Categories
Martin Audio

HERITAGE BAPTIST CHURCH UPGRADES ITS MARTIN AUDIO PA—A QUARTER OF A CENTURY LATER

US: Back in the year 2000, RMB Audio—one of Martin Audio’s longest serving global partners—installed a Wavefront W0.5 miniature high performance speaker solution in Heritage Baptist Church in Zebulon, NC.

The splayed array was designed to provide coverage of a church seating 600 with a balcony, below a vaulted pentagonal roof. Audience seating on the floor in the sanctuary formed a 200° fan from the pulpit, which required some angle separation between the cabinet hangs to provide an overlap from the 100° horizontal pattern.

Due to Martin Audio’s advanced engineering and build quality, this gave the church an excellent return on investment. But when it came to refreshing the speakers, a cell defect was detected. Realising that components for this vintage system were no longer available, an alternative was required.

Cooper Cannady, RMB’s owner, turned to the award-winning O-Line micro-line array for its accuracy and consistency, with two eight-element hangs proposed after modelling in Martin Audio’s DISPLAY software, and comparing with existing room data. Suspended from the existing half-circle frame the new rig provides coverage for the floor and balcony seating to the point where the existing Martin Audio under-balcony C115 speakers are no longer required to reach the last four rows of rear seating.

ASIDE FROM ITS THROW, WE’RE EXPERIENCING NO WALL REFLECTIONS, LOBING OR LOW-END THRUST TO THE STAGE; IT’S EVENED OUT VERY NICELY.

Cooper Cannady, Owner of RMB

Cannady always had confidence that O-Line would be the best solution. “We knew it would be spectacular for that venue,” he said. “I sent them some photos of other installations we had done, and after discussing how much throw they would need they were left in no doubt as to what they were going to get. We have been able to run the system off their existing amplifiers and it went together really well, with all the angles fitting in very nicely.”

Each box could be run off a single amplifier channel without applying any resolution, although RMB will add Martin Audio’s dedicated DX4.0 system controller in due course—with FIR filter settings loaded in—largely for limiting and minor frequency adjustment.

“The quality has increased tremendously,” notes Cooper Cannady. “Aside from its throw, we’re experiencing no wall reflections, lobing or low-end thrust to the stage; it’s evened out very nicely.”

This is particularly important, he says, when three generations of families routinely attend services.“The older generation have said they can hear much better—which is always the top goal we work towards. O-Line brings the spoken word up significantly.”

Aside from the intelligibility and clarity of celebrants’ speech, the church features worship bands, comprising piano, organ, a brass section and acoustic guitars. “When we initially demoed the system, we played music that had some pretty robust low end to it.”

Finally, O-Line was always designed to be architecturally discreet, and turning to aesthetics, the RMB owner says although the PA has transferred “from black to white”, the change has hardly been noticed. “In fact it looks very attractive up there.”

Rev. Joel Dupree, Administrator at Heritage Christian Academy, added his endorsement: “RMB Audio upgraded our 25-year-old Martin Audio array with O-Line cabinets, which produce such great sound from a small package. It’s a perfect upgrade for our congregation.”

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Categories
Martin Audio

PLYMOUTH’S JUNCTION UPGRADES WITH POWERFUL MARTIN AUDIO THS

UK: The 235-cap Junction live music venue in Plymouth recently upgraded its ageing sound reinforcement infrastructure, opting for a Martin Audio premium PA.

The installation was carried out by locally-based Martin Audio rental and installation partner Nub Sound, and overseen by their Director of Operations, Josh Small. He recommended the manufacturer’s powerful triaxial THS 15in point source loudspeaker, combined with SXC118 cardioid subs to provide both the requisite headroom and vocal clarity—far exceeding the capability of the ancient system that it was replacing.

The long-running venue has been operated by the independent Bedford Breweries for the past decade-plus, but has been trading as The Junction for at least 20 years.

The venue has been systematically upgrading its sound capabilities over the past 18 months, with loudspeakers always planned as the final jewel in the crown. Said Josh, “The venue has transitioned from being a pub that did live music, to a proper live music venue.”

House engineer Dom Chiswell, another staunch advocate of Martin Audio’s signature sound, said the change of direction had been enforced as a result of the pandemic. “When we came out of COVID, we took a big hit with midweek bar sales; it wasn’t working, so we decided to focus on live shows, but make the experience a lot better for bands prepared to travel all the way down to Devon.” The new booking policy is now geared towards 60% touring bands.

WE’D BEEN SHOWN THS AS PART OF THEIR ‘UNPLUGGED BUG’, WHICH AT THAT TIME IT WAS ONLY A BESPOKE BOX. BUT ONCE IT CAME OUT AS A PRODUCTION ITEM IT WAS CLEARLY THE RIGHT BOX FOR THE ROO.

Dom Chiswell, House engineer

The process to find the perfect sound solution began a year ago, with an open day at Nub Sound, whose own relationship with the venue dates back many years. Martin Audio support engineer Ben Tucker attended, and several alternative Martin Audio PA systems were considered, including TORUS, FlexPoint (and briefly CDD-LIVE).

“We’d been shown THS as part of their ‘Unplugged Bug’, which at that time it was only a bespoke box. But once it came out as a production item it was clearly the right box for the room.”

Endorsed by Ben Tucker, Josh Small’s recommendation was for a L/R THS system, with one enclosure on top of a pair of stacked SXC118 cardioid subs on each side. A pair of delayed FlexPoint FP6, one mounted each side of the room, provide the necessary fills.

Explaining the need for so much headroom, Josh said, “The club stages a lot of punk, metal and rock music with loud guitars, so it wasn’t only about reinforcing their low-mid, core energy but getting the vocal above that, which is why the three-way box made so much sense. I’m very comfortable with that decision.”

Processing for the THS and FlexPoint takes place within a dedicated Martin Audio DX0.6 system manager, which feeds the amps. The system was set up with manufacturer presets and tuned with SMAART and pink noise. “All I really had to do was time align the system,” continued Josh. “I didn’t need to do any significant EQing at all—we just relied on the natural voicing of the system which was great.”

The new PA has certainly been well received by visiting sound engineers. “At least three of their roster of freelance engineers phoned to say how much better it sounds, and compared with the old system, it’s like night and day. Having the cardioid subs, and bringing down the LF on stage, means that drummers are much happier, and it allows us to reduce monitoring volume and improve the sound in the room. At the same time, the pattern control on the THS is really good and that has helped improve how the room is performing.”

Dom Chiswell agreed wholeheartedly. “Feedback from engineers and bands alike has been amazing. The amount of headroom I’ve got is insane compared with what it was like before. Now I am able to hear a little bit of everything in the mix, the sound appears louder because of the added clarity, although in fact we are actually averaging about 3dB quieter than we were beforehand.”

Dom Chiswell had worked regularly with Martin Audio MLA Mini and CDD during his days at university, while his time at Deep Blue Sound, who had a partnership with Martin Audio, gave him further exposure.

He admits the new PA has put a smile back on his face. “It’s given me a new lease of life because I was starting to experience burn out. Putting in a new system, working with Josh and then hearing it in situ has given me a new-found love for my work.”

He says he had never realised that a new PA system could have such a positive impact on his mental health.

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Categories
Martin Audio TiMax

MARTIN AUDIO AND TIMAX TEAM UP TO TAKE TED THEATRE INTO NEW IMMERSIVE DIMENSION

Canada: For one memorable week each year a wing of the large Vancouver Convention Centre event space transforms into the custom-built 1,200-seat TED Theatre — which hosts powerful, high-profile talks aimed at driving meaningful change.

As the non-profit TED Organisation’s relationship with its current PA supplier was nearing an end, their long-serving and highly experienced audio consultant, Michael Nunan was working on a TED Countdown project in Brussels, alongside FOH sound engineer Miles Barton, another veteran of TED event sound mixing. “We were discussing what PA manufacturer would be a good choice going forwards,” Barton recalls. “I’ve used Martin Audio gear since leaving college 24 years ago—and now use it regularly with [Martin Audio rental partner] 22Live.”

He believed the two brands—TED and Martin Audio—would make a good alliance, and duly asked 22live director Spencer Beard to make the connection with TED Head of Production, Mina Sabet. She, in turn, contacted Martin Audio MD Dom Harter—and the idea quickly gathered momentum.

Sabet was determined to disrupt the orthodoxy when it came to audio projection. “There’s a level of perfection and excellence that we look for and a very specific sound. I want speakers to be very ‘present’—as if they’re standing in front of you—something very different from a corporate event. And for performances and music we really want an immersive space, so that attendees would feel a deep sense of connection with both the speaker and the room.”

This was a challenge that Dom Harter readily embraced. “Miles had recommended our optimisation as a tool to improve TED broadcast quality by reducing spill from the PA. At that point we introduced Simon Honywill to design and spec it—and upgraded it to a TiMax spatialisation platform.”

Honywill himself said, “I was thrilled, as I’ve been a long-term advocate of all things TED related, having worked on a TED Global event back in 2013, and even delivered my own TEDx talk.

Another bonus was the fact that this was to be in their own portable auditorium, made entirely of sourced Douglas fir trees that has been reused annually since 2014 when it was originally designed. “This made it a really beautiful environment to work in,” said Simon Honywill. “It’s the reason I really wanted to go to town on the design, because while most of the output is speech, video content, audio bumpers and live music also play a major part.”

Simon Honywill knew that by incorporating fellow Focusrite Group sister brand, TiMax into his design, a spatialised solution would enable seated audiences of up to 1200 people in the auditorium to receive the sound naturally at their seat rather than it appearing to emanate from a loudspeaker.

For the designer, the challenge as much as anything was the fact that he would be liaising with Nunan, Sabet—and Martin Audio integration partner Alford Media—remotely from his base 4,600 miles away. He was also acutely aware that aside from the live audience, TED would want to deliver a pristine broadcast feed on its streaming platform for its many subscribers.

WHAT I’M VERY IMPRESSED WITH IS THE TIME, ENERGY, THOUGHTFULNESS AND EXPERTISE THAT THE FOCUSRITE GROUP HAS BROUGHT TO THE EVENT.

Mina Sabet, Head of Production, TED

Honywill developed the workflow, creating a sound system model and transferring designs created in Vectorworks to SketchUp and then importing into Martin Audio’s proprietary DISPLAY3—before handing over responsibility to Eric Faulk at Alford Media for implementation. “The model actually looked great,” he smiles. This enabled him to send comprehensive, and immersive delayed sound to both surround and overhead speaker locations.

Five hangs of WPS line array were positioned in an arc—the three centre hangs with 11 elements deep and the two outer hangs with nine deep—making 51 fully-optimised boxes in total. These were supported by a central array of 10 SXC118 cardioid subs.

The main surround rear speakers comprise four hangs of four Martin Audio TORUS horizontal arrays, with FlexPoint 12 high performance coaxial point source boxes enveloping the space and distributing all the overheads to create full immersion in an object-based scenario. Subwoofers for surround comprised of SXH218 below the TORUS arrays.

To optimise the implementation of TiMax SoundHub distribution matrix, Simon Honywill worked closely with TiMax co-founder Dave Haydon and Senior Product Developer, Dan Higgott. “WithMartin Audio’s DISPLAY prediction software we could very accurately predict what the sound system was going to sound like. And with the TiMax software we were able to pre-calculate all the level and delay to every element of the system,” said the latter.

“The big difference with a TiMax immersive system such as TiMax is that with TiMax we can calculate the delay times for every loudspeaker and input source back to the position of that source. It allows the perception of the sound system to completely disappear for the audience; if you do it correctly the audience can forget they are listening to amplified sound.”

TED presenters occupy a set position downstage centre for their delivery—and the PA is aligned to that. Simon Honywill: “While TiMax handles that elegantly—there was content submitted in 5.1, and between Dave Haydon and I, we came up with a concept whereby there was a kind of generic set of image definitions that spread the 5.1 source out across the system in a very convincing way.

“Michael Nunan was saying that the broadcast feed sounded the best it had ever done.” In fact

he reports that the FOH (and Broadcast A1) team were hearing between 6-10dB less PA in the Presenter’s headset mic than in the past. “That is, the PA design was very effective at preventing the energy from the house spilling back onto the stage,” he says, giving it further context.

Both Nunan and Martin Audio’s Brad Stephens also emphasised the importance of having a sound system “that doesn’t put audio where it’s not wanted.” Said Stephens, “With the sound optimised for the room we can define coverage from front to back and exclude areas, either by ignoring them or actively excluding them with the ‘Hard Avoid’ [feature].” This was particularly appropriate for the stage area—an attribute also highlighted by Mina Sabet.

Reflecting on the fit-out, she said, “What sets this experience apart is that Martin Audio has been really focused in making the venue deeply immersive in a way that we haven’t experienced before at a TED conference. And in that respect TiMax is unmatched. The partnership between Martin Audio and TED is taking us to another level of audio that we never thought possible.”

Michael Nunan agreed. “Previously it has been unavoidable hear the voice coming from the loudspeaker that I am sitting closest to. But the first time we put up a microphone on the stage this year the big, distributed Martin Audio PA was effectively transparent. It has completely changed their approach to pathways and how to manage the show in a single workflow. Using TiMax SoundHub creates enormous operational efficiencies.”

In summary, Mina Sabet said, “What I’m very impressed with is the time, energy, thoughtfulness and expertise that the Focusrite Group has brought to the event. They really came through, in what was a complicated set-up. I know Michael Nunan was thrilled, and very excited about the potential.”

Next year will be the TED Conference’s 12th and final year at the Vancouver Conference Centre before relocating to California and she is confident that the sound will make a further quantum leap. “I’m really excited about the future and the opportunity to make it even more immersive,” she exclaimed. “The potential is amazing, and I further expect to be blown away in year two.”

Photography: Gilberto Tadday / TED & Jason Redmond / TED.

 

LINK TO VIDEO

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Categories
Martin Audio

DUO GASTROBAR CELEBRATES A MICHELIN STAR AND MARTIN AUDIO SOUND

UAE: Situated in the luxury residential area of Dubai Hills, on the Business Park, DUO Gastrobar has joined the growing list ofhaute cuisinerestaurants being sucked into the fast-developing neighbourhood.

Founded by Duoband Restaurant Group from St. Petersburg, headed by Renat Malikov and Dmitry Blinov, its quest for the best has already earned them a Michelin star for their fine European cuisine (with a twist of Asian), while their clientele luxuriates in an interior characterised by light, airy colours and natural materials, while the musical ambience is delivered by Martin Audio’s best-selling CDD series.

But it wasn’t the aesthetic of the white CDD5s so much as the sound quality that had impressed the owners, according to regional distributors PRO LAB LLC. Already with a presence in the area the operators were aware that Martin Audio is the brand of choice for many upmarket establishments and also for project designers/consultants, LXA—who have worked on a number of projects with PRO LAB.

“In fact the owners had asked LXA to look for the providers of Martin Audio as it has such good visibility in the region,” confirmed PRO LAB general manager Jan Tarakji.

The Martin Audio distributors were happy to support LXA Senior Project Manager, Riaan Koch as he designed the main bar/restaurant sound around five discreet CDD5W.

But the operators also wanted some headroom in the system for when needed, and to this was added a pair of SX110 subwoofers.

Tarakji added, “They know that if they want to push the system … maybe play some deep house, they have the tools to do so, as these are small and punchy. Thanks to eyebolts LXA have been able to fly these—one at the bar and one at the opposite end of the venue—as space on the floor is at a premium.”

In addition to the main area there is also a separate covered terrace, with a different vibe where patrons are served their music via a further five CDD5W.

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Categories
Optimal Audio

WebApp 1.5: Thinks Faster, Talks Smarter

Continuing its mission to be the go-to zone control software for small to medium-sized venues, WebApp 1.5 arrives with a turbo upgrade and a brain boost to make life easier for system integrators, installers, and everyday venue staff.

What’s new?

Five Times Faster

With Sync speed improvements to WebApp, the flow of operation is now lightning quick and smooth for both system integrators and venue staff.

Auto Name Shortcuts

With auto naming of shortcut buttons, it’s  even faster to configure systems in WebApp. Fields where a user would manually add names of sources, inputs and outputs, WebApp will now make suggestions for the names of those zones. Based on both a library of preset names and from the Zone name, routing and speaker preset, this added intelligence allows a quick shortcut button push to name the field you are completing.

Configures Systems in Under 5 minutes

These enhancements alongside WebApp’s revered workflow means system integrators and installers can on average configure a 3-zone venue in under 5 minutes.

Talk Smarter

WebApp 1.5 has enabled Talk 8 announcements to be integrated into routines. Routines is the automation of control functions within a venue system such as when music starts to play in a given zone, or how the levels may change over the course of a day. WebApp is still the only zone control software in its class to offer this level of automation that makes installers look like super heroes and leaves staff worry free.

Audio files and announcements stored in the award-winning 8 zone digital paging station,  can now be assigned to a routine, such as a school bell or a marketing message in a retail store. This routine can either be triggered manually from WebApp or assigned to a time-of-day routine for automatic playout.

Similarly, when using a ZonePad 4 in single zone mode, the Zone buttons 1-4 can be assigned as routines for instant message replay, along with other routine parameter changes like source and volume.

Sub18 Support

It’s time to get your boom on, as the update also brings built-in presets for our latest hardware arrival—the mighty Sub 18. With deep bass and punch to spare, it’s now easier than ever to drop in low-end power with zero guesswork.

Simultaneous Update of WebApp Desktop Demo

As with all updates to WebApp, the companion offline tool, WebApp Desktop Demo, is also updated so users can get familiar with all functionality of WebApp without the need to be connected to a system.

Matt Rowe, the man leading the engineering wizardry, commented, “WebApp 1.5 isn’t just an update, it’s a leap toward a faster, friendlier, and more flexible audio control experience—because great venue sound should never be hard work.”

Download WebApp1.5 and Desktop Demo: https://optimal-audio.co.uk/support/software/

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Categories
LEA Professional

LEA Amps Power Henry Dorrbaker’s

At Henry Dorrbaker’s, the energy is nonstop—buzzing with the clatter of bowling pins, the laughter from arcade games, and the chatter from a packed dining room. To match that high-octane atmosphere, they needed audio that could keep up. That’s why they chose LEA amplifiers to deliver powerful, crystal-clear sound throughout every inch of the space.

THE SPEC

🎳 Venue: Henry Dorrbaker’s | Beloit, Wisconsin

👷‍♂️ Integrator: SVL Productions

🎶 Audio Spaces: Dining and Gaming Areas

🦈 Product Used: Connect Series 124D354D, and 702D  (Multiple)

Henry Dorrbaker’s

Located in the heart of the vibrant and historical town of Beloit, Wisconsin, Henry Dorrbaker’s Pub & Play is a premier dining and gaming destination popular for its elevated menu, lively bar scene, and versatile indoor-outdoor entertainment spaces. From the 12 customized duckpin bowling lanes to the indoor mini golf course, Henry Dorrbaker’s provides a seamless blend of casual elegance, making it the perfect spot for both weekday dining and weekend entertainment.

THE INSTALL

To create an exceptional audio experience for their diners and players, the team at Henry Dorrbaker’s turned to Brent Hayes, President of the Cherry Valley, IL-based AV integrator SVL Productions, to design and install a sound system to elevate the already amazing upbeat atmosphere inside the venue. The goal was to provide polished background music, flexible zone control, and capabilities fit for the fast-paced and ever-changing needs of live entertainment, all while ensuring simple remote management for the venue’s staff. 

SVL specified LEA Professional Connect Series amplifiers and the LEA Cloud for this project, leveraging the company’s industry-renowned features and reliable performance standards to meet the venue’s needs. Hayes installed the Connect Series 124DConnect Series 354D, and Connect Series 702D amplifiers to enhance the guest experience at Henry Dorrbaker’s.

“We greatly appreciate the LEA Cloud platform and the Connect Series amplifiers as they provide us with extensive visibility and control over our customers’ systems,” said Hayes. “We currently have hundreds of LEA amplifiers online and anticipate adding around 30 more in the coming months. The remote access feature allows us to support our clients efficiently without needing to be on-site.”

The Connect Series amplifiers provide Dante-enabled network connectivity, making them ideal for Henry Dorrbaker’s distributed audio system. Featuring Smart Power Bridge technology, these amplifiers allow for flexible configuration with both high- and low-impedance speakers, ensuring consistent, high-quality audio throughout the venue. Hayes utilized the LEA Cloud, which enables staff to monitor and manage the amplifiers remotely. This cloud-based platform offers real-time insights into amplifier performance, allowing for quick and efficient system adjustments and troubleshooting.

The Connect Series amplifiers offer audio power to various zones throughout Henry Dorrbaker’s, ensuring vibrant sound coverage in the dining areas, bar, restrooms, and outdoor spaces. The amplifiers drive the outdoor speakers, transforming the patio into a lively venue for guests to enjoy fresh air and amazing audio with their night out. As the weather warms up, the team looks forward to fully utilizing the outdoor space to enhance the guest experience with high-quality audio.

THE CONCLUSION

“Henry Dorrbaker’s is an excellent venue with a vibrant atmosphere, and the LEA Professional amplifiers are a perfect fit,” said Hayes. “The flexibility, reliability, and remote management features of the Connect Series make them the preferred choice for installations with this many moving parts. We already have a few LEA projects planned and expect to have many more in the future.”

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Categories
Martin Audio

MCGETTIGAN’S PARTNER WITH MARRIOTT AND MARTIN AUDIO IN DUBAI

UAE: The McGettigan’s Irish Pub franchise continues to expand across Dubai, but their latest bar and restaurant—situated in the Four Points by Sheraton Production City—is the first to be located within a Marriott-owned hotel property.

Set within this growing production hub it will serve the community of media-based businesses who are resident there. Also based at Production City are Martin Audio’s distributor for the UAE and GCC region, PRO LAB LLC, who will be able to use the venue as a showcase. For they supported system integrators Exacting Diseno Technical Services—specialists in the leisure hospitality sector—helping to recommend appropriate sound reinforcement solutions across several ranges in the loudspeaker manufacturer’s portfolio.

Set on a 5,000 sq. ft footprint, the lively bar restaurant offers a haven for business meetings for the hotel residents, transforming at the weekends when the action notches up. DJs perform and the general vibe is one of a sports bar with plenty of screens.

Thus versatility (and the rising tide of ambient sound at weekends) was very much in their thinking when it came to specifying the sound. But PRO LAB knew they were in safe hands with Exacting Diseno. “They are big supporters of Martin Audio, it’s their number one choice, when it comes to specifying sound systems,” stated PRO LAB’s Head of Audio, Pavel Shemiakin.

“When they started negotiating with the client it was made clear that they wanted a high-performance system—a HiFi sound with plenty of punch—because while it’s mostly playing low level BGM during the daylight hours, it also reverts to a sports bar and has DJ plug-in points. So Martin Audio became the obvious choice.”

The heavy focus is at the DJ position where a pair of CDD12 are mounted, while distributed evenly throughout the venue are a further nine wall mounted CDD6. These are reinforced by four ground-standing Martin Audio Blackline X115 subwoofers for LF extension.

However, the installation company, under the project leadership of Lou Agha, was still far from finished. For the outdoor terrace area they turned to 12 of Martin Audio’s ADORN A55T, supplied with the optional AIPKIT IP44 weatherised cover. This area can either take its source feed from the main room, or operate from an independent input and volume control, ensuring maximum versatility.

Stated Rami Haber. Pro Lab CEO, “Partnering with McGettigan’s reflects our commitment to supporting Dubai’s top venues with exceptional audio solutions that elevate the guest experience.”

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Categories
Martin Audio

SUTTER HEALTH PARK UPGRADES WITH MARTIN AUDIO & LINEA RESEARCH

US: Situated in West Sacramento, CA, Sutter Health Park—home to the River Cats baseball team and ‘A’s’ (Athletics)—has undergone a major infrastructure upgrade for the coming season, designed to enhance the fan experience and improve game-day technology.

This includes a strategically enhanced sound system for the bowl—based around Martin Audio CDD and SX subwoofer components, as well as process-controlled amplification from Focusrite sister brand, Linea Research, in the 14,000-cap arena.

The River Cats had acknowledged that their 25-year-old system badly needed enhancing. Locally based Martin Audio partner, Sacramento Production Services (SACPS)—who have a long history in servicing the facility—were brought in, initially to project manage for a third party before later being handed the full role of system integrator, as the time frame for completion narrowed.

Their experienced Sales & Production Manager, Keith Wackford said, “The brief was to get the present system back up and running after they had completely gutted the control room. “In the process they said, ‘What can we do to upgrade the system?’ They wanted a major league experience in a minor league park on a minor league budget.”

Wackford and his long-term associate and project manager, Anthony Brown, undertook a site survey and immediately recognised the imperfections—aside from the tired PA components. Budget and time frame restrictions would not allow for replacement of the main bowl speakers. “But with the addition of the new Linea Research amplification (LR-44C10M-Dante), it’s as if they purchased new speakers.

WE ARE IMPRESSED WITH CDD10, FOR ITS THROW AND INTELLIGIBILITY.

Keith Wackford, Sacramento Production Services

“Elsewhere, it was a case of what would give us the best bang for the buck. We knew the system had always been lacking in subwoofers and if we were going to put in subs, we also needed to ensure the [infill and outfill] boxes would keep up.”

As a long-term Martin Audio partner they contacted Will Harris and Jim Sage at Martin Audio USA, who recommended the SX115 for its superior outdoor driver. “The 25-year-old outfield speakers 

on light poles were in really bad shape,” acknowledges Wackford, “and although difficult to get access to we knew we had to change them and replace them with [weatherised] CDD15W-WR. For how high up they are, everyone is absolutely impressed.” In fact one of the speakers is close to 80ft.

Of the CDD deployment he said, “The CDD15 gave us a little more low end and full range in the outfield, as the bowl PA doesn’t really reach out to there. We also like CDD’s whole intelligibility; at low volumes it’s got a really good intelligibility out of the far throw, plus it’s impressive how wide they are at the near point.”

Distributed around the bowl, the subs themselves are mounted on I-Beams to the underside of the VIP suites, while 30 CDD10W-WR bowl fill speakers were added in conjunction with the subs. After consideration, they opted for one per each seating section, running right round the facility.

“We are impressed with CDD10, for its throw and intelligibility—and the way it couples to the high frequency driver to carry the HF driver a bit further. One of the reasons we went for the CDD10 over the CDD8 is because it has a yoke, and we wanted something that would allow us to pan and tilt in an easy manner.”

In addition to the amplifiers and speakers, SACPS upgraded the mixing console, as well as the main system processor and touch screen interfaces to Symetrix. “Symetrix allowed us to use the Linea Research Intelligent modules bringing the amplifier telemetry data right onto the users’ touch screen remote—giving the user information as to what the nine LR-44CC status and signals are doing. The system is all running Dante with an analogue fail over from the console to the Symetrix, and to all nine LR-44C amps around the facility,” Keith Wackford explained.

Better known as ‘Raley Field’, the site itself is directly adjacent to downtown Sacramento, with a whole neighbourhood growing up around it. “We had a crazy speed limit of, I think 85dB, A-weighted 15ft from a source. So trying to do line array from the outfield or subs up high wouldn’t work. We had to keep things contained within the ballpark as there are a lot of new apartments with high rise buildings springing up. Everything distributed as close to the listening area as possible is critical.”

System feeds include DJs on the concourse, taking advantage of the new audio inputs, and there are plans for future live entertainment. Main PA and pre-recorded live safety messages also run through the system. “Messaging now sounds so much better,” believes Keith Wackford.

Aside from him, Anthony Brown acted as project manager; onsite programming and networking were provided by Brian Webber, while due to the tight time frame Alive Media were brought in to provide on-site installation, wiring and labour. Finally, Symetrix programmer Nick Danielson did “an amazing job” according to Wackford.

The client is delighted with the result following the upgrade. According to Eric King, VIP Technology, “The difference is night and day—the quality, clarity, and overall experience are next level. We really appreciate the attention to detail, the seamless install, and the passion brought to the project

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Categories
Sonance

VX EXTREME JOINS THE VISUAL EXPERIENCE SERIES FAMILY

At Sonance, we believe the right sound can transform a space — even the most extreme ones. We’ve engineered the answer to the most demanding outdoor audio challenges. Introducing VX Extreme — the latest innovation in the Sonance Visual Experience Series. Purpose-built for the world’s most demanding outdoor environments.

This advanced architectural speaker line is engineered with robust IP66 weather protection and heat resistance up to 90°C. Whether it’s intense sun, sea air, or sauna heat, VX Extreme delivers uncompromising performance and durability — all while disappearing into refined architectural spaces.

VISUAL PERFORMANCE TO VISUAL EXPERIENCE: THE EVOLUTION OF EXTREME

It began with a challenge: deliver exceptional audio for luxury yachts without compromising design. The result was Visual Performance Extreme, a solution that redefined what marine audio could be. Visual Performance Extreme helped unlock new capability for refined marine environments. Suddenly, it became possible to deliver rich, immersive sound, preserving the integrity of meticulously crafted interiors and exteriors.

In the years since VP Extreme was first introduced, Sonance has advanced engineering and technology to evolve products across the catalog, refining performance and features. Now, VX Extreme carries that mission forward — integrating our latest Sinusoidal Waveguide Technology, enhanced transducers, and a wider range of models, including architectural subwoofers. Together, they offer immersive, evenly balanced sound that complements design.

“Over the years, Sonance has proven to be a partner that truly listens — not only keeping pace with the industry’s evolving needs, but often anticipating them. With solutions like VX Extreme, they’ve marched ahead of the curve, delivering what we didn’t even know we needed yet… they’re not just following demand; they’re shaping it.”

— Arthur Van Berge Henegouwen, Former Sales Director | Feadship

FEATURES AND BENEFITS
  • VX Transducer Tech: Higher performance and fidelity
  • VX Waveguide: Consistent tonality and wide dispersion
  • VX/VXQ XPC Grille: Micro Trim and Trimless Extreme Post Capture grilles that won’t fall off from wind and water spray
  • IP66: Water and dust resistant
  • Temp Resistance: Now 90°C (194°F) to support sauna and other extreme environments
  • One-Stage Install: One-stage Roto-Lock installation

DEBUTED AT ISE 2025

New VX Extreme made its global debut at ISE 2025, setting a benchmark in outdoor and specialty-environment audio. There was an immediate buzz as Sonance showcased the highly anticipated addition to the Visual Experience Series to the international audience offering a firsthand experience of the series’ unmatched performance, durability, and broad model selection.

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Martin Audio

TORUS IS A GOA AT GOYA

INDIA: GOYA is a premier lounge and nightclub in Goa’s tourist hotspot of Vagator Beach. The venue blends high-energy entertainment with a luxurious atmosphere, offering a space where music, lighting, and ambiance converge to create a dynamic, immersive interior. With a reputation for hosting top-tier DJs and live performances, GOYA sets the benchmark for sound and experience-driven nightlife in the region.

The venue required an audio solution that could match this vibrant energy while maintaining pristine sound quality across different areas of the club. The client, Mr. Rajan envisioned a system that would elevate the experience for DJs and live performers, embracing deep bass, clear mids and detailed highs.

With the need for seamless integration between dance areas and lounge spaces, the sound system had to be powerful yet precise, preventing audio spill, while maintaining an immersive feel. The installation team at Chopra Designsfocused on delivering uniform, high-fidelity coverage to every corner of the venue to enhance both live performances and playback experiences.

THE NEW SYSTEM HAS ELEVATED THE ENTIRE CLUB EXPERIENCE, AND THE RESPONSE FROM OUR GUESTS HAS BEEN OVERWHELMINGLY POSITIVE.

Mr. Rajan, GOYA

To achieve this, the venue’s main area was fitted with Martin Audio state-of-the-art TORUS T1215, 12” passive constant curvature array loudspeaker, complemented with Martin Audio’s CDD15B and CDD12B coaxial differential dispersion on-wall speakers. Powering the entire setup was the Martin Audio iK42, a four-channel 20,000W Class D amplifier, along with the DX 0.6 2-in/6-out dedicated system controller for optimised sound processing. For additional reinforcement, compatible subwoofers were installed to provide depth.

With this advanced blend of technology, the new sound system elevates the venue’s reputation as a premier nightlife destination in Goa. The installation has not only met but exceeded the client’s expectations, setting a new standard for sound reinforcement in the region.

“The transformation in our venue’s sound is incredible,” said Mr. Rajan. “From the dance floor to the lounge, the clarity and impact are unmatched. The new system has elevated the entire club experience, and the response from our guests has been overwhelmingly positive.”

“The installation at GOYA perfectly balances power and precision, creating an immersive sound experience throughout the venue,” added Abhimanyu Chopra,Sound Consultant, Chopra Designs. “The system delivers exceptional clarity and impact, ensuring that every performance sounds exactly as intended.”

The Martin Audio components were supplied by the company’s distribution partner, VMT Enterprise, whose Pre-Design & Sales Engineer, Sai Prem,concluded, “The system delivers an outstanding combination of clarity and power, ensuring an immersive experience throughout the venue. Every element has been fine-tuned to provide a balanced and dynamic sound that enhances both live performances and DJ sets.”

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