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LEA Professional

DSP In Professional Audio Amplifiers

DSP In Professional Audio Amplifiers:

Using pro audio amplifiers with built-in DSP has become the standard practice for many pro AV system installers. But still, you might ask yourself, “why do a large majority of installers dish out the extra dough for a DSP amp over its analog counterpart.” While fully analog gear does serve a certain purpose and also holds an ere of pride and nostalgia, there are countless benefits to designing and installing systems with DSP-based amplifiers at the core.

WHAT IS DSP?

DSP IN PROFESSIONAL AUDIO AMPLIFIERS

DSP stands for “digital signal processing”. It is the process of directing an audio signal through computer-based processing algorithms in order to alter the characteristics of the signal’s timing, spacial traits, frequency, or phase.

WHAT ARE THE BENEFITS OF DSP?

DSP IN PROFESSIONAL AUDIO AMPLIFIERS

Frees up rack space
Before DSP, you had to load your equipment racks with analog gear like delay units, reverb units, crossovers, equalizers, and more. And, much of that gear was large and heavy, taking up multiple rack units per unit. But now, with DSP, you can still take advantage of the power and flexibility of that analog gear, without overcrowding your rack. Now, all of your input routing, room tuning, speaker tuning, and limiting is just built into the amplifier! And if you use an amp such as our CONNECTSERIES, it’s all built into a one rack unit amplifier. Equipment racks everywhere are smaller, lighter, and cleaner thanks to DSP!

Requires Less Cables
To piggyback on the previous benefit – less gear = less cabling. We’ve all seen or heard about the installer horror stories. You show up to troubleshoot a client’s system, walk into the rack room, turn on the lights, and find yourself tangled in a nest of network cables. Some people might reach their zen mode spending hours tracing and untangling cables, but for most of us, it’s a headache. Thanks to the addition of DSP in professional audio amplifiers, not only do you eliminate extra gear (and therefore, extra cables), but DSP also opens the door to digital signal routing. You don’t need to use physical cables to design your signal chain anymore. Using a digital input router, you can route any input to any output – and with Dante, it’s just an ethernet cable.

Simplifies System Design
Based on the last two benefits, this one can probably be implied. However, it’s important to note that less gear, means less to physically plan, purchase, carry, unbox, install, wire, and test. PLUS – less gear and cable also add the benefit of potentially less electronic failures and troubleshooting.

For many installers, there is also something to be said for digitally mapping signal flow. It’s easier to visualize, test, and make changes.

TYPES OF DSP

DSP IN PROFESSIONAL AUDIO AMPLIFIERS

Delay – Digital delay is one function of DSP that is commonly used during system installations. Installers use delay to correct the timing issues of audio between zones of speakers that span across a distance. When speakers are installed too far apart from one another, the audio signal travels back to the listeners ear at different times, resulting in echoing signals. To correct this, installers add different amounts of delay to different speakers and zones in order to ensure the audio signals all meet the listeners ear at the same exact time. This results in a crisp, clear audio signal.

Crossover – Crossover is used to split the source audio signal into multiple frequency bands that are then sent to different types of speakers. The reason for this is that not all speakers are created equally. Some speakers are optimized for lower frequencies such as subwoofers while others are optimized for high frequencies such as tweeters. Once the signal is run through the amplifier’s crossover, it extracts the high frequencies and sends them to the appropriate speakers and it extracts the low frequencies to send to the subs. This results in a clearer and well-defined listening experience with less noise and distortion.

Compressors – Compressors are used to limit the overall dynamic range of an audio signal. This ensures that the signal will never dip below a certain listenable range and also never go beyond a peak range where potential damage could result to the loudspeakers due to sudden level burst. While this can be a helpful tool in some instances, adding compression has a reputation for reducing audio quality and taking “the life” out of the signal.

Signal Routing – Digital signal routing provides a huge convenience to AV installers. It makes it simple to quickly reroute audio signals from any input to any output without having to unplug and physically move cables. Tools such as the input routing matrix provided by our Web UI, provide an easy one click routing option.

Signal Generator – Signal generators are typically used for system testing and tuning. By generating high demand signals such as pink noise, white noise, and sine waves, AV installers can identify problematic frequency ranges withing their installs such as clipping points and distortion or test their systems before the input source is hooked up.

Equalization – Think of equalization as frequency-specific volume knobs. Commonly used for system tuning, it allows you to adjust certain frequency ranges individually to achieve the desired frequency response, producing the tonal balance you desire.

Limiter – Limiters are used much like compressors to limit the peaks of an audio signal in order to prevent clipping or distortion. However, unlike compressors that typically roll off the signal in a gradual manner, limiters are more of a hard stopping point. Limiters are often used in tandem with compressors. The compressor will be the initial signal roll-off and the limiter is set to be the last line of defense against signals that may peak and cause unwanted distortion.

So even though we have only just begun to scratch the surface of the possibilities of DSP in professional audio amplifiers, you can clearly see the added benefits to your overall system installs. That is why every CONNECTSERIES amplifier comes with built-in DSP that is intuitively controlled through our Web UI and CLOUD platform.

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HH Electronics

HH Electronics partners with Qixin

CHINA: Prolight + Sound Guangzhou has provided the perfect opportunity for HH Electronics to announce its partnership with distributor, Qixin, which will see HH products exclusively distributed throughout China and Hong Kong.
Having appointed Singapore-based Generation AV to look after its sales strategies two years ago, British Headstock Group’s HH Electronics has been focusing on furthering its reach in the Asia Pacific region as well as the Middle East and Africa. David McKinney, MD at Generation AV, said: “Partnering with QIXIN has widened the exposure and reach of HH in China. With QIXIN’s excellent technical and support team, we are confident HH customers will have a great HH experience across China. Big thanks to Daniel, Aeolus and the QIXIN team for the launch of our new partnership at PL&S Guangzhou. We’re off to a great start.”

Ian Wright at Headstock Group said: “We are excited be working with Qixin as our exclusive HH Electronics partner for the China and Hong Kong markets. Their sales team is incredibly experienced with solid relationships with dealers and system integrators across the country, developed over many years. They have a clear understanding of what their customer’s needs are in regard to both product and the service required to support them.

“Qixin’s technical team’s qualifications and market understanding are at a very high standard, and this has been invaluable as we work together to develop suitable products for both local and export markets. I am extremely confident that the Qixin team can establish HH as a leading brand there. All of us at the Headstock Group wish them well with this new venture.

Edison Haung, general manager of Qixin, said: “We are so excited to be HH’s new distributor for China. HH has 50 years of experience in sound technology, especially in materials and structures.”

www.hhelectronics.com

Categories
LEA Professional

Sports Stadium Audio Visual Systems | LEA Install At Dowdy–Ficklen Stadium

Sports Stadium Audio Visual Systems | LEA Install At Dowdy–Ficklen Stadium
When East Carolina University stadium experienced debilitating audio issues right in the middle of football season, a solution had to be found before the fan experience started to suffer. And what could be better to power the sports stadium audio visual system for the ECU Pirates, than a rack packed with shark fins.

Let’s dive into the system details for the who, what, why, and how of this audio system touchdown.

THE SPEC

SPORTS STADIUM AUDIO VISUAL SYSTEMS | LEA INSTALL AT DOWDY–FICKLEN STADIUM

Venue: Dowdy-Ficklen Stadium, home of the ECU Pirates

Install Purpose: Old system malfunctions

Integrator: PC Sound

Product Used: CONNECTSERIES 704D (X8)

THE VENUE

Dowdy–Ficklen Stadium is the on-campus football facility at East Carolina University for the East Carolina Pirates in Greenville, North Carolina. The stadium has a capacity of 50,000, making it the second largest college stadium in North Carolina.

THE INTEGRATOR

SPORTS STADIUM AUDIO VISUAL SYSTEMS | LEA INSTALL AT DOWDY–FICKLEN STADIUM

PC Sound is here to serve you, in everything that is music-related such as finding the perfect guitar for your daughter’s birthday, repairing your guitar amp that you need for a weekend gig, putting together the sound system that fits your needs, teaching your son how to play the guitar or drums, or providing a sound system rental with lights for your wedding day.

THE INSTALL

SPORTS STADIUM AUDIO VISUAL SYSTEMS | LEA INSTALL AT DOWDY–FICKLEN STADIUM

James Braddy, Certified Technology Specialist (CTS) at PC Sound, a local specialist in pro audio, video and lighting installations, got a call on a Monday in September ​​from the Associate Athletics Director at ECU, Greg Pierce. Pierce explained that the previous weekend’s home game had been overshadowed by a series of audio issues.

“At the time, half the sound system didn’t sound like it was working,” said Pierce. “I knew we needed a solution and we needed it yesterday.”

On the weekend in question, stadium goers and players had complained that they couldn’t hear, and the system would cut in and out. According to Braddy, 60% of the stadium’s legacy amplifiers were off and the other ones were going into thermal protection mode.

While PC Sound tried to find a solution fast, they also knew the current supply chain could be an issue.

“I have always been able to get amps from LEA Professional through their rep Mavric and they are my go-to provider,” commented Braddy. “We put the order in on a Tuesday at 7pm and within 4 minutes I had a reply from Scott Robbins the VP of Sales, with different options. The amplifiers were delivered to us on that Thursday and on Friday we did the install, ready for the weekend’s games.”

For Braddy, most of this was possible because of the simple set up feature on the Connect Series amplifiers.

“One of my favorite things about these amplifiers is just the speed of setup”, said Braddy. “Being able to push a button and connect to it with my phone or iPad tablet, without downloading an app or registering an account is fantastic.”

The PC Sound team installed eight of our 704D Dante Connect Series amplifiers.

“The new amps, combined with a new mixer we added, ensured the stadium sounded much cleaner and clearer than it had ever sounded before, even though we were still dealing with some blown speakers at the time,” continued Braddy.

The following game sounded even better according to the team at PC Sound, and the stadium was ready for homecoming the following week, which included a performance by a live band.

Braddy continues to choose LEA amplifiers for all installs he conducts. “These amps have built-in DSP processing and tons of flexibility with the ability to double the power on one channel without having to compromise on losing a channel. Not only that, they look and sound great!”

Currently, the system at ECU runs on analog connections, but the plan in the immediate future is to switch it over to a Dante audio network. This provides the stadium with another safety feature, if the Dante network goes down for any reason, it will automatically switch to analog.

THE CONCLUSION

SPORTS STADIUM AUDIO VISUAL SYSTEMS | LEA INSTALL AT DOWDY–FICKLEN STADIUM
For Greg Pierce, the new system is exactly what they needed.

“It was everything we needed and some. I couldn’t have asked for better and we’re just so grateful to have a superior sound system in the stadium for our players and fans alike.”

We’d like to thank James Braddy and his team at PC Sound for choosing our amps for this killer installation and we hope that the audio systems will continue to deliver reliable audio to Pirates fans for years to come.

If you have any questions or feedback about using amplifiers for sports stadium audio visual systems like this or any other projects, feel free to fill out the form below or reach out to us on our social media channels.

Categories
Martin Audio

MARTIN AUDIO HELPS MEXICO CELEBRATE SPECTACULAR 211TH INDEPENDENCE DAY

The most important civic ceremony in Mexico is the “Grito de Independencia” (Mexican Independence Day) which is commemorated annually on September 15th,with a national holiday.

Despite the COVID-19 restrictions, the 211st anniversary went ahead this year with excellent results, thanks to the efforts of many people, led by More Music production company and Martin Audio sound systems, which were used exclusively.

Among the aspects that stood out were the spectacular fireworks show and video mapping projection of the pyramid, located in the Zócalo square of the Mexican capital. Other highlights were sets by Mexican singer Lila Downs performing the song Latinoamérica, composed by the Puerto Rican urban music duo Calle 13.

To optimise all these showcases a professional sound design that would adapt to the ‘new normal’ was vital, since although there was no audience in the Zócalo, millions followed this ceremony online and through the national TV channels.

More Music took charge of the audio design, among many other duties. The sound reinforcementspecified throughout was from Martin Audio, with 10 different series featured, including MLA, WPC, MLD, MLX, SX218 and W8LM. Nearly 150 cabinets were deployed in total.

“It is the third consecutive year that Martin Audio has been used in the Grito de Independencia,” stated the CEO of More Music. “But this was the first time the entire audio system was from the British firm.”

“This year there were no complications, as we had learnt the lessons of previous years,” said Rafael Juárez ‘El Rot’, who was in charge of the audio system. “While the audio layout was the same as last year, what changed was that some satellite speakers were placed in front of the Cathedral, and there was a stage in front of the National Palace.”

The sound distribution in the National Palace consisted of four main towers, each with eight MLA cabinets for a total of 32 boxes (left and right). Two further towers were placed in the Cathedral, each with eight cabinets which were used for the video mapping projection’s audio track.

As for the stage where Lila Downs participated, this comprised 24 WPC (12 per side), with four W8LM and W8LMD side fills and 10 SX218 subwoofers in front of the stage.

“I have worked for many years on this type of event, and it is the first time that I have used this system,” added Rafael Juárez. “I was impressed by the fact that wherever you wanted the system to provide coverage, it did precisely that. In fact I took a walk across the Zócalo plaza, and we achieved coverage at more than 180 meters without any problem.

“The time it took for Paco Rojas and I to make the predictions in the DISPLAY software was less than two hours, it was just so simple. This was a very stable, plug and play system which performed very well and offered great results.”

Another of the companies that had an active and constructive participation in the Grito de Independencia ceremony was Proactive Latin America, who represent Martin Audio in Mexico and Latin America.

“We were invited to do a particular design for the Lila Downs presentation that would be carried out with a totally independent team, and we supported More Music in any way necessary,” remarked Eng Oscar Tovar, Proactive´s Tech Sales specialist for Martin Audio Latam. “Our systems specialist and tech support team, headed by Eng. Carlos Aldama, carried out a cardioid design of the subwoofers, since Lila Downs likes to have her stage ‘clean’, particularly in the low frequencies. Everyone involved met their objectives and millions of people enjoyed the show.”

In terms of price, quality and economy, Martin Audio offers a great performance-to-cost ratio. In addition, the intelligibility of their equipment is hugely impressive, added Tovar, enabling them to produce a performance that captivated the audience.

The realisation of this event enabled many people who have been without this source of employment since COVID to resume their jobs and generate income again. All were able to reflect on how Martin Audio components had made it possible to deliver a professional, high-quality and high-level event that had thoroughly captivated the audience.

Special thanks go toAudio Acustica, More Music, Dasa Producciones and the crew from Martin Audio Latin America for their participation in this historical event.

Translation, text, pics and interviews by: Rafael Uriega & Berenice Gutiérrez,Sep 2021 (Proactive Latin America)

Categories
LEA Professional

Hotel Audio Visual Systems | LEA Install At The Pearle Hotel & Spa

THE SPEC

HOTEL AUDIO VISUAL SYSTEMS | LEA INSTALL AT THE PEARLE HOTEL & SPA
Venue: The Pearle Hotel & Spa, Ontario, Canada

Install Purpose: brand new venue/av system

Product Used: CONNECTSERIES 168D (X1), 88D (X1), 704D (X1), 84D (X2), 354D (X4)

THE VENUE

HOTEL AUDIO VISUAL SYSTEMS | LEA INSTALL AT THE PEARLE HOTEL & SPA

Located just steps from Lake Ontario, The Pearle Hotel & Spa officially opened to guests on the first of November, 2021. The hotel, which is part of Marriott’s Autograph Collection, boasts 151 guestrooms, two dining facilities, expansion meeting space, two large ballrooms, and a spa.

THE INTEGRATOR

HOTEL AUDIO VISUAL SYSTEMS | LEA INSTALL AT THE PEARLE HOTEL & SPA

Branch AV, one Canada’s newest audiovisual solutions company, was tasked with designing and integrating the entire AV system from the ground up. The company, which was established in 2020 by Bob Guy and George Puthenkulam supported by a team of experienced audiovisual professionals, works across various industries including performing arts, government, education and entertainment. The team are laser focused on providing the best user experience for their clients.

THE INSTALL

HOTEL AUDIO VISUAL SYSTEMS | LEA INSTALL AT THE PEARLE HOTEL & SPA

For The Pearle hotel’s AV needs, the integrator turned to local partner SC Media who supplied nine LEA Professional Dante Connect Series amplifiers to power the new hotel’s sound system. George Puthenkulam, Partner at Branch AV, first made sure to understand exactly what the hotel would need from an AV system.

“The main thing hotel management was looking for from an audio system, was functionality,” said Puthenkulam. “However, I wanted to dig deeper, so we studied all their venues to see exactly how they are used. With that knowledge, we came up with a sound system design and user experience that they are happy with.”

The entire project was conducted during the height of the Covid-19 pandemic which meant delays in various equipment and constant changes.

“There were various iterations made throughout the project because the spaces kept changing,” said Puthenkulam. “With Covid happening it was pretty challenging trying to coordinate with all the trades, and make sure everything would be completed on time. Luckily the LEA amps were in stock and there were no delays from that end.”

Branch AV utilized nine LEA Professional Dante Connect Series amps for this install to give them the channel count they needed including one Connect 168D, one Connect 88D, one Connect 704D, two Connect 84D and four of the Connect 354D amps. As the configuration of the spaces changed, so too did room for equipment racks.

“One of the challenges we had was finding space for racks,” explained Puthenkulam. “As you can imagine, a hotel of this size requires a lot of processing. What LEA provided us was the ability to do a certain amount of central processing, as well as decentralize it, but manage it all from one location, the entire system runs on a Dante audio network.”

Puthenkulam explained that using IP standard, network-based amplifiers had many benefits for the team, particularly as the design within the hotel changed.

“The placement of speakers is always a problem, especially when there are multiple trades trying to compete for real estate,” explained Puthenkulam. “We zoned the space well, so that our infrastructure could be coordinated with all the other trades, including lighting control, security, fire safety, et. which is necessary and required in a hotel of this sort. However, we did have new zone needs that came up; so, designing the system around network-based, multi-channel amplifiers gave us a lot of flexibility.”

Branch AV are utilizing the Connect Series Crestron Control Module to control and monitor essential functions and features within the LEA amplifiers. Third-party control plugins such as these are part of the LEA Professional control ecosystem, in addition to local area network amplifier control using LEA’s Web UI and Cloud Platform.

“With Creston the client is able to monitor everything centrally from their back office and so from a user experience point of view they really feel like they have 100% control,” said Puthenkulam. “For us at Branch AV this is extremely important, we don’t want clients to be labored managing an AV system but it’s also essential to give them the ability to view what is going on and truly feel secure in the system.”

 

THE CONCLUSION

HOTEL AUDIO VISUAL SYSTEMS | LEA INSTALL AT THE PEARLE HOTEL & SPA

Branch AV has been using LEA Professional in all their AV projects and will continue to do so, not only because of their form factor and network-based design, but because of their confidence in the team behind the product.

“When Blake Augsburger and his team set up LEA a few years ago, we knew that they would have a completely different perspective than other manufacturers, and that LEA would build a product that puts the customer at the center,” commented Puthenkulam. “When you are customer- driven and are determined to rally around them it’s really special, and that’s the LEA way!”

We’d like to thank George Puthenkulam and his team at Branch AV for choosing our amps for this killer installation and we hope that the audio systems will continue to deliver reliable audio for years to come.

If you have any questions or feedback about using amplifiers for smart homes like this or any other projects, feel free to fill out the form below or reach out to us on our social media channels.

Categories
Martin Audio

MARTIN AUDIO AND RG JONES HELP MINISTRY OF SOUND CELEBRATE THREE DECADES OF DANCE

Ministry of Sound celebrated 30 years of dance in style with a spectacular concert at O2 Arena, with dance classics reimagined by the 50-piece London Concert Orchestra in company with Paul Oakenfold and other guest DJs.

‘Ministry of Sound Classical presents Three Decades of Dance’ took clubbers on a journey through the dance anthems of yesteryear. Martin Audio’s signature sound, as featured in Ministry of Sound clubs worldwide, was provided by RG Jones and mixed by Phil Wright—a devotee of Martin Audio’s flagship and multi-award-winning MLA.

Working for promoters Coalition Presents, who produced the event with Raymond Gubbay, RG Jones—who already had a relationship with MoS, having provided equipment for some of their events—fielded 18 MLA a side. This was a similar configuration to that fielded for War of the Worlds at the same venue. Hangs of 12 MLA Compact provided outfills on each side, and 16 MLX subwoofers were set in a broadside cardioid array with a 2m central gap for a stage thrust, surrounded by a circular screen, on which the DJs performed. Eight DD12s were deployed as front fills along with some MLA Mini enclosures.

The components were chosen by RG Jones’ Jack Bowcher and his colleague Sam Millen handled the prep, assembled the racks, built the network (on a Dante and AES backbone)and was onsite technician alongside Doug Hunt.

Millen stated, “We worked together to achieve a great sounding PA, using the Merlins [Martin Audio’s digital loudspeaker management system] to provide more outputs in order to have greater control of the system. I then time-aligned the PA and then Doug and I tuned the system together.” Hard Avoid was used to avoid slapback from the back of the arena.

This provided a perfect environment for Phil Wright to mix the sound on a 96-channel DiGiCo SD12. “And we used every channel,” he exclaimed.

It was the sound engineer’s first time working at the O2, in front of 18,000 people. Of the challenges he said, “Although it was a loud show, with four DJs, we had to ensure the orchestra was the headliner. Local promoters feared we may had peaked too early, as Paul Oakenfold was on relatively early. But the production went up a level when the orchestra came on.”

Of MLA he confirmed ”We managed to avoid a lot of slapback [using the Hard Avoid feature in the DISPLAY software] and the direct-to-reverberation ratio was mind boggling.”

The entire orchestra were on in-ear monitors, and most of the instruments were miked with DPA CORE 4099. “The combination between this and the PA was fantastic,” he said.

“Despite the proximity to the PA we achieved a super amount of rejection at the back of MLA which meant I could mix it at 105dB comfortably without feedback. The crowd were screaming at 102dB and so I had to put the show on top of that.”

He said the power offered by the MLA / MLX combo meant “I had another 15dB [under the hood] had I needed it; it’s bonkers how loud it would go. By putting in a really big system and merely tickling it, the impulse response was utterly visceral and really grabbed you in the chest.”

Also represented were Martin Audio’s parent company Focusrite, with their RedNet Audio-over-IP solution, an A6R MkII analogue interface for Dante feeding the Shure PSM1000 in-ears.

Other RG personnel on duty included Rosie Tarrant (on stage and RF tech), Leigh Davis (on stage and personal monitors) while Nathan Kennedy was PA tech.

Photo credit: Luke Dyson.

Categories
Martin Audio

Tooth Tooth chooses Martin Audio system

JAPAN: Tooth Tooth, a well-known restaurant brand, has recently installed a Martin Audio system within its food hall located on the ground floor of newly launched Kobe Port Museum. The city’s cultural complex otherwise consists of an aquarium, food hall and bridal desk.
Speaking on the music, which was produced by Fish Four, Kobe Port Museum president Yutaka Okano says: “High-quality BGM is an indispensable element for restaurants and cafes. We choose music suitable for both daytime and night-time that develops the atmosphere of the place. We have enjoyed a long relationship with Martin Audio and have used the brand in several facilities to date. With confidence in the quality of Martin Audio’s speakers, we again requested them without hesitation.”

Twenty-nine CDD6TX cabinets have been installed on several pillars, covering a wide area of the food hall. In addition, Adorn series speakers have been deployed in the aisles with ACP-55T pendant and ASC-55T ceiling speakers. Considering the outdoor terrace also, 52 Martin Audio speakers have been utilised.

“At night, DJs come in and play live. In addition, there is an event space in the hall, and if necessary, a portable Blackline X10 can be set up,” Okano said. There are three locations where DJ booths can be set up, so it was necessary to devise ways to smoothly transfer the signal inputs from these locations, and this was accomplished via a mobile input DSP rack, with the input signal delivered via Dante.

www.martin-audio.com

Article by : https://www.proavl-asia.com/details/69209-tooth-tooth-chooses-martin-audio-system

Categories
Press Releases

Amplifiers For Smart Homes | LEA Install At A 15,000 Sq. Ft. Smart Home

Smart homes are on the rise and it just so happens that our smart amps fit extremely well into the systems powering them.

Our integrator friends at Wired Media Solutions recognized this as well during their recent 15,000 sq. ft. smart home project where they used eleven of our CONNECTSERIES amplifiers to send audio to nearly every room of this gorgeous Newport Beach, CA home. From the kitchen to each bedroom and even the bathrooms, the system is using a total of 84 LEA audio channels to power multiple zones over a Dante distributed network.

Let’s dive into the details!

THE SPEC

AMPLIFIERS FOR SMART HOMES | LEA INSTALL AT A 15,000 SQ. FT. SMART HOME

Venue: 15,000 Sq. Ft. Smart Home in Newport Beach, CA
Install Purpose: System upgrade
Product Used: CONNECTSERIES  168D (X10) and 164D (X1)

THE VENUE

AMPLIFIERS FOR SMART HOMES | LEA INSTALL AT A 15,000 SQ. FT. SMART HOME

The owners of a 15,000-square-foot smart home in Newport Beach, California, wanted to upgrade and integrate an all-home sound system. The home consists of multiple audio zones all run over a Dante networked system. With speakers in nearly every single room as well as the outdoor patio, this home needed a powerful, small form factor amplifier solution.

THE INTEGRATOR

AMPLIFIERS FOR SMART HOMES | LEA INSTALL AT A 15,000 SQ. FT. SMART HOME

Wired Media Solutions provides seamlessly integrated high-end home automation solutions. Cohesive and invisible, as home automation should be.

THE INSTALL
AMPLIFIERS FOR SMART HOMES | LEA INSTALL AT A 15,000 SQ. FT. SMART HOME

Ryan Wilkinson, President/CEO, WMS Wired Media Solutions, explained that while the home is spacious, the integration team was challenged to fit the equipment into the existing small closet. Wilkinson needed to save as much room as possible to cover the home properly from this space while still delivering the channel count, power, and network connectivity required to distribute and control the audio throughout the house.

“We had a big constraint of space and input power, but we still needed a high channel count,” said Wilkinson, “The LEA amplifiers fit perfectly because they are all multi-channel, single-rack-unit amps that don’t draw much power, they have built-in Ethernet connectivity and DSP, and they deliver plenty of output power to handle the entire house.”

The team installed a set of 11 Connect Series amplifiers from LEA Professional, including ten 168D 8-channel amplifiers with 160 watts per channel to cover the indoor rooms, and a 164D 4-channel amp, for an outdoor patio area — for a total of 84 audio channels.

“Every room and space in the house has speakers — bathrooms, bedrooms, common areas, outdoor areas, kitchen, everywhere — and it’s a mix of different types and brands of speakers,” explained Wilkinson. “Maintaining the ability to power zones individually gave us the ability to finely tune the volume and DSP presets across the various types of speakers and areas.”

168D

 

164D

“The LEA amps’ built-in DSP was a big help in this project, and we’re starting to use it more in other smart home installations,” said Wilkinson. “It saves space in the rack, greatly streamlines the entire installation, and makes system set-up and adjustments easy.”

Physically, DSP-powered equipment can do more with less, and therefore frees up critical rack space and reduces system weight. All the input routing, room tuning, speaker tuning, and limiting are built into the amplifier, which greatly reduces the need for additional hardware. Not only does this free up rack space, but it also simplifies system setup and reduces the possibility of issues arising within the system.

By using a digital input router, technicians can route any input to any output. And with the integration of an audio network, as with Dante, it’s all just an Ethernet cable away. LEA amplifier built-in DSP features include advanced DSP Architecture, an Input Matrix, Crossovers, Parametric EQ, Output Delay, Output Protection, User-Adjustable Limiting, and Load Monitoring.

“The system is all Dante networked and Crestron controlled, and we designed a custom touch-panel interface, so it’s all very easy to manage,” said Wilkinson, “Everything’s time-delayed and leveled correctly; all the limiters and speaker protections are in place, and it sounds great. And if needed, we can remote into the LEA amps for status reports or to make adjustments — we couldn’t be happier.”

THE CONCLUSION

AMPLIFIERS FOR SMART HOMES | LEA INSTALL AT A 15,000 SQ. FT. SMART HOME
We’d like to thank Ryan Wilkinson and his team at Wired Media Solutions for choosing our amps for this killer installation and we hope that the audio systems will continue to deliver reliable audio for years to come.

If you have any questions or feedback about using amplifiers for smart homes like this or any other projects, feel free to fill out the form below or reach out to us on our social media channels.

Categories
Martin Audio

KOBE PORT MUSEUM FOOD HALL COMPLEX INSTALLS MARTIN AUDIO CDD AND ADORN

Kobe Port Museum, is a new cultural complex in the Japanese city, consisting of an aquarium, food hall, and bridal desk. The space on the ground floor is a next-generation food hall typified by the well-known Kobe restaurant brand, Tooth Tooth which has recently installed a Martin Audio system with background music produced by Fish Four.

Based in Kobe, the president Yutaka Okano says: “High-quality BGM is an indispensable element for restaurants and cafes. We choose music suitable for both day time and night time, and develop the atmosphere of the place. We have enjoyed a long relationship with Martin Audio and have used the brand in several facilities to date. With confidence in the quality of Martin Audio’s speakers, we again requested them without hesitation.”

A total of 29 CDD6TX cabinets have been installed on several pillars, covering a wide area of the food hall. In addition, ADORN series speakers have been deployed in the aisles with ACP-55T pendant and ASC-55T ceiling speakers. Including the outdoor terrace, 52 Martin Audio speakers feature in total.

“At night, DJs come in and play live. In addition, there is an event space in the hall, and if necessary, a portable Blackline X10 can be set up.”

Since there are three locations in the building where DJ booths may be set up, it was necessary to devise ways to smoothly transfer the signal inputs from these locations, and this was accomplished via a mobile input DSP rack, with the input signal delivered to the system via Dante. Switching between the ‘Start DJ’ and ‘Return to BGM’ sources is therefore straightforward.

Finally, Mr. Okano reveals, “There is an aquarium water pool above the bar counter in the centre of the food hall, and this is visible from beneath. We’ve created an amazing atmosphere which is well worth experiencing when visiting Kobe!”

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Martin Audio

MARTIN AUDIO AWARDED PATENT FOR XE MONITOR WAVEGUIDE

Martin Audio has extended its list of notable patents with the addition of a United Kingdom Patent for its XE stage monitor waveguide.

The patent covers the use of Martin Audio’s differential dispersion coaxial drive units and the continuation of their waveguide shape to form the baffle, as seen in the XE monitors to achieve the desired HF coverage.The geometry of the static HF horn, the LF cone/moving waveguides and the static baffle combine to form a single HF horn.

WE ARE DELIGHTED THAT OUR CONTINUING INNOVATION HAS ONCE AGAIN BEEN RECOGNISED.

Dom Harter, Martin Audio

The XE stage monitor series comprises the XE300 and XE500, both delivering perfect monitor sound with a defined coverage pattern that allows the artist freedom of movement, while reducing overlap with adjacent monitors.

Coaxial Differential Dispersion technology allows the artist to stand directly over the monitor or further back, without significant changes in SPL or tonal balance. It produces the optimal coverage pattern over a listening plane at head-height and helps to contain the sound within that region.

The now patented contour-moulded static third waveguide increases the size of the horn mouth to maintain pattern control downwards and avoid spill outside the desired coverage area. Its rolled contour reduces diffraction and further improves pattern consistency at the lower end of the HF passband.

Managing director, Dom Harter, commented, “Even though XE monitors were introduced in 2017, it always takes time to secure a patent, but we are delighted that our continuing innovation has once again been recognised and I couldn’t be prouder of our R&D team.”

Find out more about XE Series here.