

WE LOVE OUR MARTIN AUDIO ARRAYS.

While Soundworks are not traditionally an installation company—“we’ve probably done three in total, and all for clients for whom we previously supplied temporary sound”—Steve Payne agreed that WPS was the system best fit for purpose. “The previous system was at least a decade old, and comprised a main cluster, balcony speakers, delays for the mezzanine … all kinds of speakers all over the place, everything delayed. When I looked at how complicated the existing system was, I knew we could simply do two hangs in there, cover the entire room, with some front fills as a precaution. “We’re now getting way better coverage throughout the room and it’s much simpler.”

The hall itself is a traditional rectangular space, with proscenium, slightly raked stalls with fixed seating and a balcony level. A pair of SXC118 cardioid subs were placed under the stage, which Payne notes is sonically well-matched with WPS. Four FlexPoint FP6 are spaced evenly across the front of the stage in mono. “These are great sounding little speakers, and we use them a lot,” he says. A further six Martin Audio XP12s are deployed as stage monitors, the set-up powered from a pair each of Martin Audio iKON iK81 and 1K42, multi-channel DSP amps in 1-box resolution.

Although the installation process was relatively straightforward, there was a delay while additional steels were added to the roof. “Although the entire PA hang weighed no more than around 500lbs, they had installed a roof-mounted air conditioning system which had maxed out the roof load!”

Very little adjustment to the room parameters was required and the WPS hangs throw effortlessly to the back. “The software is incredible,” reasoned the Soundworks CEO. “After many years of using speaker systems that don’t have that software the difference is phenomenal. You make the measurements, put it into the software and tell it the variation and level you want from front to back row and it works it out. We knew we could programme Hard Avoid on the back wall if needed but we didn’t find it was much of a problem.

“The way the system is set up it will play much louder than they will ever need it to; it means anyone coming in can now use the house system for pretty much anything that takes place in there.”

“We loved working with Steve Payne on this project,” responded Douglas Noble. “We trusted him to make our space sound amazing and he didn’t disappoint.We love our Martin Audio arrays.”

Later, following a symphony and choir performance in the Auditorium, he reinforced this. “The sound was absolutely amazing. The audience response was incredible, and I even had one audience member mention how wonderful our new system was, and asked why it hadn’t happened sooner.”

Another who praised the overall coverage, clarity and power of the system, was Director of the Events AV Office, Mark Simpkins, who assists with training the student staff in the Auditorium.

Aside from Payne, who specified the system and oversaw the project, Garrett Milich generated the system documentation and accomplished the physical installation. Other members of the Soundworks team included Bryan Hargrave, who undertook the room measurements, ran the Martin Audio DISPLAY files, and did the final room tuning, while Mathew Walsh also assisted with the physical installation.

Located at the trendy Sawary Beach Resort in Lebanon, the Île Beach Bar is an upscale cocktail bar, and lounge that perfectly blends a relaxed beachfront ambiance with an energetic nightlife scene: a must-visit destination resort on the Batroun Coastal Road.

Martin Audio’s Lebanese distributors Technosound were brought in to deliver a high-quality audio solution to complement this luxurious setting at the 500-cap venue. As a long-time friend of Technosound’s Charbel Fahed, Île Beach Bar owner, Abdo Obeid, had complete confidence in the latter’s ability to design and implement a state-of-the-art sound system, based on his track record.

In turn, Charbel says, “Abdo owns several top-tier clubs in Lebanon; his commitment to quality and innovation is reflected in every aspect of the venue.”

OUR GUESTS LOVE THE CLARITY AND DEPTH OF THE AUDIO, AND WE COULDN’T BE HAPPIER WITH THE RESULT.

However, the project was not without its challenges, as Charbel Fahed acknowledged. “We needed to ensure the sound system could deliver crystal clear audio while withstanding the coastal environment’s humidity and salt exposure. In addition, the setup also needed to maintain sound consistency across both open-air and enclosed sections of the venue.”

Abdo Obeid was already familiar with Martin Audio’s outstanding reputation for delivering premium sound quality—and this brand was proposed because of its ability to provide a rich, immersive listening experience that aligns with the venue’s high standards, while meeting the above challenges head on.

The client had stipulated a sound system that would enhance the ambiance during the day while delivering powerful, high-energy audio at night. It also needed to transition seamlessly from laid-back lounge vibes to an electrifying party atmosphere.” Finally, Abdo Obeid wanted to be the first venue in Lebanon to take possession of Martin Audio’s new FlexPoint series.

Charbel Fahed was happy to recommend this series based on its “versatility, clarity, and ability to deliver exceptional sound across various areas of the venue.” He proposed six FlexPoint FP15 speakers and two Blackline X218, strategically placed to ensure even coverage throughout the main lounge, bar and dancefloor areas, while a pair of Blackline X118 subs are placed under the DJ booth. Finally, the two Martin Audio ADORN A55 speakers are positioned in the restroom areas to maintain a seamless audio experience.

It is after dark when the system really shows its true mettle when a DJ plays a carefully curated mix of hot Afro House and uplifting dance tracks to match the venue’s vibrant energy.

Abdo Obeid confirmed that the new FlexPoint system comfortably met all requirements and gave it a resounding thumbs-up.

“Partnering with Technosound was a game-changer for Île Beach Bar,” he said. “Their Martin Audio solution has taken our sound experience to the next level, creating the perfect atmosphere day and night. Our guests love the clarity and depth of the audio, and we couldn’t be happier with the result. Highly recommended!”

ITALY: Martin Audio solution for Chiesa di Sant’Erasmo

There are certain architectural and historic structures that present particularly demanding challenges when it comes to installing and optimising sound systems.

This complexity is particularly redolent of churches and other places of worship: avoiding annoying acoustic reverberations, preventing incorrect propagation of sounds, and ensuring maximum intelligibility of music and speech (while still respecting precise architectural constraints) are of paramount importance, especially when dealing with treasured historical buildings.

This challenge was recently faced head on by the Piacenza-based IT and system integration company Inside Srl, for the Church of Sant’Erasmo in Castel Goffredo, situated in the province of Mantua.

The Church’s parish priest, Don Giuseppe Bergamaschi, explained, “The idea of upgrading the sound system in our church was a need felt for many years by all users—from the congregation to the readers, from the choristers to the instrumentalists, as well as the priests themselves. We entrusted the renovation of the acoustic system to Inside Srl of Piacenza—and right from the outset, when the tests and studies of other systems were conducted, we realised the solution we had chosen would provide optimum performance.” This solution was Martin Audio’s award-winning O-Line micro-array.

The fundamental requirement was to completely replace a very dated, and no longer performing audio system with a system capable of guaranteeing speech that was always clear and intelligible, even in a highly reverberant environment such as that of the Church of Sant’Erasmo.

Added to this was the specific request of the client—the Parish of Castel Goffredo—to have a sound system capable of enhancing the choir, which not only animates the celebrations, but also performs in concerts inside the Church, which also hosts musical performances by other groups.

The solution proposed by Inside Srl’s technical manager, Cristian Sartori, and his colleague Gianluca Pighi, was the Martin Audio O-Line 2-way system (in white version)—four elements per side. The system’s unique technology offers impressive sidelobe-free vertical dispersion.

First, the listening test was successfully conducted inside the Church, with the parish priest and Inside team verifying the suitability of the system for voice and music—as well as its aesthetic integration into the surrounding environment. Next came another key stage in the process as attention turned to acoustic simulation. This was done with the team of product specialists at Audiosales, Martin Audio’s distribution partner.

Completing the Martin Audio deployment, a pair of CDD8W’s are set on two columns towards the altar area, performing fill duties.

Inside’s remit for the Church of Sant’Erasmo was not limited to providing sound reinforcement.

The client also requested that Masses and celebrations be broadcast live via the Castel Goffredo radio station, Radio Alfa. “Many people”, explains Don Giuseppe Bergamaschi, “follow both weekday and Sunday Holy Mass via streaming. We have the church directly connected to Radio Alfa and the audio is excellent as is the video.”

Martin Audio partner, dBS Solutions recently provided sound reinforcement for The Hallé Orchestra at their resident venue, The Bridgewater Hall in Manchester. A regular fixture in the dBS Solutions diary, this time the focus wasTop Gun: Maverick – In Concert.

This brought back fond memories of the Tom Cruise blockbuster for a near sell-out audience in the 2,355-cap hall. The show originally premiered at the Royal Albert Hall in late summer, with the Royal Philharmonic Orchestra, attended by Tom Cruise.

In Manchester, under project manager James Roberts, dBS Solutions provided a Martin Audio scalable resolution WPS line array featuring14 elements a side, driven in optimum 1-box resolution by Martin Audio iKON iK42 amplifiers. Martin Audio FlexPoint FP12 sidefills (two per side) provided foldback for the SFX and dialogue to accompany the score.

THE AIM WAS TO GET OPTIMUM GAIN BEFORE FEEDBACK—WHICH IS WHY WE USED THE WAVEFRONT PRECISION.

dBS worked closely with creative producers, ESK Film Services, who oversaw all technical elements with the orchestration and track separation. Roberts explained that the principal musicians, percussion section and conductor, were all on click tracks.

But a large concert hall, with an unconventional shape and four-level tiered seating, presents its own difficulties where amplified music is concerned. “It’s obviously a more challenging acoustic environment than you’d expect in a venue that is designed for classical music,” he said. “All the orchestra were miced, so the aim was to get optimum gain before feedback—which is why we used the Wavefront Precision.”

dBS also deployed the ‘Hard Avoid’ feature on the stage to keep stage levels down. Rear rejection was further achieved by the deployment of four (2 x 2) SXCF118 cardioid subwoofers—a formula adopted by dBS Solutions for all their orchestral work. Aside from the rear rejection, says Roberts, by employing a generous 14 WPS per side they could get consistent coverage from the front row to the very back.

Although the trim height of the rigs was higher than they would have preferred—to avoid obscuring sightlines to the video screen, the splay angles were correctly calculated using a combination of Martin Audio’s proprietary DISPLAY software.

In summary, dBS Solutions MD, Chris Bogg, said, “It’s gratifying that we’ve now become Hallé’s trusted partner for this type of orchestration.”

Talking of the event, Lucy Turner of the Hallé commented, “We’ve worked with dBS Solutions for some years now on our amplified concerts. The team there really understand what we and our players need when amplifying an orchestra. The sound of theTop Gunperformance was a superb balance of orchestra and film, covering every seat in the hall. It was dynamic throughout without being too loud or bass heavy for our players on stage. We look forward to working with Chris and the team again soon.”

Mons Faraya is a Lebanese ski resort— a buzzing hotspot that effortlessly combines a chic restaurant vibe with an electrifying music bar scene. Set on approximately 1400m2, it strikes the right balance, accommodating a lively crowd without losing its intimate charm. With indoor, outdoor and pool area, it’s a location where haute cuisine meets high-energy beats, drawing in locals and tourists alike. The venue hosts the best local and international DJs as well as popular local bands such as Kimotion, Moblack and Aryme.

The venue itself, which has been masterminded by Youssef Hadid, Nazir Bassit and Chris Bosnoyan, recently took ownership of a Martin Audio PA after Charbel Fahed of Technosound, the Martin Audio partner, met with Bassit and Hadid. “They were seeking a top-tier sound system, so I recommended Martin Audio for its exceptional quality and performance,” he said. ”However, it wasn’t their first time working with Technosound, since my father, Pierre Fahed, had previously worked on several projects with Mr. Hadid.

“The owners were already well-versed with the stellar reputation of Martin Audio,” he continued, knowing that we have previously worked on other projects for one of the owners using Martin Audio BlacklineX. They knew that only a brand of this calibre could deliver the immersive audio experience they envisioned.”

THE OWNERS WERE ALREADY WELL-VERSED WITH THE STELLAR REPUTATION OF MARTIN AUDIO.

Technosound’s Pierre Fahed and Tony el Bitar meticulously designed the system, ensuring every corner of Mons resonates with crystal-clear sound and pulsating energy. CDD15, CDD12 and Blackline X218 subs are strategically placed In the outdoor and pool areas. The remainder of the CDD12 speakers and Blackline X118 subs are stationed in the indoor areas of Mons.

Elsewhere, Martin Audio ADORN speakers are strategically placed in the rest room area to ensure guests remain immersed in the venue’s vibrant atmosphere and never miss a beat. While there is a traditional stage, the system effortlessly transitions from ambient background music during the day to high-octane beats at night.

The music profile during the day is lounge music and a dynamic blend of mainly Afro House and chart-topping hits at night,as well as during their ‘après-ski’ events, creating a vibrant atmosphere.

The owners have expressed immense satisfaction with the system. Nazir commented, “Working with Technosound has been a fantastic experience. Their Martin Audio solution has helped transform Mons Faraya into a top-tier venue with exceptional sound quality.

“The system perfectly complements our dynamic atmosphere, and our guests have consistently praised the audio experience. We highly recommend Technosound for their professionalism, expertise and commitment to excellence.”

The Sportcampus Zuiderpark is an indoor sports arena located in The Hague. Opened in 2017 it is used for several indoor sports and the main 3,500-cap hall is the home arena of professional basketball club The Hague Royals.

Every year, just before Christmas, the venue hosts the annual Sportgala, which recognizes the achievements of local athletes and sports teams, as well as coaches, referees and volunteers.

Also based in the Hague region is Roel Bik’s rental supply company, Minigigs, who were contracted to provide sound, light, video and rigging. While Roel has reinforced many sports events at the arena, the challenge this time was to convert a cavernous and reverberant multipurpose sports hall into a chameleon ‘theatre’ type venue by providing a constantly changing technical infrastructure. This would initially support the formal awards presentation, before enabling the audience of 1100 people to make its way from the stalls and bleachers down to the main floor for the after-party.

A curtain then lowered to form a partition between those wishing to engage with the high energy dance sounds of the DJ (replacing the live band of earlier), and the corporate dignitaries preferring to engage in polite conversation on the other side of the curtain, immune from the high SPL.

And with so much speech how would Minigigs maintain intelligibility, and mitigate against reflections and feedback from roaming presenters with head-worn mics.

While Roel Bik has much experience at this venue, it is only since the rental company replaced its previous frontline speaker inventory a year ago with Martin Audio that all the pieces of the jigsaw have fallen into place.

WE RECEIVED A NUMBER OF GREAT COMMENTS FROM PRODUCTION AND OTHER VIPS.

“The main reason for moving to Martin Audio is that they have a solution for each of the [projects] we do. We use TORUS for a number of venues where we need the width of coverage, and the ceilings are low, and we need to direct the angle of the speaker. CDD-LIVE we use for applications where we need little cabling, good sound quality and use Dante for getting the sound to the speakers. But just as important as good equipment is good service and our relationship with Martijn de Jong [at distributors Ampco]—and their vast experience with Martin Audio—was key.”

Owned and operated by the Muscogee Nation, the River Spirit Casino in Tulsa, Oklahoma, is a premier entertainment destination offering a range of gaming, dining and live entertainment experiences. Among its highlights is the new Gridiron Sportsbar, the largest sports viewing bar in the State, delivering an unparalleled viewing experience for patrons.

Headquartered in Ireland and London, AV design specialists, Audiotek, were introduced to the project by builders and fabricators i5 Design and were tasked with designing and installing a new, advanced audio and video (IPTV) system throughout the space, which also incorporates two TopGolf® swing suites (golf simulators), the Locker Room banquet suite and VIP lounge.

The system needed to support a variety of content, from live sports broadcasts to special events, with consistently reliable and high-quality audio and video. AV-over-IP services needed to be integrated with the existing network infrastructure.

Led by project manager Chris Kmiec, working with design colleagues Ash Attwood and Darren Pavitt, this was the second casino project in short succession in which Audiotek have been involved within the world of Native American gaming, having recently completed a similar installation at thePotawatomiCasinoHotel in Wisconsin. As with that project, they sub-contracted Martin Audio US-based partner, CCCP to assist with the integration.

THE RANGE OF MARTIN AUDIO PRODUCTS KEEPS GETTING BETTER AND BETTER.

The audio design was again critical as managing sound levels in a bustling, high-energy sports bar environment posed challenges in minimising echo and maintaining speech intelligibility.

However, Audiotek were able to satisfy all their sound reinforcement requirements from the Martin Audio portfolio. Their solution was to specify 40 of Martin Audio’s C8.1T 8in full range ceiling speakers and 16x SX110 subwoofers, concealed in the ceiling, to distribute the sound evenly and intelligibly around the various zones in the vast space.

A new club and lounge has opened in the Telangana city of Hyderabad, with its patrons enjoying an audio system built around Martin Audio BlacklineX loudspeakers.

The Beer Cartel is a premier venue designed to deliver a seamless fusion of gourmet dining, craft beverages and high-energy music.

Located in the city’s vibrant business and entertainment district, the Beer Cartel caters to professionals, music enthusiasts and socialites alike, seeking an immersive experience within the stylish, aesthetically designed expansive interior.

THE NEW SYSTEM HAS CREATED AN IMMERSIVE AUDIO ENVIRONMENT THAT MAKES A REAL DIFFERENCE IN HOW PEOPLE EXPERIENCE MUSIC.

Aside from its diverse culinary offerings, the venue is also a hotspot for live entertainment and events, frequently hosting renowned DJs, and has already established itself as one of Hyderabad’s most sought-after nightlife destinations.

To achieve this, the owners sought an audio system that could deliver both power and precision from the get-go. The system needed to provide an immersive experience for casual evenings while scaling up effortlessly for high-energy nights. The client envisaged a set-up that would support live performances, DJ sets and background music, and knew this would require a versatile yet robust PA, capable of delivering impactful low frequencies and crystal clear mids and highs across the entire space.

The Martin Audio Blackline X15 was therefore chosen to fulfil these requirements, partnered with Blackline X218 subwoofers. Selected for its superior vocal clarity and balanced dispersion, seven of the X15s were deployed, reinforced with three X218 subwoofers, which deliver the type of powerful, tight bass response necessary to generate an immersive club atmosphere.

The sound system designer / consultant was Palagani Dushyant Reddy from White Noise, who has much previous experience with Martin Audio systems. “Delivering great sound in a venue like the Beer Cartel requires more than just power — it requires control, precision and the right tuning,” h believes. “The new system has created an immersive audio environment that makes a real difference in how people experience music.”