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Martin Audio

SWINGERS’ MASSIVE LAS VEGAS SITE PARTIES WITH 170 MARTIN AUDIO SPEAKERS

US: Middlesex Sound & Light (MSL) have successfully delivered the biggest contract in their 41-year history, with the opening of the flagshipSwingers– the crazy golf club in Las Vegas.

Set on a massive 40,000 sq. ft site inside Mandalay Bay Resort and Casino (on the world-famous Las Vegas Strip), the venue boasts no fewer than 170 Martin Audio loudspeakers, including 122 CDD6. This popular series MSL have been installing regularly atSwingerssince the corporate-friendly crazy golf concept was first rolled out in London before it expanded to the USA.SwingersLondon was one of the first deployments of CDD, and to date MSL have racked up more CDD deployments than any other UK-based dealer.

Swingersis the brainchild of two successful entrepreneurs,Matt Grech-Smith and Jeremy Simmonds. Martin Audio now appears in allSwingersvenues as the vibrant entertainment concept continues to evolve. Run with the support of MGM Resorts, the Las Vegas operation not only offers four 9-hole crazy golf courses, but alsoSwingers’ new fairground-style Carnival games arcade concept.

The focal point dominating the entire central section ofSwingersLas Vegas is a long,1920s style English country house, its façade brought to life with a constant flow of projected imagery.

Here, three Martin Audio TORUS T1230 constant curvature arrays, flown discreetly on each side with a pair of cardioid SXCF118 subwoofers, create a classic proscenium PA system. Four powerful CDD10 are located within the country house’s ‘sunken garden’ where the generous balcony doubles as a stage, providing a performance area for small combos, as well as corporate presentations. Further CDD10s are provided for artists’ reference sound, while in the lower section of the house is a DJ station — which comes into its own later in the day and extra volume is required. Elsewhere, no fewer than 122 CDD6 boxes are distributed throughout the venue.

MSL’s system designer, Steve Billington, explained that the Las Vegas site represents a conversionof the former LIGHT nightclub. His first site survey was to ascertain whether any of the existing sound equipment was salvageable. “But it was clear that nothing could be reutilised,” he said, “and so with our existing brand template Martin Audio was always going to be the obvious choice. The question was how we could adapt this template to such a large-scale space that it is.

“With a constantly moving audience, the reason we choose CDD6 is because the dispersion is so wide, and gives consistent coverage compared with a traditional speaker.” This is because it achieves a rectangular, extendable coverage pattern, which is ultra-wide close to the speaker.

MSL’s approach is broadly to allocate a ratio of three SX subs to 12 CDD6. In this application, they have also been careful to place an SXC115 (cardioid) in the DJ booth, since there is an exclusive private hire space directly behind the DJ booth “and this keeps the impact on the dancefloor without bothering the VIP space,” notes Billington. Elsewhere, LF extension, where necessary, is provided through a combination of 30 SX110 and SX210 subwoofers.

Much of the magic had already taken place in the 3D software prior to installation. The design was modelled using Martin Audio’s advanced DISPLAY3 visualisation software, importing Revit and SketchUp models provided by the architect. “SketchUp is a very powerful tool, allowing us to simulate everything, especially TORUS,” says Billington. “For while we’re very comfortable with CDD, which is a tried and tested formula, with TORUS it was useful to be able to measure the coverage patterns.”

Both Steve Billington and MSL MD Darrel Olivier acknowledge that although its footprint may be larger, “the beauty of the TORUS boxes in this application is that they lose themselves because of the height we’ve installed them at.”

Signal distribution is via a 10GB network, with fully redundant fibre backbone running Dante from BSS Soundweb London into the process-controlled amplifiers.

Stated Jeremy Simmonds, co-CEO and co-founder ofSwingers, “When we started designing a flagshipSwingersto take over the enormous LIGHT nightclub space at the Mandalay Bay Resort and Casino in Las Vegas—the entertainment capital of the world—it rapidly became clear that we were designing the best competitive socialising venue in the world.

“MSL were the perfect partner on this ambitious project, bringing incredible creativity and a vast technical expertise to the table. MSL’s unique contribution is a huge part of the venue’s massive success.”

TheSwingersmomentum shows no sign of letting up. The programme is now set to continue in other key US cities, before moving even further afield.

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Martin Audio

O-LINE SPEAKER UPGRADE FOR KIVA AUDITORIUM

US: Friendship Village retirement facility in Kalamazoo, MI, recently commissioned a complete overhaul of the audio-visual infrastructure at its Kiva Auditorium.

Set on a 72-acre campus, the Auditorium is used for events, meetings, and community activities and is now also perfect to host smaller shows and concerts.

Design consultant Tim Heneveld (from HAV Design) specified Martin Audio’s award-winning O-Line micro-array solution for the sound reinforcement, installed by system integrators, Division 16 Technologies.

The design company had been selected by the Friendship Village team after intensive research into which AV design company could best meet their requirements.

I HAVE ALWAYS EXPERIENCED MARTIN AUDIO AS VERY SMOOTH, CONSISTENT, PREDICTABLE AND MUSICAL.

Tim Heneveld

Heneveld noted that the old sound system had been prone to feedback, and thus the new system would need to demonstrate extremely high intelligibility/clarity, with the sound delivered evenly to a maximum capacity of 200 seats.The venue is almost always filled to capacity and a high percentage of the attendees have hearing difficulties. With it being an elderly facility gain before feedback and a high level of intelligibility in every seat from front to back and was paramount.”

The tech also needed to be visually discreet. “ The room couldn’t be about the technology,” he added, “the system needed to maintain a sleek and slim presence.”

The consultant’s interest in O-Line had been piqued when he saw it on the Martin Audio web page. And having later seen it in the flesh at anInfoComm Show, he realised it would be perfect for this application.

“It offered clean lines, minimal visual impact and yet has a progressively aesthetic appeal. I could balance the desired coverage and output with the visual impact in the room.”

O-Line was installed in two hangs of four elements each. It was designed in 2-box resolution, four amp channels per side, through Martin Audio’s dedicated DX4.0 processor. “We recognized that it is not a high SPL menu, so opted for 12in subwoofers to go along with the main speaker arrays,” he said.

Tim Heneveld is no stranger to Martin Audio technology, having mixed on one of the manufacturer’s rigs as far back as 30 years ago. “I have always experienced Martin Audio as very smooth, consistent, predictable and musical.” However, this was his first design with O-Line as it was for the AV installation contractors, Division 16 Technologies.

Summing up, the consultant says the entire AV installation upgrade—including new 16’ x 9’ video wall—has been a complete success. “The new sound system has allowed a wider variety of events to be held in the space. O-Line provides transparent support for choirs and acoustical instruments (along with fully reinforced events) that were not previously possible.”

Consequently, Friendship Village is now looking forward to years of use of their new system that will empower them to provide top level programming and content for the residents that they serve.

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Categories
Draft

MARTIN AUDIO EMPOWERS THE 2025 “ICE & FIRE · THE SONG OF EVERLASTING SORROW” — DELIVERING THE ULTIMATE AUDIO-VISUAL EXPERIENCE IN LARGE-SCALE OUTDOOR THEATER

China: On March 15, 2025, the debut performance and 20th anniversary celebration of the large-scale historical outdoor dance drama “The Song of Everlasting Sorrow” took place at the scenic Huaqing Palace near Lintong, Xi’an. With Mount Li as the backdrop and Nine-Dragon Lake as the stage, the show captivated countless visitors with its unique artistic expression and awe-inspiring production. Behind this extraordinary performance, Martin Audio played a vital role, delivering an immersive auditory experience for the audience.

The performance venue of “The Song of Everlasting Sorrow” is truly one-of-a-kind — Mount Li provides a natural backdrop, while Nine-Dragon Lake serves as a dynamic stage. However, this distinctive terrain also posed significant challenges for the sound system. The vast stage area and complex topography made sound distribution difficult, with reflections from the mountains and refraction from the water surface leading to uneven audio, decay, and echoes.

To ensure every audience member enjoys clear, powerful, and immersive sound from any seat, Martin Audio’s professional team conducted an in-depth acoustic analysis of the venue. Through repeated testing and fine-tuning, the 2025 Ice & Fire edition of “The Song of Everlasting Sorrow” was fully upgraded with Martin Audio’s flagship WPL + SXH218 line array system. Lighting, stage design, audio equipment, and props were also comprehensively upgraded — with the addition of ice and snow-themed elements for a refreshed visual impact.

Martin Audio’s WPL system played a critical role in this sound system upgrade. Utilizing advanced DSP optimization technology, it allows precise control over each speaker element, achieving accurate sound positioning and even coverage. Whether in the front row or the back, every audience member experiences equally clear and powerful audio, as if they were in the center of the stage.

The WPL system also offers high SPL output, making it well-suited for large, open-air venues and complex show conditions, delivering an immersive and emotionally engaging auditory impact.

At the performance site, Martin Audio’s product deployment was nothing short of ingenious. Two small pavilions on either side of the stage — typically hidden underground — rise up like sleeping giants during the performance, transforming into powerful sound towers. Each side features an array of 5 WPL speakers, working together like a well-rehearsed symphony orchestra to blend vocals, dialogue, music, and environmental effects into one seamless soundscape.

Additionally, 8 SXH218 subwoofers were discreetly positioned on both sides of the stage. Hidden from view but powerfully present, they deliver deep and resonant bass that enhances the emotional depth of the performance. The entire system is driven by 10 iK42-Dante amplifiers.

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Martin Audio

WPS PROVIDES POWER, COVERAGE AND SIMPLICITY AT UMW’S DODD AUDITORIUM

Situated in Fredericksburg, VA, the 1200-seat multipurpose Dodd Auditorium, at the University of Mary Washington (UMW), has been treated to a new, fully DSP-optimised Wavefront Precision line array from Martin Audio.

The installation, which comprises hangs of seven elements per side, was undertaken by Martin Audio partner, Soundworks of Virginia.

Soundworks had worked at the venue many times over the years as a rental provider, notably at commencement ceremonies. Their CEO Steve Payne observed, “At these events all parents really care about is hearing their kid’s name read out clearly. But this was always a challenge over a 250ft throw distance.” But this is just one of a variety of events hosted at the venue, including all types of performance arts, lectures and movies.

Soundworks had traditionally frontlined another PA system, but it was when they switched to Martin Audio, and the WPS, that a profound improvement in coverage and intelligibility became evident. “It was a totally different experience,” he said. “What had become a challenging job now looked easy. The Martin Audio system is so much more sophisticated; it’s all in the processing, and the software.”

Douglas Noble,Executive Director of Dodd Auditorium, had been equally impressed, and when he set out his requirements to Payne for a permanent PA upgrade he initially stated, ‘I don’t think we have it in our budget, but I would love to put a WPS system in Dodd!’ The Soundworks CEO started crunching the numbers and indeed made it work.

WE LOVE OUR MARTIN AUDIO ARRAYS.

Douglas Noble, Dodd Auditorium

While Soundworks are not traditionally an installation company—“we’ve probably done three in total, and all for clients for whom we previously supplied temporary sound”—Steve Payne agreed that WPS was the system best fit for purpose. “The previous system was at least a decade old, and comprised a main cluster, balcony speakers, delays for the mezzanine … all kinds of speakers all over the place, everything delayed. When I looked at how complicated the existing system was, I knew we could simply do two hangs in there, cover the entire room, with some front fills as a precaution. “We’re now getting way better coverage throughout the room and it’s much simpler.”

The hall itself is a traditional rectangular space, with proscenium, slightly raked stalls with fixed seating and a balcony level. A pair of SXC118 cardioid subs were placed under the stage, which Payne notes is sonically well-matched with WPS. Four FlexPoint FP6 are spaced evenly across the front of the stage in mono. “These are great sounding little speakers, and we use them a lot,” he says. A further six Martin Audio XP12s are deployed as stage monitors, the set-up powered from a pair each of Martin Audio iKON iK81 and 1K42, multi-channel DSP amps in 1-box resolution.

Although the installation process was relatively straightforward, there was a delay while additional steels were added to the roof. “Although the entire PA hang weighed no more than around 500lbs, they had installed a roof-mounted air conditioning system which had maxed out the roof load!”

Very little adjustment to the room parameters was required and the WPS hangs throw effortlessly to the back. “The software is incredible,” reasoned the Soundworks CEO. “After many years of using speaker systems that don’t have that software the difference is phenomenal. You make the measurements, put it into the software and tell it the variation and level you want from front to back row and it works it out. We knew we could programme Hard Avoid on the back wall if needed but we didn’t find it was much of a problem.

“The way the system is set up it will play much louder than they will ever need it to; it means anyone coming in can now use the house system for pretty much anything that takes place in there.”

“We loved working with Steve Payne on this project,” responded Douglas Noble. “We trusted him to make our space sound amazing and he didn’t disappoint.We love our Martin Audio arrays.”

Later, following a symphony and choir performance in the Auditorium, he reinforced this. “The sound was absolutely amazing. The audience response was incredible, and I even had one audience member mention how wonderful our new system was, and asked why it hadn’t happened sooner.”

Another who praised the overall coverage, clarity and power of the system, was Director of the Events AV Office, Mark Simpkins, who assists with training the student staff in the Auditorium.

Aside from Payne, who specified the system and oversaw the project, Garrett Milich generated the system documentation and accomplished the physical installation. Other members of the Soundworks team included Bryan Hargrave, who undertook the room measurements, ran the Martin Audio DISPLAY files, and did the final room tuning, while Mathew Walsh also assisted with the physical installation.

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Categories
Optimal Audio

Optimal Audio marries simplicity with audio harmony at Blackbrook Barns

ENGLAND: Bespoke wedding and events venue, Blackbrook Barns found its perfect match in the Optimal Audio ecosystem which married its need for a simple to use system with the delivery of a diverse range of audio styles – from the soft melodies of a ceremony to lively evening celebrations – across the multi-zoned venue.

The venue team needed an audio system that would keep pace with the ebb and flow of a meticulously planned wedding day and a key challenge was the creation of an experience that covered a range of uses, including background music, speeches, live performances, and live DJs, without complicating operation to ensure that staff could focus on delivering a flawless event rather than managing a complex sound system.

Local installer Richer Sounds, with the support of Logan Helps from Audio Technica, designed and installed an ecosystem that was both powerful and flexible, ticking the boxes for each area including the main ceremony and reception areas, a bar, and two outdoor spaces.

Optimal Audio’s Cuboid 6 loudspeakers were chosen for the long barn, providing full coverage and excellent voice reproduction for ceremonies and receptions. Cuboid 5 loudspeakers are wall-mounted in the bar area, delivering high-quality background sound without overwhelming guests. For the outdoor zones, weather-resistant Cuboid 6 models, fitted with waterproof covers, ensure great sound whatever the season.

Driving the system is the Zone 8P controller, offering eight zones of audio with a user-friendly interface. The Amp100 amplifier provides the necessary power for the outdoor loudspeakers, ensuring consistent coverage. With the added flexibility of Audio Technica’s AT-One wireless system, speeches and announcements are now crystal clear throughout the venue.

The entire system had to be installed and commissioned within a week, as a wedding was scheduled for the upcoming weekend. With tight deadlines, the ease of installation was a significant advantage. The venue team, with the support of Richer Sounds, was able to get the system up and running in record time.

One of the biggest wins for Blackbrook Barns was the simplicity of WebApp, Optimal Audio’s intuitive control platform. Instead of wrestling with complex settings, staff can now manage audio effortlessly from the convenience of an iPad located in the bar area, with preset scenes tailored to each part of the day.

From the gentle background music that welcomes guests to the clarity of speech during ceremonies, and onto the evening’s entertainment, everything is controlled at the tap of a button. While the venue opted not to use automated routines, the ability to switch between preset audio settings ensured that transitions between different event stages were stress-free.

Staff members, who may not have previous audio experience, found WebApp incredibly easy to use, as the intuitive interface meant that everything was accessible without technical training. “The ability to adjust sound levels on the fly and move through the different parts of a wedding day with simple preset selections is a huge benefit,” said Peter James from Blackbrook Barns. “It means we don’t need a dedicated sound technician on hand – we can run everything ourselves with confidence.”

A key advantage of the Optimal Audio system is its scalability. With plans for a dedicated performance area in a future phase, Blackbrook Barns wanted a system that could grow alongside the venue’s ambitions. Thanks to the Zone 8P’s flexible architecture and the ability to add additional amplification, expanding the system will be seamless when the time comes.

Future plans include integrating a performance space in the Orangery, where live musicians and DJs can take advantage of the existing infrastructure. By selecting a system that allows for expansion, Blackbrook Barns has ensured they won’t have to replace their setup as the venue evolves.

Logan Helps, who supported the installation, highlighted the speed and ease of setup: “The system arrived on Monday, and we had it fully installed and commissioned by the weekend for a wedding. The simplicity of Optimal Audio’s products made the installation process incredibly efficient, and the end result is a system that offers fantastic sound quality with effortless control.”

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LEA Professional

LEA Amps Power Northwest Stadium

When Northwest Stadium began exploring options to upgrade their audio system, the goal was clear: deliver the best possible sound experience for every fan in every seat. With the need for reliable performance and exceptional audio quality, they turned to LEA Professional. 🏈

THE SPEC

🏢 Venue: Nonthaburi Northwest Stadium | Landover, Maryland

👷‍♂️ Integrator: C.V. Lloyde AudioVisual

🎶 Audio Spaces: Lower Bowl

🦈 Product Used: Connect Series 704D and 1504D (Multiple)

Northwest Stadium

Nestled in the heart of Landover, Maryland, Northwest Stadium is a premier destination for sports and entertainment enthusiasts. Known for its vibrant atmosphere, the stadium hosts a wide range of events, from electrifying football games to large-scale concerts and community gatherings. With seating for up to 63,000, Northwest Stadium combines modern design with cutting-edge technology to deliver an unparalleled fan experience. 

THE INSTALL

After 25 years of operation, parts of the stadium’s audio system needed maintenance. Following a competitive bidding process, C.V. Lloyde AudioVisual was selected to oversee the stadium’s audio upgrades. Originally specified with competitive products, the team at C.V. Lloyde saw an advantage in pivoting to amplifiers from LEA Professional.

“We offered an alternate against the approved amplifiers because we felt there was an opportunity for the client to take advantage of excellent performance, ease of use, and distinct cost savings on the project,” said Stephen Morris, President of C.V. Lloyde AudioVisual. “After performing our due diligence on breaking down the home runs and verifying the requirements of each potential zone, we confirmed that a complement of LEA amplifiers would be more than sufficient to meet the venue’s needs.”

C.V. Lloyde installed multiple Connect Series 704D and Connect Series 1504D amplifiers to power the lower bowl in the venue. The 4-channel CS704D offers 700 watts per channel, and the 4-channel CS1504D provides 1500 watts per channel. All Dante Connect Series amplifiers are professional-grade IoT-enabled smart amplifiers for any sized installation, support Hi-Z (70V or 100V) and Lo-Z selectable by channel, feature Smart Power Bridge technology, and both 96kHz-capable Dante and AES67 connectivity options. 

C.V. Lloyde utilized LEA’s free SharkWare software to perform offline programming of all the pre-staged LEA amplifiers. SharkWare includes amplifier grouping, offline design, granular user access control levels, locked speaker tunings, and a graphical EQ. SharkWare also allows users to monitor the status of every amplifier connected to the network and the status and performance of individual channels. In addition, the software gives users the ability to view and adjust channel settings such as input settings, signal generator, crossover, equalizer, limiter, and load monitoring for all LEA Professional Connect Series amplifiers.

THE CONCLUSION

The new sound system at Northwest Stadium, powered by LEA amplifiers, takes the fan experience to the next level with crystal-clear audio and immersive stadium-wide coverage. The high-performance amplifiers allow fans to hear every play call, announcement, and musical cue with exceptional clarity. Whether it’s the roar of the crowd, the pulse-pounding music, or the announcer’s voice cutting through the excitement, the upgraded system keeps fans engaged and energized throughout the game.

“Amplifiers play a crucial role in gain structure and providing the necessary headroom the venue has to have for peak moments,” said Morris. “There has to be a high level of confidence to install any given amp, and LEA gives us that confidence in abundance, making it an easy choice for us in future projects of all sizes.”

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Categories
Draft

Beer Club OZONE CHILL & MUSIC

Duc Pro Audio is pleased to supply and install the sound system Martin Audio Ltd for Beer Club OZONE CHILL & MUSIC located at – 01 Han Moc Tu, Ghenh Rang, Quy Nhon. With a youthful, luxurious “Beach Club” vibe and a variety of lively DJ music programs, promise to provide great experiences right at Quy Nhon beach.

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Martin Audio TiMax

Martin Audio & TiMax help create a panoramic space and immersive soundscape

China: On February 27, with the successful conclusion of the Guangzhou Entertainment Technology Show (GETshow), the cooperation between Leading Audiovisual Technology Co., Ltd. and Guangdong Stage Art Society also came to an end.

This four-day audio-visual feast not only showcased the industry’s top technology and artistic achievements, but also witnessed the in-depth cooperation and innovative practice between Leading Audiovisual and Guangdong in the field of technology and art integration.

As one of the most influential performing arts equipment exhibitions in the world, GETshow has attracted professional buyers and industry elites from more than 100 countries and regions around the world. The 2025 exhibition was themed “Guangdong Boundary – Breakthrough Space Power”, focusing on multiple fields such as stage art, intelligent sound and light technology, and cultural tourism and performing arts, and fully displays the industry’s cutting-edge technologies and innovative applications.

As a prominent AV company in China, Leading Audiovisual has been committed to providing the market with high-quality audio solutions. Here they showcased the latest results of its cooperation with Martin Audio, including advanced audio systems and TiMax immersive audio technology.

TiMax is one of the world’s pioneers in the field of immersive audio and video technology and their mature immersive technology has been widely used around the world. From London’s West End, New York’s Broadway to Hong Kong, TiMax is the core technology provider for theaters, entertainment and display experience activities.

System configuration: all-round immersive audio layout
The immersive audio system that Yuejie and Leading Audiovisual cooperated on used Martin Audio’s PI8 speakers and PI118 subwoofers, combined with TiMax’s advanced audio processing technology, to create a full-range immersive audio environment.

The successful GETshow 2025 marked the starting point of the cooperation between Leading Audiovisual and Guangdong Stage Art Society, as well as marking breakthroughs in the audiovisual field. During the exhibition, the cooperation projects of both parties attracted a lot of attention and praise from professional audiences.

Xu (Rico) Ruixian, General Manager of Leading Audiovisual, said: “Through in-depth cooperation with Yuejie, we not only demonstrated the strength of Leading Audiovisual in the field of audio technology, but also saw the possibilities of the integration of technology and art. In the future, we will continue to work with Yuejie to bring more immersive audiovisual experience to global audiences.”

Leaders and expert teachers of the Guangdong Stage Art Society said: “Yuejie has been committed to promoting the integration of stage art and modern technology. Through cooperation with Leading Audiovisual, we have successfully combined art and technology to bring a new audio-visual feast to the audience. In the future, we will continue to deepen cooperation and jointly promote the development of the industry.”

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Categories
Martin Audio

LEBANON’S LUXURIOUS ÎLE BEACH BAR GIVEN THE FLEXPOINT TREATMENT

Located at the trendy Sawary Beach Resort in Lebanon, the Île Beach Bar is an upscale cocktail bar, and lounge that perfectly blends a relaxed beachfront ambiance with an energetic nightlife scene: a must-visit destination resort on the Batroun Coastal Road.

Martin Audio’s Lebanese distributors Technosound were brought in to deliver a high-quality audio solution to complement this luxurious setting at the 500-cap venue. As a long-time friend of Technosound’s Charbel Fahed, Île Beach Bar owner, Abdo Obeid, had complete confidence in the latter’s ability to design and implement a state-of-the-art sound system, based on his track record.

In turn, Charbel says, “Abdo owns several top-tier clubs in Lebanon; his commitment to quality and innovation is reflected in every aspect of the venue.”

OUR GUESTS LOVE THE CLARITY AND DEPTH OF THE AUDIO, AND WE COULDN’T BE HAPPIER WITH THE RESULT.

Abdo Obeid, Île Beach Bar

However, the project was not without its challenges, as Charbel Fahed acknowledged. “We needed to ensure the sound system could deliver crystal clear audio while withstanding the coastal environment’s humidity and salt exposure. In addition, the setup also needed to maintain sound consistency across both open-air and enclosed sections of the venue.”

Abdo Obeid was already familiar with Martin Audio’s outstanding reputation for delivering premium sound quality—and this brand was proposed because of its ability to provide a rich, immersive listening experience that aligns with the venue’s high standards, while meeting the above challenges head on.

The client had stipulated a sound system that would enhance the ambiance during the day while delivering powerful, high-energy audio at night. It also needed to transition seamlessly from laid-back lounge vibes to an electrifying party atmosphere.” Finally, Abdo Obeid wanted to be the first venue in Lebanon to take possession of Martin Audio’s new FlexPoint series.

Charbel Fahed was happy to recommend this series based on its “versatility, clarity, and ability to deliver exceptional sound across various areas of the venue.” He proposed six FlexPoint FP15 speakers and two Blackline X218, strategically placed to ensure even coverage throughout the main lounge, bar and dancefloor areas, while a pair of Blackline X118 subs are placed under the DJ booth. Finally, the two Martin Audio ADORN A55 speakers are positioned in the restroom areas to maintain a seamless audio experience.

It is after dark when the system really shows its true mettle when a DJ plays a carefully curated mix of hot Afro House and uplifting dance tracks to match the venue’s vibrant energy.

Abdo Obeid confirmed that the new FlexPoint system comfortably met all requirements and gave it a resounding thumbs-up.

“Partnering with Technosound was a game-changer for Île Beach Bar,” he said. “Their Martin Audio solution has taken our sound experience to the next level, creating the perfect atmosphere day and night. Our guests love the clarity and depth of the audio, and we couldn’t be happier with the result. Highly recommended!”

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Categories
LEA Professional

LEA Amps Power Nonthaburi Gymnasium Stadium

From high-energy futsal games to electrifying concerts, Nonthaburi Gymnasium Stadium needed an audio system that could keep up. That’s when LEA stepped in, delivering the power and reliability essential for every event. 

THE SPEC

🏢 Venue: Nonthaburi Gymnasium Stadium | Bangkok, Thailand

👷‍♂️ Integrator:  Fuzion Far East (FFE)

🎶 Audio Spaces: Entire Facility

🦈 Product Used: Connect Series 1504  (Multiple)

Nonthaburi Gymnasium Stadium

Tucked away in the bustling suburbs of Bangkok, Nonthaburi Gymnasium Stadium is a versatile 4,000-seat indoor arena built to host everything from electrifying live concerts to high-energy sporting events — including futsal, the fast-paced, hard-court cousin of football.

THE INSTALL

In order to promote a varied program of activities, the Nonthaburi Provincial Administrative Organisation demanded the best audiovisual and lighting systems for the available budget. As well as supporting the artistic, cultural, and educational communities, the AV would need to support futsal competitions up to the ASEAN league level. Staff members attended multiple events and demonstrations across Thailand to evaluate audio systems. After receiving several design tender applications, the voting committee awarded Fuzion Far East (FFE) the contract to supply and install the AV technology, which included several LEA Connect Series amplifiers.

“A well-designed sound system should ensure fans feel part of the action by delivering intelligible announcements and music to every seat,” said FFE project manager Sansak Seedokbuab. “By laying out approximately 3,000 seats onto the futsal playing area, the stadium can also promote multipurpose musical events from the stage.”

FFE’s team decided to use LEA Connect Series 1504 amplifiers to power the main and distributed loudspeaker systems. Located in a rack installed on an overhead catwalk between the main audience sections, the IoT-enabled 4-channel 1504 provides 1500 watts per channel into 2, 4, and 8 ohms, and 70Vrms and 100Vrms. It also supports Hi-Z (70V or 100V) and Lo-Z selectable by channel and features Smart Power Bridge technology.

In addition to enhancing the fan experience, ease of use and futureproofing were the underlying design parameters for Seedokbuab and his team. “In offline mode, the technicians can manage and control all the audio and lighting parameters via LEA’s WebUI,” he explained. “The LEA Professional amplifiers can also be managed and configured from a PC or a wireless touchscreen when connected over the amplifier’s Wi-Fi access point or the stadium’s existing Wi-Fi network. The amplifier parameters and status, including heat and inputs, can be checked, and the amplifiers can be turned on remotely over Wi-Fi when online or accessed through our network in offline mode,” added Seedokbuab.

THE CONCLUSION

Installed with the most appropriate AV equipment for its current and future requirements, the stadium’s AV systems integration contract includes regular maintenance and updates. Training conducted by FFE has enabled staff technicians to understand and use the AV system independently. As venue personnel change, remote management via LEA Cloud and ease-of-use capabilities will ensure continuing smooth operation.

“With LEA’s remote capabilities, managing multiple amplifiers is straightforward, making audio control efficient and stress-free,” said Seedokbuab. “The installation went smoothly overall, and I’m excited to use LEA amplifiers in the future.”

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