India: Dubbed as Asia’s largest nightlife destination, Hyderabad’s new Quake Arena leverages over 100 Martin Audio components to distribute sound across the 5,000m² venue. Set on three levels, the venue, which is owned and operated by Jupally Rameswar Rao’s My Home Group, has capacity for 5,000 patrons and has played host to world-renowned artists such as European DJs Ben Böhmer and Afrojack.

IT’S DESIGNED TO HIT HARD, SOUND CLEAN AND PERFORM FLAWLESSLY ALL NIGHT.

He therefore opted for a six-stack solution to ensure everyone within the dancefloor’s sound field could enjoy a unique 360° experience. A total of 24 WPL line array elements were deployed in six hangs, with Russo noting, “People rarely experience a high-powered, concert-style cabinet that operates well within its limits, while maintaining significant headroom. This is crucial for efficiently handling the massive dynamic range produced by international DJs.”

To complement the arrays, a six-stack configuration of 18 Martin Audio SXH218 (2x18in) hybrid subwoofers was selected. The main sub stack stands at 2.5 metres, allowing patrons to experience the full force when dancing next to it.

India: Dubbed as Asia’s largest nightlife destination, Hyderabad’s new Quake Arena leverages over 100 Martin Audio components to distribute sound across the 5,000m² venue. Set on three levels, the venue, which is owned and operated by Jupally Rameswar Rao’s My Home Group, has capacity for 5,000 patrons and has played host to world-renowned artists such as European DJs Ben Böhmer and Afrojack.

In addition to the Martin Audio units, the venue features a cornucopia of technology, including over 1,200m² of LED displays, 1,000 lighting fixtures and a 12W laser show.

At the heart of the sound system is Martin Audio’s Wavefront Precision (WPC) line array. Artists can also rely on 20 of the manufacturer’s SX218 subwoofers for low-frequency rumble and LE100 monitors for their reference sound.

“The installation has completely transformed our venue into a sonic powerhouse,” said Quake Arena director Raja Srikar. “Every beat and note resonates with unmatched clarity and impact, leaving our guests amazed. The team’s attention to detail and expertise made all the difference in creating this electrifying audio experience.”

His co-director Kunal Kukreja agreed, adding that they envisioned a space that would redefine nightlife experiences. “The sound system has truly brought that vision to life,” he noted. “The clarity, depth and power of the audio are remarkable, creating an atmosphere that keeps our guests coming back for more. It’s an investment that has elevated our club to the next level.”

The centrepiece of the sonic solution is created by eight elements a side of WPC line arrays, driven in two-box resolution from Martin Audio’s iKON DSP multichannel amplifiers. Elsewhere, in the upper mezzanine level and VIP lounges are the CDD12B and CDD10B coaxial differential dispersion loudspeakers.

Aside from the amplifiers, dedicated DX4.0 processors add real-time processing and control over the system. They have been integrated to serve as a backbone of the system, offering stability, headroom and precise audio tuning for events.

Sound consultant Abhimanyu Chopra from Chopra Designs served as the guiding hand behind the audio solution. “Designing the audio experience for Quake Arena was both an exciting challenge and a rewarding achievement,” he said. “With its immense scale and high-energy requirements, the goal was to create a system that delivers precision, clarity and impact across all three levels. The Martin Audio system ensures seamless coverage and deep, resonant bass that truly immerses the audience.”

All the equipment was supplied by Martin Audio’s Indian distributor, VMT with pre-design and sales engineer, Sai Prem, noting: “The installation at Quake Arena reflects the perfect synergy of advanced technology and strategic design. Every component has been carefully tailored to ensure precise sound delivery, powerful bass and uniform coverage.”

VMT director Jeff Mandot added: “Quake Arena showcases the best of pro audio innovation. With Martin Audio at its core, the sound is powerful and precise. This installation defines what world-class audio should be.”

A two-storey Levantine themed bar restaurant has been set up in Washington DC’s Union Market District by award-winning, Michelin-starred restaurateur, Michael Rafidi.

On the ground floor is Yellow Café, the second location in an already successful bakery concept, and this has now been joined by the vibrant La’ Shukran restaurant. Both areas have been equipped from top to bottom, along with the outside rooftop patio and back stairs alley, linking the two venues, by the recently formed Beltway Audio Group. This is a merger between two young audio entrepreneurs, Doug Cyr of Precision Event Rentals, and his friend Brady Rall—both known in the region as engineers for large local sound systems, largely at raves and warehouse parties.

Rall was first introduced to Martin Audio over a decade ago at Washington DC’s once-beloved underground music venue, U Street Music Hall,while Precision Event Rentals had more recently run Martin Audio systems at events and festivals. “Their faith in the brand was further underpinned earlier this year when seeking potential powered speakers for their rental inventory. “We realised the Blackline range now came in active form and just started buying them in multiples, largely because of the price point and quality of the sound,” said Rall.

The connection with the La’ Shukran project was made after Brady Rall had been providing tech support and operating a DJ programme for Unordinary Inc, a high-concept cocktail and restaurant bar group run by Radovan Jankovic and Marko Bogdanovic. It was they who partnered with Michael Rafidi. “So back in March 2024 they invited us to design and install this new project they were working on.”

The fact that it was in a dilapidated warehouse area of DC that was being transformed into a more upscale neighbourhood attracted them. Cyr and Rall led the project, designing the space into four zones. The ground floor, the stylish Yellow, is based on eight Martin Audio ADORN A55, with flown SX210 (2×10) and SX212 (2×12) providing low end extension. Upstairs La’ Shukran required a more powerful approach with four CDD12 and an SX212 sub, with eight further ADORN A55. Here the sound system, described as “incredible” by the installer, plays out everything from Arabic rock and hip hop and Levantine funk to more cool Mediterranean vibes.

The latest roll-out of the Rock & Brews American bar/diner concept, specializing in classic rock, has opened at the Potawatomi Casino Hotel in Carter—the premier gaming and entertainment destination in northern Wisconsin. This follows its success at the nearby Casino Hotel, Milwaukee, where the Potawatomi Tribe first embraced the concept a year earlier.

Both operations feature a heavy deployment of Martin Audio products, installed by Green Bay-based partner, CCCP (Camera Corner). At both sites they were sub-contracted to carry out the installation by principal contractors, Dublin-based Audiotek, who supplied the visual media.

CCCP has a long-standing relationship as AV providers to the Forest County Potawatomi Tribe. CCCP project designer, Scott Tomashek, said the client had been keen to maintain consistency with Martin Audio having been impressed with its performance in Milwaukee, where it had been specified by Audiotek. So successful was the Rock & Brews concept there, that the operators duly decided to convert the restaurant at their Carter site.

“We were pleased to see that a lot of Martin Audio equipment had already been specified by Audiotek, as we have been partners with them for a number of years. Everyone was happy to be working again with a brand with which we were already familiar, and trusted.”

At Potawatomi CasinoHotelCarter, CCCP once again worked closely with architects, I-5 Design. But faced with a smaller 3,000sq. ft. footprint than Milwaukee, with a reduced stage and restricted ceiling height, a change of approach was required. CCCP turned to an alternative flown system other than TORUS which had served them so well in Milwaukee. “FlexPoint became the obvious solution,” Tomashek explained, “and it worked out really well.”

The primary system is the largest FP15—a single box flown left and right with the two subs set adjacent in the center. “This is a relatively compact box that still has plenty of output. And because we had to fly subs directly in front of the stage area, the ability to use the SXC115 cardioid versions meant we could keep some of that low frequency energy off the stage area.”

A pair of FP8 are located on either side of the two large Taylor videowalls. Five additional FP6 and the final pair of FP8 point out from the Rock & Brews restaurant into the main casino area on a delay ring, to attract customers in. “The coverage is excellent,” the installer confirms.

The entire set up is powered by Martin Audio iKON DSP amplifiers; a pair of iK42 are assigned to the main FP15 rig, the SXC115 sub and FP6 fills, while an iK81 powers all six FP8, one per channel.