Categories
LEA Professional

LEA Amplifiers Elevate Sound Quality at Jablonec nad Nisou City Theatre

Historic space. Modern power. 💪✨

At the Jablonec nad Nisou City Theatre, a century-old landmark now runs on next-gen sound. With LEA Professional Connect Series amplifiers at the core, the venue delivers pristine, consistent audio for every performance—backed by the flexibility of cloud control and powerful, scalable connectivity. Timeless architecture meets cutting-edge performance, and every seat sounds exactly as it should. 🎭🔉

THE SPEC

🎭 Venue: Jablonec nad Nisou City Theatre

👷‍♂️ Integrators: AudioMaster CZ

🔊 Audio Spaces:  Entire Venue

🦈 Products Used: Connect Series 354D amplifiers | Connect Series 702D amplifiers

Jablonec nad Nisou City Theatre

Located near the foothills of the San Gabriel Mountains, Claremont McKenna College (CMC) is a private liberal arts college in Claremont, California, and one of the seven members of the Claremont Colleges consortium. Home to 1,300 students, The Wall Street Journal/College Pulse 2025 Best US Colleges rankings rated Claremont McKenna as the 5th-best overall college or university and the best liberal arts college in the nation.

When the college’s gym could no longer adequately serve the college’s expanding varsity programs, the school decided to build a new athletic center — Roberts Pavilion. Groundbreaking took place in Spring 2014, and the building officially opened for recreational use in August 2016. Roberts Pavilion has become a central hub for CMC and the Claremont–Mudd–Scripps athletic community, offering cutting-edge facilities for varsity sports, fitness, physical education, and campus-wide events. However, the audio in the event arena no longer met the student body’s needs, so the college embarked on a project to improve the intelligibility and audio experience in the arena.

“LEA Professional was the obvious choice for this project,” said Alyssa Ishi, Applications Engineer at Geer Tech. “Its flexibility to support unique spaces, combined with the power of the Cloud, made all the difference. The students at Claremont College deserve exceptional sound quality, and that’s exactly what they now experience every day.”

THE INSTALL

Located in the center of the Czech city of Jablonec nad Nisou, the city’s historic theatre stands as one of its most treasured cultural landmarks. Completed in 1907, the building reflects the elegance of early 20th-century Art Nouveau design and has served as a gathering place for the performing arts for more than a century. While the venue doesn’t have a resident ensemble, each season brings more than 200 visiting performances spanning drama, opera, ballet, concerts, and children’s productions. Renowned Czech companies and touring artists regularly appear here, ensuring a diverse and dynamic cultural calendar.

Beyond its programming, the theatre itself is part of the experience. The interior retains an exceptional array of original Art Nouveau decorative elements, from lighting fixtures to ornamental detailing, creating an atmosphere that transports audiences to another era.

When some of the existing AV systems began to fail, theater staff contacted Matěj Sborový, project manager at AudioMaster CZ, to design and deliver a comprehensive AV solution to elevate the venue’s operational efficiency and entertainment capabilities. AudioMaster, in turn, partnered with Michal Blazek Profisound to perform the installation.

“The theatre has a pretty extensive audio system,” said Sborový. “However, almost everything in the old system needed to be replaced. LEA amplifiers were my first choice to ensure exceptional audio quality.”

Sborový selected Connect Series 702D and Connect Series 354D amplifiers to power the theater’s loudspeakers. The IoT-enabled 2-channel 702D delivers 700 watts per channel, while the 4-channel 354D delivers 350 watts per channel. Both models support Hi-Z (70V or 100V) and Lo-Z, selectable by channel, eliminating the need for separate amplifiers to handle different speaker impedances and streamlining installations and reducing equipment costs. Connect Series amplifiers also include a 96kHz DSP standard in all models and offer a range of benefits that significantly enhance audio performance and system versatility. Dante-enabled models like the 702D and 354D include 96kHz-capable Dante and AES67 connectivity, simplifying system installation with scalable, high-resolution audio over IP (AoIP).

The Connect Series delivers an industry-first professional amplifier family featuring cloud connectivity, a revolutionary advancement, and a significant benefit for anyone maintaining the systems. With LEA Cloud, AV teams can remotely control and monitor the amplifiers regardless of location or time of day, and with no subscription model or hidden costs, it’s completely free to use.

THE CONCLUSION

THE CONCLUSION

The Cherry Lane Theatre re-opened in September 2025 to great acclaim, hosting a week of one-night-only special performances, which were capped off with a block party. Fan interest in the theater is high, as all performances were sold out.

“We were thrilled to help transform Cherry Lane into a top-tier destination for film lovers and performing arts audiences,” said Godfrey. “LEA’s Cinema Digital Series is a perfect fit for theaters of all sizes and immerses moviegoers in lush audio like never before.”

“The LEA Cloud service is a tremendous benefit for me and the theatre. Being able to log in from anywhere and troubleshoot issues or make necessary adjustments is a game-changer,” said Sborový. “There’s very little I can’t access remotely, which ultimately saves my customers money because I don’t have to dispatch a local technician or drive to the site.”

The Jablonec nad Nisou City Theatre has a full calendar of upcoming events. Thanks to the audio upgrades, every seat in the theater now offers an outstanding experience, and visiting ensembles have praised the clean, beautiful sound. 

“LEA amplifiers just work,” said Sborový. “The state-of-the-art connectivity and pristine sound make these amplifiers essential for the theatre. I’ve been thoroughly impressed with every aspect of LEA.”

Click here for original article.

Categories
Martin Audio

SAYAP SUCI REDEFINES COFFEE AND LIFESTYLE EXPERIENCE WITH MARTIN AUDIO SOUND

IND – Sayap Suci, a new lifestyle and entertainment destination by Holywings Group, has officially opened in Kelapa Gading, Jakarta, offering visitors a distinctive blend of coffee culture, wellness, dining, and entertainment – brought to life by a professional audio system powered by Martin Audio.

The complete sound system was designed and integrated by GMT Solutions (PT Global Multipro Technology), with Goshen Indonesia serving as the authorised Martin Audio distributor.

Positioned as Indonesia’s first coffee venue with integrated entertainment and lifestyle facilities, Sayap Suci spans over 3,000 square metres and features a 1.2 km jogging track, a scenic lake, and shower facilities. The venue is designed to transition smoothly from daytime productivity and wellness activities into a vibrant evening entertainment destination.

MARTIN AUDIO GAVE US THE FLEXIBILITY, COVERAGE CONTROL, AND SONIC CHARACTER

Satrio Prisetya, PT Global Multipro Technology

According to Satrio Prisetya, Marketing & Technical Director of PT Global Multipro Technology, the vision for Sayap Suci demanded far more than a conventional background music system.

“Sayap Suci is a unique project that combines coffee culture, fitness, dining, and entertainment in one integrated environment,” Satrio explained. “From the beginning, the goal was to design an audio system that feels natural and comfortable during the day, while still being able to scale up seamlessly for live music and DJ performances at night.”

One of the key challenges for the project team was achieving consistent sound quality and coverage across multiple zones. To meet these requirements, Martin Audio loudspeaker systems were selected for their proven performance, reliability, and versatility in mixed-use environments.

“Ensuring clarity, consistency, and control across both indoor and outdoor areas was critical,” Satrio continued. “Martin Audio gave us the flexibility, coverage control, and sonic character needed to support that transition, while maintaining a high-quality listening experience throughout the space.”

For the indoor areas, a total of thirty Martin Audio ADORN A55 loudspeakers were installed. The ADORN A55 offers wide dispersion, balanced tonal performance, and excellent speech intelligibility, ensuring that background music and live performances remain immersive without overpowering conversation.

For the outdoor zones, the system is reinforced with two Martin Audio X15 loudspeakers paired with a pair of X118 subwoofers, delivering controlled low-frequency impact with clear, articulate mid and high frequencies for live music and DJ performances.

Reflecting on the final result, a spokesperson for Sayap Suci commented: “Sound plays a huge role in shaping how guests experience our venue. With this system, the audio feels evenly distributed and comfortable wherever you are—whether you’re enjoying coffee, working during the day, or attending live music and DJ performances at night. It truly enhances the overall atmosphere.”

Photographer: Perry Graham

Thanks to

Distribution Partner: Goshen Indonesia
Installation Partner: GMT Solutions (PT Global Multipro Technology)

Click here for original article.

Categories
Optimal Audio

Optimal Audio Keeps Control in Play at Csepel Island Handball Court

HU – Optimal Audio hit the target at Szigetszentmiklós’ local handball court, with a multi-zone installation that was timed to perfection. The long-awaited audio refresh – supplied by Hungarian distribution partner, BG Event Ltd, and installed by Zoltán Csukay, lead technical specialist at the local cultural centre – improved sound quality and simple day-to-day control for the venue which is operated largely by a non-technical staff.  

Simple and practical to use, the Optimal Audio Ecosystem supports both match day action and wider community use. The audio upgrade was completed during a two-week holiday closure as part of a wider programme of maintenance works. 

From the outset, the arena was clear about its requirements, with better audio quality topping the list, followed closely by ease of operation for non-technical staff. Reliant on part time staff, the venue needed a solution that would remain consistent, intuitive and dependable regardless of who was behind the controls.  

Following consultation, a zoned approach was agreed, allowing audio to be tailored precisely to four distinct areas identified within the arena, while remaining simple to manage as a single system.  

The four zones include the main audience area, the play field, the side seating area and a spare zone reserved currently for a legacy 100 V speaker system but offering future flexibility if required. 

Around the playfield, a total of four Optimal Audio Cuboid 10 full-range loudspeakers were mounted in portrait mode to ensure clear announcements and even coverage across the court. 

The main audience zone also featured Cuboid 10 enclosures supported by two Optimal Audio Sub10 subwoofers for the delivery of impactful, full-range sound for spectators. 

Delivering focused coverage along the side seating area, Optimal Audio’s 4-inch, two way UP series of loudspeakers were accessorised as pendant enclosures to create a modern look and the provision of high-quality audio 

System control for the four zones – individually or in any configuration up to whole venue – is provided by Optimal Audio’s Zone 4, installed conveniently in the technical room, whilst a ZonePad 4 wall controller, located at the playfield wall, allows full yet easily navigable system control. 

The speed at which staff could be trained on the system was one of the clearest measures of success.  According to the venue, new technicians were trained to operate the audio confidently within just 15 minutes. With multiple staff operating the system, it remained easy to manage, first via the ZonePad 4, but increasingly via Optimal Audio’s WebApp. Downloaded to phones and other portable devices, WebApp quickly became the preferred way to control the system. 

As the arena’s director observed, the ZonePad is retained largely as a safety measure – a testament to how naturally the WebApp fits into daily operation. 

Loudspeaker selection was guided by practical listening tests set up by Audio-Technica, comparing Cuboid 8, 10 and 12 models alongside subwoofer options, before settling on the final configuration. The result delivers the required impact and clarity without unnecessary complexity. 

With a tight installation window and multiple maintenance activities taking place simultaneously, the speed and straightforward deployment of the Optimal Audio system proved critical. The result is a handball arena now equipped with a system that sounds better, works smarter, and empowers every user –  whether they are running a match, making an announcement, or stepping into the role for the very first time. 

Photography: Jordan Moore

Thanks to

Distribution Partner: BG Event Ltd
Installation Partner: Zoltán Csukay

Click here for original article.

Categories
Linea Research Martin Audio Optimal Audio TiMax

MARTIN AUDIO ANNOUNCES REVAMPED MARCH 2026 UK OPEN DAYS EXPERIENCE

UK – Martin Audio, alongside sister brands TiMax, Linea Research, and Optimal Audio, has announced an exciting evolution of its celebrated UK Open Days event, scheduled for 24–26 March 2026 at its High Wycombe headquarters.

Renowned for high-quality insights and networking, Martin Audio’s Open Days have become an essential date in the professional audio calendar. This year, the newly imagined event will go beyond traditional product showcases to creatively demonstrate how the group’s complete audio ecosystems provide exceptional and readily-deployable solutions for today’s real-world vertical market challenges.

THIS FRESH APPROACH TO OUR OPEN DAYS BUILDS UPON THE SUCCESS OF OUR ISE DEMO ROOM EXPERIENCE.

James King, Marketing Director

James King, Marketing Director, commented: “This fresh approach to our Open Days builds upon the success of our ISE demo room experience. By using projection mapping to create realistic environments, we will explore the challenges of modern sound design and show how our brands intersect to provide compelling solutions and a competitive edge for sound professionals.”

Ideally suited for AV installers, system integrators, consultants, and live sound specialists, the program will focus on application-specific system design, workflow, and practical deployment. The demonstrations will explore how loudspeaker systems, amplification, immersive processing, and system control software can combine to deliver outstanding results for audiences in permanent installations, touring productions, and temporary event spaces.

The Open Days run across three days with a consistent daily schedule, allowing attendees to choose a single-day program or drop in over multiple days.

The event takes place at Martin Audio’s company HQ, Century Point, Halifax Road, Cressex Business Park, High Wycombe, Bucks, HP12 3SL.Free parking is available on-site. Refreshments will be available throughout the event and guests will enjoy plenty of opportunities to meet the team.

Sign up here: https://www.eventbrite.co.uk/e/focusrite-group-audio-reproduction-open-days-march-2026-tickets-1981585261861?aff=oddtdtcreator

Photography: Jordan Moore

Thanks to

Installation Partner: Avenue Systems

Click here for original article.

Categories
LEA Professional

Bright Lights, Big City: LEA Amplifiers Immerse Audiences at the Historic Cherry Lane Theatre

At New York City’s iconic Cherry Lane Theatre, a historic space gets a powerful modern upgrade. With LEA Professional’s Cinema Digital Series at the core, the newly reimagined venue delivers immersive, high-impact sound for every performance—proving great audio isn’t just heard, it’s experienced. 🎭⭐

THE SPEC

🎭 Venue: The Cherry Lane Theatre

👷‍♂️ Integrators: Moving iMage Technologies

🔊 Audio Spaces:  Entire Venue

🦈 Products Used: LEA Cinema Digital Series | CDS704

Cherry Lane Theatre

Located near the foothills of the San Gabriel Mountains, Claremont McKenna College (CMC) is a private liberal arts college in Claremont, California, and one of the seven members of the Claremont Colleges consortium. Home to 1,300 students, The Wall Street Journal/College Pulse 2025 Best US Colleges rankings rated Claremont McKenna as the 5th-best overall college or university and the best liberal arts college in the nation.

When the college’s gym could no longer adequately serve the college’s expanding varsity programs, the school decided to build a new athletic center — Roberts Pavilion. Groundbreaking took place in Spring 2014, and the building officially opened for recreational use in August 2016. Roberts Pavilion has become a central hub for CMC and the Claremont–Mudd–Scripps athletic community, offering cutting-edge facilities for varsity sports, fitness, physical education, and campus-wide events. However, the audio in the event arena no longer met the student body’s needs, so the college embarked on a project to improve the intelligibility and audio experience in the arena.

“LEA Professional was the obvious choice for this project,” said Alyssa Ishi, Applications Engineer at Geer Tech. “Its flexibility to support unique spaces, combined with the power of the Cloud, made all the difference. The students at Claremont College deserve exceptional sound quality, and that’s exactly what they now experience every day.”

THE INSTALL

The Cherry Lane Theatre is the oldest continuously running off-Broadway theater in New York City. The building was constructed as a farm silo in 1817, and also served as a brewery, tobacco warehouse, and box factory before being converted into a theater and christened the Cherry Lane Playhouse. First opened in 1923, the 167-seat theater has long been a home for nontraditional and experimental works.

The theater was acquired by an independent entertainment company in 2022. The new owners wanted to extensively renovate the theater with updates to the technical equipment, new seating, a newly installed film projector and screen, and an upgraded lobby. The goal was to blend Cherry Lane’s rich theatrical legacy with cutting-edge technology, offering a premier venue for both film screenings and live performances with a full-service restaurant and bar in the lobby. They contacted Francois Godfrey, President and COO at Moving iMage Technologies, to facilitate the AV upgrades.

“Management at the theatre was very clear that every element had to be carefully selected to enhance both cinema and live performances,” said Godfrey. 

“When we were considering amplifiers, LEA’s Cinema Digital Series were at the top of the list.”

The LEA Cinema Digital Series is a line of IoT-enabled power amplifiers designed especially for cinema applications of all sizes. Introduced in 2024, the series comprises models with two or four channels, offering power ranging from 350 watts to 1,500 watts per channel, depending on the model. All models can integrate with the Dolby® Cinema Processor CP950 and include AES67 primary and secondary inputs, analog backup inputs, and the ability to accept AES67 feeds directly from a CP950 without requiring additional hardware, ensuring superior connectivity and flexibility at lower system costs.

Moving iMage Technologies installed Cinema Digital Series 704 amplifiers to power the historic theater. The 4-channel CDS704 provides 700 watts per channel, supports Hi-Z (70V or 100V) and Lo-Z selectable by channel, and features Smart Power Bridge technology. For flexibility in networked installations, the CDS704 provides three modes of connectivity: wired Ethernet, venue Wi-Fi, or a built-in Wi-Fi access point. In addition, the CDS704 features advanced DSP, including 96kHz linear-phase FIR crossover filters, acoustically transparent look-ahead RMS and peak limiters, and 32-bit floating-point DSP with built-in sample rate converters. 

LEA amplifiers were the first to feature cloud connectivity — a revolutionary advancement and a significant benefit for anyone maintaining AV systems. With LEA Cloud, AV companies like Moving iMage Technologies can remotely control and monitor amplifiers from anywhere, at any time, and with no subscription model or hidden costs. It’s completely free to use.

Moving iMage Technologies’ expertise in state-of-the-art out-of-home entertainment environments is evident in the sophisticated design of the venue. The custom engineering approach includes a motorized Stewart Screen and QSC Speaker Lift system that transitions between film and performance configurations. The immersive audio system, featuring the APX AuroMax processor, and premium camera systems for live streaming, further enhance the venue’s capabilities.

THE CONCLUSION

The Cherry Lane Theatre re-opened in September 2025 to great acclaim, hosting a week of one-night-only special performances, which were capped off with a block party. Fan interest in the theater is high, as all performances were sold out.

“We were thrilled to help transform Cherry Lane into a top-tier destination for film lovers and performing arts audiences,” said Godfrey. “LEA’s Cinema Digital Series is a perfect fit for theaters of all sizes and immerses moviegoers in lush audio like never before.”

“Taming the reverberation in a gym isn’t easy — the high ceilings, hard bleachers, and parquet floors make it challenging for high intelligibility,” said Kevin Laymon, Project Engineer at Western Audio Visual. “That said, the project turned out great, as was working with Geer Tech and LEA Professional. I wish all my interactions with manufacturers were as enjoyable.”

Click here for original article.

Categories
Linea Research Martin Audio

GRACE COMMUNITY CHURCH EXPANDS WITH WAVEFRONT PRECISION WPM

USA – Founded in 2001 in the Cranberry Township of Pennsylvania, Grace Community Church has today grown into a community of 2,400 people.

As the ministry planned its next chapter of growth, there was a realisation that outdated audio, video and lighting systems were limiting its ability to create a seamless worship experience, and so a major technical upgrade became an imperative.

They were referred to HoW specialists, Milwaukee-based Avenue Systems, by a mutual contact, who recommended the integrators based on trust and reputation.

Avenue Systems’ Director of Client Relations, Terry Rhodes, specified a Wavefront Precision WPM small format, optimised line array from Martin Audio as his sound reinforcement solution based on previous experience, and recognising that it offered improved coverage consistency and control compared to a standard line array. The implementation of a line array, he decided, was best placed to address the needs of a contemporary worship church, modelling the system in Martin Audio’s proprietary DISPLAY prediction software to ensure it was optimised.

The WPM rig — eight boxes a side — is paired with five SX218 subwoofers, powered via a Martin Audio process-controlled, Dante-enabled iKON iK81 amp, run in 2-box resolution. The subs and six discreet CDD5 front fills are all driven by a pair of 44M20 four-channel amplifiers, from Martin Audio sister company, Linea Research. The subs themselves are set in a bunker and splayed across the front of the stage in an arc.

EVERY CONTRACTOR IN EARSHOT OF THE AUDITORIUM HAD TO COME IN AND LISTEN TO THIS CLEAR AND CRISP SOUND COMING FROM THE SYSTEM.

Matt Helmstadter, Grace Community Church

Terry Rhodes had no misgivings in arriving at this decision. “We had done a couple of facilities in the last couple of years where we had deployed WPM satisfactorily. And there was enough similarity in this space — it was just a case of modelling it to verify that it confirmed our expectations.”

The company’s background in deploying Martin Audio solutions stretches back nearly a decade. “Martin Audio was one of the first lines that we picked up as an organisation. I’ve been with the company seven and half years and we’ve had it as long as I’ve been here; in fact, one of the installations that we did immediately prior to me arriving was our first WPM install.”

So what demands are placed on the new sound system? “When you think of a contemporary, modern worship style it implies loud or concert level. Although they do push volume somewhat, it’s still within the constraints of the system … so that when they do want to do a special event they can push up towards a higher SPL.”

Yet the installation was far from straightforward as the church set out to enlarge the sanctuary. “One of the challenges we faced was that the wall needed to be blown out and the room ‘turned’ to create a new auditorium out of the existing space. Whereas previously the stage platform was in a corner, when they blew out the wall, they increased the length and installed raked seating in the back third.”

During this renovation process, the church needed a temporary worship solution, and thus Avenue Systems implemented a setup in the lobby, transforming it into a smaller secondary venue while the main auditorium was under construction — ensuring the ministry could continue uninterrupted.

Church pastor Matt Helmstadter expressed his delight with the new infrastructure. “I well remember the first time I heard about possibly installing Martin Audio equipment in our building project. We had chosen a different PA system in the initial design, but Terry went through all the benefits of Martin Audio and felt it was better suited for our project and a better value.He had a great relationship with Martin Audio — I totally trusted his judgement and was happy to make the switch.

“As usual, the project did not go as planned with the building contractors and steel beams for the arrays were installed 8ft-10ft away from the original design — which could potentially cause issues with the way Avenue designed the PA system to work. But they were able to work with what they had in front of them and the room sounded amazing.

“The first soundcheck was an uncompressed version of Hotel California and every contractor in earshot of the auditorium had to come in and listen to this clear and crisp sound coming from the system.From that moment on, we were convinced we made the right decision and have been totally happy with the performance and experience Martin Audio has given our congregation and people who join us every weekend!”

Grace Community Church has continued to thrive in its updated facility. The new systems have empowered their volunteers, enhanced their worship experience and set them up for future growth. For Avenue Systems, the real success wasn’t just delivering the technology, it was building a relationship rooted in trust and shared purpose.

Photography: Jordan Moore

Thanks to

Installation Partner: Avenue Systems

Click here for original article.

Categories
Martin Audio

MARTIN AUDIO ADORN PENDANTS ELEVATE AUDIO ACROSS POLISH HOSPITALITY VENUES

POL – Martin Audio’s Polish distributor, Phono Media, has successfully deployed ADORN Series pendant speakers across a range of hospitality projects, with ACP-55T solutions installed in multiple restaurants to deliver premium audio and clean aesthetics, whilst overcoming a variety of interior-related sound challenges.

With Martin Audio’s signature sound characteristics, the ADORN series is a natural choice for background and foreground systems that demand superior audio quality from visually discreet, ultra-compact, yet value-priced enclosures.

One standout project is the Polish History Museum in Warsaw, a monumental building covering 45,000 square metres. Within its striking marble architecture, the “Dialog” restaurant mirrors the building’s bold design language, with interiors heavily clad in stone slabs.

MARTIN AUDIO SERVES AS A VITAL BRIDGE BETWEEN RIGOROUS TECHNICAL CAPABILITY AND ESSENTIAL AESTHETIC FORM

Filip Polanowski

This presented two major installation challenges: conventional wall-mounting was impossible due to the surfaces, and there was a strong requirement to preserve the visual integrity of the space. Phono Media turned to a suspended solution using the Martin Audio ADORN series, deploying a total of 20 x ACP-55T pendant speakers. This approach provided uniform sound coverage and high intelligibility, while the enclosures’ refined industrial design allowed the system to blend unobtrusively into the ceiling void.

Located on Warsaw’s prestigious “Royal Route” (Nowy Swiat), a Pasibus site brings the brand’s signature street-food energy into a historic setting. The interior combines the raw, industrial aesthetic of the burger chain with the constraints of a high-traffic urban venue.

Here, 9 x ACP-55T pendant speakers were specified to work sympathetically with the ceiling infrastructure, delivering even coverage across the dining zones without requiring invasive wall mounting. To give the background music the necessary depth and punch to match the youthful Pasibus demographic, the system is reinforced by a pair of Martin Audio SX110B slimline subwoofers, discreetly integrated within the interior joinery.

Finally, L’Osteria in Mysiadlo is defined by its lively atmosphere, industrial-chic design and high open ceilings. This architectural volume required a solution that could deliver clear, consistent background music across a large footprint without contributing to visual clutter. Phono Media again selected the pendant form factor, deploying 17 x ACP-55T to lower the sound source closer to the tables, improving intelligibility whilst making effective use of the ceiling void.

To ensure the audio experience extends seamlessly into the outdoor garden area, 5 x CDD5BTX-WR weatherised loudspeakers were installed, chosen for their Coaxial Differential Dispersion technology, which provides wide and consistent coverage over the patio. The system is completed with two SX110B subwoofers, delivering extended low-frequency support across the venue.

“For Phono Media, Martin Audio serves as a vital bridge between rigorous technical capability and essential aesthetic form,” says Filip Polanowski, Chief Technology Officer, Phono Media. “These projects prove that we don’t have to sacrifice functionality for design. The Martin ADORN series gives us the dependability of a pro-audio system wrapped in a visual package that architects accept. It effectively turns a technical necessity into a design asset.”

Photographer: Perry Graham

Thanks to

Distribution Partner: Phono Media
Installation Partner: Phono Media

Click here for original article.

Categories
TiMax

Dante and Timax Takes Center Stage In Georgia Theatre’s Spatial Audio Design For “The Wizard of Oz”

Members of the production team at work on “The Wizard of Oz” at the Byers Theatre in Sandy Springs, Georgia.

Design for production at 1,070-seat Byers Theatre in Sandy Springs relied on Dante-enabled TiMax SoundHub, TiMax TrackerD4 tracking, and a Dante network backbone to connect microphones, consoles, processors, and amplifiers.

A recent production of “The Wizard of Oz” by the City Springs Theatre Company at the 1,070-seat Byers Theatre in Sandy Springs, Georgia was supported by a spatial sound design relying on a Audinate Dante-enabled TiMax SoundHub, TiMax TrackerD4 tracking, and a Dante network backbone to connect microphones, consoles, processors, and amplifiers.

Anthony Narciso brings extensive professional experience to his work as a lead sound designer, including his work in theater as a member of United Scenic Artists, Local USA 829, IATSE union, and as a board member of the Theatrical Sound Designers and Composers Association. For “The Wizard of Oz,” he says he approached the production “as if we were doing a tour,” given the lack of permanent infrastructure, creating a fully deployable sound system that transformed the static venue into an immersive, story-driven soundscape.

“We deploy a spatial audio system and tracking for the spatial audio system that allows voices to be placed in time and space,” Narciso explains. The large cast, including a child ensemble, demanded precision and clarity across a complex mix of dialogue, music, and effects.

Producing “The Wizard of Oz” posed both artistic and logistical challenges. The load-in period was just over a week, half the normal time. “We normally have about 12 to 14 days to get up a show, and we have about a week to put this up,” Narciso notes.

From a creative standpoint, the show demanded sonic storytelling that could balance an orchestra, environmental effects, and vocal clarity. Narciso: “The biggest thing for me is providing clarity to cacophonous moments.” During the tornado sequence, for instance, “we have to be swallowed by this tornado… but we also have to hear the orchestrations clearly.”

The sound design hinged on a TiMax-based spatial audio system. The TiMax SoundHub processor and D4 tracking system create delay-based spatialization, placing each performer’s voice in its physical onstage location with accuracy. “Without Dante, this is not even a conversation,” Narciso says. “You need an individual channel for each speaker cabinet… Dante’s the way to go to do spatialized audio.”

The complete signal chain included:

  • Shure Axient wireless microphones feeding a DiGiCo console via Dante
  • Each microphone sent over Dante to TiMax SoundHub (up to 64 inputs and 38 outputs used)
  • DiGiCo Orange Boxes convert Dante to AES3 to feed 17 amplifiers driving 65 loudspeakers
  • QLab playback systems running Dante Virtual Soundcard for primary and backup operation
  • Wavetool monitoring software leveraging Dante splits for real-time RF and audio analysis
  • Clear-Com Arcadia intercom integrated with Dante for crew communication and spotlight monitoring
  • Wavetool routes through a Clear-Com Arcardia channel via Dante to key in on specific microphone issues while roaming
  • Backstage paging and lobby feeds are distributed across dedicated Dante channels

The Dante infrastructure also enabled virtual soundcheck capability — recording live inputs directly into a laptop and routing them back through the console for mix rehearsal. “If the cast isn’t in for 30 minutes, we can hit the button, play back the show audio, and the A1 can be mixing. It’s invaluable.

“It sounds better than some Broadway shows,” one lighting designer stated. Others noted that they “understood more of the words in your shows there than I do in a Broadway show generally.”

In the company’s earlier years, sound was the area that needed the most improvement. Amongst several other improvements, implementing the spatial system led to the audio receiving frequent compliments from longtime patrons as well as new audience members. This feedback highlighted the importance of spatially accurate sound placement, something Dante-enabled networks make seamless.

Narciso concludes, “The best thing I can tell you is Dante just works.”

Click here for original article.

Categories
Martin Audio

MARTIN AUDIO SYSTEMS WOW AT WONDERFRUIT IN THAILAND

TH – Celebrating its landmark 10th anniversary in December 2025, the latest Wonderfruit Festival attracted 35,000 visitors from across South East Asia. Thailand’s renowned cultural gathering – centred on Mind, Nature and Sound – returned to The Fields, a 200-acre site 50 miles north of Bangkok. Here, multiple Martin Audio systems, including WPC, TORUS and THS, were deployed across three stages, among them the festival’s main Creature Stage.

“We’ve been involved with Wonderfruit since the early days of the festival, primarily through our production partners, Mr. Team,” explains Joshua Oates, Business Development Director of Martin Audio’s Thai distributor, Fuzion Far East. “It’s an incredible festival. From our side we’re able to use it as a live, real-world demonstration space.”

Mr. Team Productions were responsible for the majority of on-site audio, deploying close to 100 engineers, technicians and sound crew at any one time.

“We knew from Fuzion’s point of view what systems we’d like to showcase, but the final decision was made in conjunction with Mr. Team and dictated by the spaces and the artist genres,” confirms Oates.

The Creature Stage, the festival’s largest stage, hosted a vibrant programme of international and regional artists. Two eight-per-side hangs of Martin Audio WPC formed the main L-R system, with a centre cluster of four WPS cabinets. Low-frequency reinforcement came from eight ground-stacked SXH218 2 x 18in subwoofers, with the entire system powered by nine Martin Audio IKON IK42 amplifiers.

“The WPC line array was perfect for the Creature Stage,” says Oates. “We needed a long 40-metre throw to cover the main audience area, and WPC delivered consistent SPL and clarity throughout.”

With multiple stages spread across the site, sound containment was a critical consideration. “WPC was chosen in part because of its Wavefront Precision technology, which allows us to steer the system and control how it bleeds into the rest of the festival,” notes Oates. “That made it an ideal choice for the main stage.”

Creature Stage FOH engineer Pinyo Boonpraneewong agrees, praising the performance of the Martin system: “Being the FOH engineer and support for the Creature stage for nearly a decade, the Martin Audio WPC with SHX218 was impressive for its audio clarity, ample headroom, and Martin Audio’s scalable resolution.”

Meanwhile over on the SOT (Straight Out of Thonglor) Stage, a Martin Audio TORUS constant curvature array system was selected for its powerful low-frequency performance, particularly suited to the stage’s hip-hop-focused programme. Each main L-R hang comprised four TORUS cabinets – three T215 and one T1230 – supported by a pair of CDD15 front fills and four SXH218 subwoofers. Amplification was provided by three IKON IK41 and two IK42 units.

“TORUS’s very narrow 15-degree options really helped with noise control,” adds Oates, “especially given its close proximity to other stages.”

Finally, the DJ-oriented Moonlight Stage, in conjunction with Sangsom, featured a Martin Audio THS system. A pair of THS cabinets covered the main L-R, with an additional pair as outfill, reinforced by two SX218 subwoofers. DJ monitoring comprised ground-stacked L-R arrays of three WPM elements per side, each mounted above an SX118 subwoofer. Power for the entire stage came from two IKON IK42 and one IKON IK81 amplifier.

“The house music being played there most of the time really suited the punch and energy of THS,” says Oates.

All systems were tested by demanding environmental conditions. “The heat and dust were crazy – like a desert – but we had zero issues,” confirms Oates. “It really proved that Martin Audio systems are robust and well-engineered.”

Feedback from the engineering teams was universally positive. “They were impressed by how straightforward the systems were to deploy – the ease of setup, the clarity straight out of the box and how little tuning was required,” Oates concludes. “Their reaction was essentially: ‘It just works. Martin just works.'”

Summing up the festival’s success, Pok Sutat, Production Director of Fuzion Far East and CEO of Mr. Team, reflects: “The deployment at Wonderfruit 2025 with Martin Audio proved that the WPC is more than capable of handling main-stage duties, while the SXH218 cemented its reputation as one of the most powerful and efficient subwoofers available. For the Southeast Asian market, it was a masterclass in how modern line array technology can deliver ‘big system’ results within a compact, manageable footprint.

“On the SOT stage, the heavy-hitting combination of TORUS and SXH218 handled the aggressive transients of hip-hop and bass music with ease, demonstrating both ‘gut-punch’ low end and the precision of constant-curvature arrays. While on the Moonlight Stage the high-fidelity THS point-source systems created a ’boutique club’ atmosphere for deep house and electronica.”

Photographer: Perry Graham

Thanks to

Distribution Partner: Fuzion Far East
Installation Partner: Mr. Team Productions

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Categories
Martin Audio

MARTIN AUDIO SUPERCHARGES WAVEFRONT PRECISION WITH MAJOR HARDWARE UPGRADES, NEW SUBWOOFERS AND NEXT-GEN DISPLAY 3 OPTIMISATION

Martin Audio has announced a comprehensive evolution of its acclaimed Wavefront Precision line array series and SXH218 subwoofer, introducing significant enclosure upgrades. The launch is further supported by the next-generation DISPLAY 3 optimisation platform, with all new product and software updates arriving in-market during Q2 of this year.

Wavefront Precision is already the most successful line array family in the Martin Audio history, but as Managing Director Dom Harter explains, these updates mark a pivotal step forward. “The series will be an integral part of our live sound future, and with these upgrades and enhancements alongside new features in DISPLAY 3, it’s destined to be stronger, smarter, faster, and with higher precision.”

‘Stronger’ comes in the form of a refreshed fit and finish, with every aspect of the enclosure achieving an IP54 rating for protection against dust and splashes. New corrosion-resistant coatings, enhanced resilience to high and low temperatures, improved humidity protection, and UV stability ensure the systems excel in all-weather touring and installation environments.

‘Smarter’ denotes the ability to identify each enclosure on the circuit through the addition of an LED indicator within the grille that can be illuminated via VU-NET control software. “This has been a popular feature of our TORUS constant curvature systems,” says Harter, “and it made complete sense to bring it into Wavefront Precision.”

THE SERIES WILL BE AN INTEGRAL PART OF OUR LIVE SOUND FUTURE.

Dom Harter, Martin Audio

‘Faster’ manifests with the upcoming release of DISPLAY 3, delivering fast optimisation, dramatically accelerating the system design process. “The engine of DISPLAY 3 will be 27,000 times faster than its predecessor” Harter notes. “Even complex systems can be optimised quickly – we’ve run a 20-hang system on an M4 MacBook in under 10 seconds.” This speed gives engineers more time to refine system architecture and deliver consistently superior results in every venue.

Finally, ‘Higher Precision’ is also delivered via DISPLAY3 with enhanced control of low frequency and the accuracy of its prediction modelling. “Martin Audio has been working longer in line array optimisation than any other manufacturer,” says Harter. “It’s the accuracy of our model and patented optimisation process that ensures Wavefront Precision arrays meet user-defined SPL and frequency response targets with supreme fidelity.

“Our algorithms are about precision, not homogenisation. We preserve the signature Martin Audio musicality for every audience member – without over-processing.”

To accompany these changes, Martin Audio has also announced a similar evolvement of its popular Hybrid® horn/reflex double 18” subwoofer, SXH218, featuring weatherisation protection, and an LED circuit indicator and connector panel front and rear to support both cardioid and standard configuration. Furthermore, two new subwoofers have been announced, a single and double 18” subwoofer, SX118+ and SX218+ respectively, featuring significantly improved low-end extension performance, weatherisation and an LED indicator and connector panel front and rear.

Harter emphasises that protecting existing rental partners’ investment has been central to the strategy. “All existing Wavefront Precision inventory is forward-compatible with new systems. For those who want them, we offer upgrade kits that add the enhanced weatherisation to grille and include the LED. The same applies to existing SXH218 owners.”

“Existing Wavefront Precision owners can upgrade at their own pace – or not at all – and still benefit from lightning-fast optimisation, enhanced LF control, and improved voicing, through the new DISPLAY software.

Summing up, Harter says, “For both our existing and future partners, this raft of announcements ensures Wavefront Precision systems will remain torchbearers for those who believe in the power and celebration of audio excellence. We look forward to showcasing this at ISE in Barcelona.”

Photographer: Perry Graham

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